Today is Worldwide Pinhole Photography Day!

Make some pinhole photos, pick your best one, and upload it to the WPPD gallery (free)!

Don’t have a pinhole camera? No problem! There are workshops and exhibits of pinhole photography all over the world today where you can build or use one, check the events listings for your area.

If there’s nothing near you, grab the free plans for one of these paper cut-out do-it-yourself 35mm pinhole cameras:

The Dirkon

Nick Dvoracek‘s Populist (PDF link).

I’m going to shoot and check out the show [see previous post] at RayKo Photo Center in San Francisco, CA, US.

Happy shooting!

PS Please note that despite what they tell you, WPPD is not presented by the Lomographic Society International!

Lomographic Society continues to suck, co-opts Worldwide Pinhole Photography Day

The goons at the Lomographic Society International—the people who brought the world the $20 Holga for $70 and monopolistic control over the distribution of the Lomo LC-A camera—have now added Worldwide Pinhole Photography Day to the list of products and events they had nothing to do with creating that they’ve claimed as their own. The headline of their latest newsletter proclaims, “THE LOMOGRAPHIC SOCIETY INTERNATIONAL PROUDLY PRESENTS THE WORLD PINHOLE DAY”.

Um, no.

WPPD was started in 2001. As far as I know—and please correct me if I’m wrong—none of the members of that year’s coordinating team were affiliated with LSI. Same with this year’s roster. Or any year in between. So to the best of my knowledge, LSI doesn’t present WPPD, proudly or otherwise, at all.

Granted, they don’t use the exact same name, they call it “World Pinhole Day”, and the actual pinhole day event is called “Worldwide Pinhole Photography Day”, but they look same, and they just happen to fall on the same date.

Why would they do such a thing? Probably because it’s a good way to sell more pinhole cameras. They have a decent selection of horribly overpriced pinholes to choose from. And that’s fine. But is it necessary to claim WPPD as their event, which is clearly a crock of shit, to do so? No. They could have gotten behind the real Pinhole Day and promoted it to their mutual advantage instead of choosing this classically-LSI approach. I urge you to think about the kind of company you’re supporting when you buy from them (to say nothing of the fact that you’re almost certainly over-paying).

Here’s where to get the pinhole cameras LSI sells, or equivalents, for less. Prices are in US dollars.

PinHolga: $60 from LSI, $21.95 from holgamods

35mm PinHolga: I don’t know, but you can convert most $1 plastic 35mm cameras yourself, or you can make or buy a pinhole cap for your 35mm, medium format, or digital SLR.

Bulldog Large Format Camera: $325 from LSI, $302.43 from camerabellows.com (as of today’s exchange rate, and that includes VAT, which shouldn’t apply to US orders). And, you can find used, no-assembly-required 4×5 cameras for less. You can try the Buy/Sell board on the Large Format Photography Forum, the Cameras & Lenses classifieds on APUG, or the auction sites.

Zero Image Zero 2000 (“Zero Pinhole 120”): $165 from LSI, $93 from the manufacturer

Zero Image Zero 135 (“Zero Pinhole 35”): $140 from LSI, $93 from the manufacturer

Zero Image Zero 69 Deluxe w/ spirit level & cable release (“Zero Image Deluxe”): $320 from LSI, $222 from the manufacturer

Noon Large Format Pinhole: $225 from LSI, grab the similar-looking and almost certainly identically-functioning (LSI doesn’t list the focal length of the one they sell) Santa Barbara 4×5 75mm pinhole camera for $63.95 from B&H

Sharan DIY Pinhole: $40 from LSI, free if you download and print the plans for the original Dirkon paper pinhole camera, or you can grab the plans for Nick Dvoracek‘s Populist cut-out pinhole camera (PDF link). They’re all paper cameras that you have to put together yourself.

SmileyCam: $25 from LSI, $23 from Justin Quinnell, who makes them. Or just make one yourself, which should be very easy.

And it’s not a pinhole, but you can get a SplitCam $11.95 from the awesome American Science & Surplus instead of paying LSI $25.

 

Why else don’t I like the Lomographic Society?

Shitty products at high prices: their flagship, the LC-A, is a piece of junk. The lens is unique and awesome, but the camera that surrounds it sucks. They didn’t build them, but they locked down the supply and charge a premium. The first LC-A I ordered from them operated in bulb mode no matter what. The shutter button on the replacement fell off after running less than five rolls through it. I haven’t used an LC-A+ and therefore can’t comment on it.

Their Colorsplash and Fisheye cameras have some of the worst build quality I’ve ever seen. Yes, they work. But for how long? I think my $1.50 Lex 35 crapcams are actually built slightly better.

Their Hipshot was my first camera bag. The seams are unraveling and the Velcro on the camera compartments doesn’t stick—even when I press them together carefully—which leaves anything you put in them likely to fly out and break as you move.

Terrible customer support: When I received the broken LC-A, I sent them several emails over the course of I think three weeks and never got a single response. Finally I called them, sent back the whole package, and got only a replacement camera back. I guess they kept the rest of the kit.

Monopolistic and bullying business practices: they secured world-wide exclusive distribution rights to the LC-A from the factory (can’t charge $200-250 for a $50 camera if there’s any competition!) and then went after anyone else who sold them, regardless of origin.

For example, Lomo Joe is a guy who lived in St. Petersburg, Russia. If you didn’t want to pay the extortionate Lomo Society price for an LC-A, he’d go buy one in a local store and send it to you. Check out the threatening letter LSI president Wolfgang Stranzinger sent him.

Getting people to love getting ripped off: this one’s almost difficult not to find evidence of. People drool all over themselves for anything “Lomo” (including things whose only connection to Lomo is that they’re sold by LSI, like Holgas and Horizons) and just can’t wait to be taken advantage of by paying hugely inflated prices and having their work published in books that LSI profits from without offering the photographers any compensation. I guess getting screwed by a marketing company is its own reward.

Abelardo Morell: two shows and one lecture

Two shows of pinhole/camera obscura photographer Abelardo Morell‘s work are wrapping up in the next week. One at the Mead Art Museum at Amherst College in Amherst, MA, US, closes this Sunday, 20 January, 2008 (details here).

The other, at the University of New England Art Gallery at Westbrook College Campus in Portland, ME, US, closed the following one, on Sunday, 27 January, 2008. (See the gallery site for more info.)

He’ll also be in San Francisco, CA, US on Friday, 25 January, 2008, giving a talk at the San Francisco Art Institute Lecture Hall at 800 Chestnut Street at 7:30pm. $10 general admission.

Call for entry: pinhole urban nature

Marie-Noëlle Leroy says:

The Andre Malraux Cultural Center of Le Bourget (France) organizes his second International lensless Photographic Exhibition ! Uniquely pinhole, zone-plate, sieve…

The topic of the exhibition is: Urban Nature
Urban nature! From the flowers on the balcony to the dogged bit of grass growing between the paving stones of the streets, from the arranged parks to the falow lands, from the free flying pigeons to the bears in a cage at the zoo… The pinhole photography must give your answer to the question: which place does still occupy the nature in our large cities?

Each photographer will have a surface of 1 m2 that he will fill with its own way with the number of images which he wants! 1 image of 100 X 100 cm, 4 images of 50 × 50 cm or 100 images of 10 × 10 cm… which they are presented in square, rectangle, L or… it doesn’t matters the number of pictures and the arrangement, the surface must be 1 m square!

The exhibition will take place from 2008 March 4th to April 27th,
at the Andre Malraux Cultural Center of Le Bourget (France)

To take part, send before 2007, December 31th, by Internet only a file including the following parts:

  • Reproductions of images such as they will appear in the Exhibition – Each reproductions must be numbered. Each reproduction will measure 15 cm (5.9 in) in its greatest dimension in 300 dpi, then to have passed into jpeg format, maximum quality. Each one must be cleaned up, in RGB format for colours, in gray levels for Black and White.
  • A sketch presenting the arrangement with the number of each picture. You aren’t obliged to use frames, your pictures can be simply pasted on a rigid support or presented in the form of a roller…
  • a note (format RTF or PDF) presenting (in French, English or Spanish) :
    • Your Name, First name, Address,Country , and e-mail address.
    • A short biography (5 lines)
  • Characteristics of the pinhole-camera(s) used to create these photography (focal length, diaphragm, …)
    • A short text (in French, English or Spanish) presenting your work on this subject (5 lines).
    • A photography of each pinhole-cameras used, numbered in correspondence with the reproductions. This (these) image(s) will measure 7 cm (2.75 in) in its greatest dimension in 300 dpi, passed into JPEG maximum quality.

      The files not corresponding to this request will be systematically rejected.

    The selected authors will be informed by e-mail only during the last two weeks of January 2008. The selected authors will have to send in January (dead line for reception: February 10th) by the post office their photographies ready to be hung on the walls.

    Authors have to take all the customary precautions for a safe travel of their works so that they won’t be damaged.

    During the exhibition, the authors will receive by e-mail pictures showing the opening and the exhibition. At the end of the exhibition, the pictures will be returned to their authors at the Town hall of Le Bourget expense.

    Memorandum

    2007, December 31th: Deadline to send the files to centre.culturel@ville-le-bourget.fr

    2008, January 15 – 20: The selected authors are informed by e-mail.

    2008, January 15 – February 10th : Reception of the works ready to be hung.

    2008, March 4th – April 27th: Exhibition.

    2008, May: The works come back to their authors.

Note that there is no entry fee! It’s submission season, but this is the only one I’ve found that I’ve been able to post so far, because all the rest have entry fees. Which is BULLSHIT. Way to go on not trying to screw artists, Andre Malraux Cultural Center of Le Bourget!

Without Lenses issue #2 is up

Erin Malone, editor of Without Lenses, "a quarterly journal exploring the art and craft of lensless photography", says:

This quarter brings a host of new interviews, the start of our technical article series and new features courtesy of our new content management system—Public Square.

Our two interviews are with a representative, Yvette Pasqua, of the Pinhole Camp at the Burning Man festival which begins August 27th and with Lou Krueger, professor at Bowling Green State University, who creates the most interesting dioramas and custom cameras for capturing these spaces.

The technical series kicks off with a basic how-to and a more complex look at making filters on the cheap. These articles are brought to us through the generosity of our technical editor, Tom Persinger, and the f295 forum members who have written these articles. Earl Johnson’s ‘how-to’ piece on building a foam coare 4×5″ camera is featured in this issue. Look for one or two of these technical pieces on a monthly basis.

Lastly, the switch over to our content management system—a feat that has taken the bulk of the last 3 months—brings a host of new community tools. You can now rate and review articles. You can submit story ideas directly into the system and rate ideas submitted by other readers. We will use this forum for deciding what ideas to pursue. Additionally, all readers who contribute reviews or articles, earn reputation, can create a brief bio and link to their own work and basically own their words in the context of this venue.

We hope these new features help provide for some lively discussion about the articles, help find new talent to feature, foster authorship and generally spread the ownership of Without Lenses to you, the readers.

We hope you enjoy this issue.
www.withoutlenses.com

Camp Obscura pinhole photography workshop, NM, US

Check out the Camp Obscura pinhole photography workshop led by Jackie Mathey:

  • Construct your own 4×5 super wide pinhole camera.
  • Expose images using black and white photographic paper and film.
  • Develop your own images.
  • Quick viewing with digitally scanned images.
  • Craft your images into works of art with the cyanotype printing process.
  • Create a camera obscura and experience what it is like to be inside a camera!

Each camp is held at the historic home of Olive Rush, currently the Friends Meeting Hall at 630 Canyon Road, in Santa Fe, New Mexico. The space is a beautiful adobe home with a rambling back yard situated about half way up Canyon Road offering a plethora of image making options for the pinhole photographer.

In this beautiful small group setting we will build our 4×5 super wide pinhole cameras and get a hands on approach to the geometry of photography. As we experience the camera obscura first hand we gain an intimate understand of the way light moves and images are revealed. We will expose and develop images, made with black and white photographic film and paper, while exploring unique locations. Negatives will be digitally scanned for quick viewing while our printing will be done in the alternative process of cyanotype. As a group we will create a short pinhole animation that will be digitized onto a disc for each participant along with scans of their images.

Join us for adventures in pinhole photography and the camera obscura and explore the history, art and techniques of this beautiful and intuitive process in its simplest and most rewarding form.

The workshop runs nights & weekends 21–28 September, 2007, at Friends Meeting Hall, Santa Fe, NM, US.

More info at CampObscura.com