{"id":184,"date":"2006-05-12T19:41:47","date_gmt":"2006-05-13T00:41:47","guid":{"rendered":"http:\/\/photondetector.com\/blog\/2006\/05\/12\/iso24000-pinhole\/"},"modified":"2006-06-22T19:17:55","modified_gmt":"2006-06-23T00:17:55","slug":"iso24000-pinhole","status":"publish","type":"post","link":"https:\/\/photondetector.com\/blog\/2006\/05\/12\/iso24000-pinhole\/","title":{"rendered":"Awesome implications of ISO 24,000 film"},"content":{"rendered":"
<\/div>\n

Yesterday, I posted<\/a> (well, lifted Oren Grad’s post<\/a> from The Online Photographer<\/a>) about an ultra high-speed ISO 24,000 B&W reversal film emulsion that Kodak have developed, but one implication didn’t hit me until today: if released commercially, it would allow handheld pinhole photography at normal shutter speeds.<\/p>\n

An aperture of f\/185 gives you a shutter speed between 1\/125 and 1\/250 second in about a half stop under full sun, and you’d have an even wider range of choices with zone plates<\/a> or photon sieves, whose aperture equivalents are larger.<\/p>\n

This opens up a lot of possibilities that didn’t really exist before: tripod-free shooting, flash (including fill flash), precision exposure control with normal shutters, and a whole world of candid\/documentary and indoor and outdoor stop-motion photography.<\/p>\n

While I generally like the slower shooting experience of pinhole photography, sometimes it’s just annoying, and sometimes it outright prevents me from getting the shots I want.<\/p>\n

I’m really excited by the possibility of more creative choices. Bring it on, Kodak!<\/p>\n","protected":false},"excerpt":{"rendered":"

Yesterday, I posted<\/a> (well, lifted Oren Grad’s post<\/a> from The Online Photographer<\/a>) about an ultra high-speed ISO 24,000 B&W reversal film emulsion that Kodak have developed, but one implication didn’t hit me until today: if released commercially, it would allow handheld pinhole photography at normal shutter speeds.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,13],"tags":[204,599,751,823,941,1990,1483,1613],"class_list":["post-184","post","type-post","status-publish","format-standard","hentry","category-op-ed","category-pinhole","tag-black-and-white","tag-film","tag-high-speed","tag-iso24000","tag-kodak","tag-pinhole","tag-reversal","tag-slide"],"_links":{"self":[{"href":"https:\/\/photondetector.com\/blog\/wp-json\/wp\/v2\/posts\/184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/photondetector.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/photondetector.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/photondetector.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/photondetector.com\/blog\/wp-json\/wp\/v2\/comments?post=184"}],"version-history":[{"count":0,"href":"https:\/\/photondetector.com\/blog\/wp-json\/wp\/v2\/posts\/184\/revisions"}],"wp:attachment":[{"href":"https:\/\/photondetector.com\/blog\/wp-json\/wp\/v2\/media?parent=184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/photondetector.com\/blog\/wp-json\/wp\/v2\/categories?post=184"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/photondetector.com\/blog\/wp-json\/wp\/v2\/tags?post=184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}