A hangar, a pinhole and a world record: building the world’s biggest camera

Sometime in June, a team of photographers in southern California plans to transform an abandoned airplane hangar into a giant pinhole camera, expose a huge piece of light-sensitive cloth, and create what may be the world’s largest photograph.

The project is difficult and expensive, and if it succeeds, the result will be a single black-and-white image of an empty runway. So why do it?

To the six photographers involved, Jerry Burchfield, Mark Chamberlain, Jacques Garnier, Rob Johnson, Douglas McCulloh and Clayton Spada, the undertaking is part of something bigger than just a really huge picture…

Continue reading at Photo District News

Check out the official project site

Via photographer Jan Kapoor

Fujifilm increase film prices

Fujifilm Press Release

May 17, 2006 – Fuji Photo Film Co., Ltd. (President and CEO: Shigetaka Komori, hereinafter Fujifilm) announced today that from June 2006 onward, it will implement worldwide price increases for its photosensitive material products. The rapid digitalization of photography has created harsh market conditions for the photo imaging business. To sustain its photo imaging business, Fujifilm is undertaking intensive structural reforms, but despite efforts to reduce fixed costs and improve productivity, it no longer can absorb the soaring costs of silver, oil and other raw materials.

Thus, it has been forced to revise its pricing as follows:

  1. Affected products: Photosensitive materials
  2. Effective date: From June 1, 2006 onward
  3. Price revision: The prices of main products are expected to increase by 3% to 20%.

Specific details regarding affected products, effective dates, and exact price increases will be decided based on local market conditions.

Via Photography BLOG

Digital photography with flash and no-flash image pairs

Digital photography has made it possible to quickly and easily take a pair of images of low-light environments: one with flash to capture detail and one without flash to capture ambient illumination. We present a variety of applications that analyze and combine the strengths of such flash/no-flash image pairs. Our applications include denoising and detail transfer (to merge the ambient qualities of the no-flash image with the high-frequency flash detail), white-balancing (to change the color tone of the ambient image), continuous flash (to interactively adjust flash intensity), and red-eye removal (to repair artifacts in the flash image). We demonstrate how these applications can synthesize new images that are of higher quality than either of the originals.

See sample images at Microsoft Research

Help change NZ copyright law: commissioning rule under review

The following is taken in its entirety from the current GRINZ newsletter:

After 12 years of photographers working towards this with the government(s), Associate Commerce Minister Judith Tizard has announced that the Copyright Act (1994) is under review, specifically the Commissioning Rule as it relates to photography.

Even if you aren’t a full-time professional photographer currently, this may apply to you. Have you ever taken photos for a friend / workmate / colleague / employer / social group / club, for which they paid you, gave you something in return, or covered your costs? Then you may not actually own the copyright in those images – but you could, and you should, in future. Potentially (and I’m not a lawyer, so this is somewhat speculation), even if all you got in return was tea & coffee at the club meeting rooms, that could be considered payment – and that may be enough for it to be a commission. If you ever intend to become a photographer, do a little of it on the side, have friends or children who do, or might in future, you can help yourself and them now.

A discussion document, "The Commissioning Rule, Contracts and the Copyright Act 1994" prepared by the Ministry of Economic Development, considers two main issues: the provision of the Copyright Act 1994 that deals with commissioned works, known as the "commissioning rule"; and the interface between copyright and contract law. The discussion paper seeks PUBLIC SUBMISSIONS on this provision, and in particular, whether any changes or amendments are considered necessary.

Submissions close on 31 MAY 2006. You can download the discussion document here.

Emailed submissions are encouraged. They should be sent to copyrightact@med.govt.nz.

So What Can I Do?

The AIPA and NZIPP will be preparing comprehensive submissions seeking the removal of the "Commissioning Rule" (i.e. section 21(3) of the Copyright Act) so that the author of any commissioned work is the first owner of copyright.

WE NEED YOUR HELP! In order to help bring about the removal of the "Commissioning Rule", please take the following action ASAP.

Everyone can post the following letter to your local MP (or alter it to suit your needs, or draft your own – just send SOMETHING!). A full list of MPs can be found at www.ps.parliament.govt.nz/mps.htm – and feel free to cc: it to Judith Tizard and Helen Clark as well, if you like. My feeling is that the more noise we make, the better.

Dear (insert your MP’s name),

You may be aware that the Ministry of Economic Development is currently seeking consultation from concerned parties regarding its pending review of the Contracts and the Copyright Act, 1994.

As a professional photographer, my livelihood is directly affected by this Act. In particular, the current Commissioning Rule (Section 21(3) of the Act) has had an adverse effect on my ability to make a living.

The default position of the Law requires me to contract out of the Act in order to be protected by it. You must agree this is not a fair position to be in as it is both cumbersome and puts me at a disadvantage when negotiating with potential clients. Further, the language of the Act does not guarantee me payment for my work. A client only has to "agree to pay" in order to have full ownership of the copyright in my work. Even if they never pay, by law they still own the copyright.

Most importantly, the Commissioning Rule of the current Act is entirely out of step with international copyright conventions, to which New Zealand is a party, as well as with copyright laws of our major trading partners, making it more difficult for me to compete on the international arena.

Repealing the Commissioning Rule will put New Zealand photographers in the same position as regards copyright ownership as their colleagues in Australia, the United Kingdom, Ireland, the United States and most other western countries. The present Act not only makes it much more difficult for New Zealand photographers to compete internationally but is also a source of embarrassment that a country and a government that place so much importance on the development of the creative industries and the protection of intellectual property should be so out of step with such a fundamental right.

Within the established framework of the discussion as outlined in the Government’s Discussion Paper: "The Commissioning Rule, Contracts and the Copyright Act 1994" the only viable option as far as I and my professional colleagues are concerned is OPTION 2: Repeal section 21(3) of the Act: "The author of any commissioned work is the first owner of copyright."

I will be keeping you informed as the Discussion Paper moves through the consultation process. I hope, this letter will allow you to familiarise yourself briefly with the basic points of how the Commissioning Rule affects the livelihoods of people like me as well as numerous architects, designers, illustrators, computer programmers, painters, draftsmen, cartographers, engravers, model makers, sculptors, and film makers. The Commissioning Rule must be repealed.

Yours sincerely,

(Insert your name and signature)

This may be our only chance to repeal the Commissioning Rule! So PLEASE, put aside a few minutes of your time to complete these tasks.

Thanks everyone –
R!

Via GRINZ

NZ National Library photography exhibitions, talks & photographic competition

More info at: http://www.natlib.govt.nz/en/whatsnew/1exhibitions.html – both exhibitions run until 16 July 06 at the National Library, corner of Aitken & Molesworth Streets, Wellington, New Zealand.

Within Memory: Aspects of New Zealand documentary photography 1960–2000

From photographic projects such as Chris Matthew’s ‘Citizens of Napier’ and Anne Noble’s ‘Hidden Lives – the work of care’ to Peter Sharpe’s photographic record of stockcar racing in the 1970s to photographs taken by a New Zealand soldier serving in East Timor in 2001, ‘Within Memory’ shows photography contributing to a sense of the world we live in and the events we have shared.

Verbatim … revelation to oblivion: Photographs of words and books as seen by New Zealand artists

A particularly apt exhibition for the National Library Gallery, ‘Verbatim’ brings together an engaging selection of works by New Zealand artists who have taken words and books as their inspiration.

In association with these exhibitions, the National Library Gallery proudly presents a series of free lunchtime talks:

From bach to Bach – Paul Thompson, photographer and writer, Thursday 18 May, Gallery, 12.10pm

A librarian looks at photographs – John Sullivan, curator, Photographic Archive, Alexander Turnbull Library, Thursday 15 June, Gallery, 12.10pm

With the participants in mind: collaborative documentary projects and practices

Professor Anne Noble, Massey University School of Fine Arts, Thursday 6 July, Gallery, 12.10pm

Admission is free to all events. Please see the Entertainment section of the Dominion Post on Wednesdays and Saturdays to confirm details of the events calendar.

Photo Competition

Send us your best documentary photograph and we’ll put it on display in the Library’s main foyer. A panel of well-known photographers will pick the best image and the winner will receive a $200 voucher to spend at Wellington Photographic Supplies. One entry per person, please, printed to A4 size.

Make sure your contact details are clearly marked on the entry and send it to: Photo Competition, National Library Gallery, PO Box 1467, Wellington – or drop it into the Visitor Centre in the main foyer of the Library. Entries close 30 June 2006. The winner will be contacted by 7 July. Your photograph will find a permanent home with the National Library Gallery. More info at http://www.natlib.govt.nz/en/whatsnew/1events.html

Oz Daylesford Foto Biennale 07 – call for proposals

The Daylesford Foto Biennale 07, which runs in June 2007 in New Zealand Australia, is calling for proposals from independent curators, photographers and photographic artists working in traditional and photo-based new media. Proposals are also invited for photographic workshops, seminar presentations and associated photographic events. Closing date for proposals is June 30th 2006. You can download proposal information and criteria from the website, www.daylesfordfotobiennale.org or call the DFB office on +64 +61 [03] 5348 5703, or email to info@daylesfordfotobiennale.org.

Via GRINZ (With this rash of interesting stuff coming from them, you might be getting the idea that they rock. You would be correct.)

Photographic Practice: An Exploration into the Working Methods of Five New Zealand Photographers

This exhibition [a research project by Frankie Rouse MDes, BDes (Hons)] presents a series of photographs with excerpts from interviews following an in-depth study into the working methods of five New Zealand photographers. The photographers’ creative process is explored in relation to individual backgrounds, working environments, sourcing and development of concepts and final usage, production and display of works. At the Wellington Arts Centre Gallery (61–69 Abel Smith Street) until Saturday the 20th of May. Open Monday–Friday, 9am–7pm and Saturday 10am–4pm.

Via GRINZ