No Polaroid B&W pack film from Ilford

According to this post from Ilford/Harman on APUG, Ilford will not assume production of Polaroid’s discontinued black and white peel-apart/pack films:

Dear All,

I have been out for a few days and several of you have sent me PM’s re POLAROID : Please see below :

April 18th, 2008, Mobberley, Cheshire UK and Minnetonka, MN, USA — HARMAN technology Limited and its monochrome brand, ILFORD Photo and Polaroid Worldwide have been in discussions about ILFORD Photo taking on production of Polaroid’s black and white professional instant sheet film. Despite their best efforts, together the prospective partners have determined that they can not find a commercially viable way forward.

HARMAN’s Chairman and Managing Director, Phil Harris said. "The processes involved in the manufacture and assembly of professional instant sheet film products are very demanding and it would require substantial investment to re-establish them at HARMAN technology’s site in Cheshire, England. When compared with current and projected sales for the products, it was clear that such an investment could not be justified."

Phil Harris continues: "While we had hoped to work together on continuing the production of instant sheet film, it is cost prohibitive to meet the declining demand. As a company, we are saddened that such an inspirational form of expression will disappear, but we will always remain staunchly committed to the long term future of monochrome photography in all its facets and we will continue to do everything we can to support it".

Simon ILFORD Photo / HARMAN technology Limited

I’m not worried. Fuji’s FP-100B and FP-3000B are drop-in replacements for Polaroid’s ISO 100 and 3000 black and white pack films, and they’re cheaper! And personally, I like them better anyway. (Fuji also has an ISO 100 color pack film, FP-100C. Same goes: still available, cheaper, and IMO nicer. It’s the loss of Polaroid’s integral films, 600 and Spectra/779 that I’m crying over.)

Today is Worldwide Pinhole Photography Day!

Make some pinhole photos, pick your best one, and upload it to the WPPD gallery (free)!

Don’t have a pinhole camera? No problem! There are workshops and exhibits of pinhole photography all over the world today where you can build or use one, check the events listings for your area.

If there’s nothing near you, grab the free plans for one of these paper cut-out do-it-yourself 35mm pinhole cameras:

The Dirkon

Nick Dvoracek‘s Populist (PDF link).

I’m going to shoot and check out the show [see previous post] at RayKo Photo Center in San Francisco, CA, US.

Happy shooting!

PS Please note that despite what they tell you, WPPD is not presented by the Lomographic Society International!

Lomographic Society continues to suck, co-opts Worldwide Pinhole Photography Day

The goons at the Lomographic Society International—the people who brought the world the $20 Holga for $70 and monopolistic control over the distribution of the Lomo LC-A camera—have now added Worldwide Pinhole Photography Day to the list of products and events they had nothing to do with creating that they’ve claimed as their own. The headline of their latest newsletter proclaims, “THE LOMOGRAPHIC SOCIETY INTERNATIONAL PROUDLY PRESENTS THE WORLD PINHOLE DAY”.

Um, no.

WPPD was started in 2001. As far as I know—and please correct me if I’m wrong—none of the members of that year’s coordinating team were affiliated with LSI. Same with this year’s roster. Or any year in between. So to the best of my knowledge, LSI doesn’t present WPPD, proudly or otherwise, at all.

Granted, they don’t use the exact same name, they call it “World Pinhole Day”, and the actual pinhole day event is called “Worldwide Pinhole Photography Day”, but they look same, and they just happen to fall on the same date.

Why would they do such a thing? Probably because it’s a good way to sell more pinhole cameras. They have a decent selection of horribly overpriced pinholes to choose from. And that’s fine. But is it necessary to claim WPPD as their event, which is clearly a crock of shit, to do so? No. They could have gotten behind the real Pinhole Day and promoted it to their mutual advantage instead of choosing this classically-LSI approach. I urge you to think about the kind of company you’re supporting when you buy from them (to say nothing of the fact that you’re almost certainly over-paying).

Here’s where to get the pinhole cameras LSI sells, or equivalents, for less. Prices are in US dollars.

PinHolga: $60 from LSI, $21.95 from holgamods

35mm PinHolga: I don’t know, but you can convert most $1 plastic 35mm cameras yourself, or you can make or buy a pinhole cap for your 35mm, medium format, or digital SLR.

Bulldog Large Format Camera: $325 from LSI, $302.43 from camerabellows.com (as of today’s exchange rate, and that includes VAT, which shouldn’t apply to US orders). And, you can find used, no-assembly-required 4×5 cameras for less. You can try the Buy/Sell board on the Large Format Photography Forum, the Cameras & Lenses classifieds on APUG, or the auction sites.

Zero Image Zero 2000 (“Zero Pinhole 120”): $165 from LSI, $93 from the manufacturer

Zero Image Zero 135 (“Zero Pinhole 35”): $140 from LSI, $93 from the manufacturer

Zero Image Zero 69 Deluxe w/ spirit level & cable release (“Zero Image Deluxe”): $320 from LSI, $222 from the manufacturer

Noon Large Format Pinhole: $225 from LSI, grab the similar-looking and almost certainly identically-functioning (LSI doesn’t list the focal length of the one they sell) Santa Barbara 4×5 75mm pinhole camera for $63.95 from B&H

Sharan DIY Pinhole: $40 from LSI, free if you download and print the plans for the original Dirkon paper pinhole camera, or you can grab the plans for Nick Dvoracek‘s Populist cut-out pinhole camera (PDF link). They’re all paper cameras that you have to put together yourself.

SmileyCam: $25 from LSI, $23 from Justin Quinnell, who makes them. Or just make one yourself, which should be very easy.

And it’s not a pinhole, but you can get a SplitCam $11.95 from the awesome American Science & Surplus instead of paying LSI $25.

 

Why else don’t I like the Lomographic Society?

Shitty products at high prices: their flagship, the LC-A, is a piece of junk. The lens is unique and awesome, but the camera that surrounds it sucks. They didn’t build them, but they locked down the supply and charge a premium. The first LC-A I ordered from them operated in bulb mode no matter what. The shutter button on the replacement fell off after running less than five rolls through it. I haven’t used an LC-A+ and therefore can’t comment on it.

Their Colorsplash and Fisheye cameras have some of the worst build quality I’ve ever seen. Yes, they work. But for how long? I think my $1.50 Lex 35 crapcams are actually built slightly better.

Their Hipshot was my first camera bag. The seams are unraveling and the Velcro on the camera compartments doesn’t stick—even when I press them together carefully—which leaves anything you put in them likely to fly out and break as you move.

Terrible customer support: When I received the broken LC-A, I sent them several emails over the course of I think three weeks and never got a single response. Finally I called them, sent back the whole package, and got only a replacement camera back. I guess they kept the rest of the kit.

Monopolistic and bullying business practices: they secured world-wide exclusive distribution rights to the LC-A from the factory (can’t charge $200-250 for a $50 camera if there’s any competition!) and then went after anyone else who sold them, regardless of origin.

For example, Lomo Joe is a guy who lived in St. Petersburg, Russia. If you didn’t want to pay the extortionate Lomo Society price for an LC-A, he’d go buy one in a local store and send it to you. Check out the threatening letter LSI president Wolfgang Stranzinger sent him.

Getting people to love getting ripped off: this one’s almost difficult not to find evidence of. People drool all over themselves for anything “Lomo” (including things whose only connection to Lomo is that they’re sold by LSI, like Holgas and Horizons) and just can’t wait to be taken advantage of by paying hugely inflated prices and having their work published in books that LSI profits from without offering the photographers any compensation. I guess getting screwed by a marketing company is its own reward.

‘Roid Week 2008 is here!

Shoot some Polaroids, head on over to the ‘Roid Week 2008 group on Flickr (a free account will do), and jump on in!

This time I’ll be shooting expired 669 and Fuji FP-100C and FP-100B peel-apart/pack films and 600 & 779 with a Super Shooter, an Automatic 100, an SLR 680, a Spectra, and a Hasselblad with an NPC Polaroid back. (Yeah, I should narrow it down, but it’s a fun excuse to shoot everything!)

Here’s my Roid Week picture for today, the de Young museum on Fuji FP-100B film shot in an Automatic 100 (see this previous post about my experience with this camera):

 

 

Grab a camera and get shooting!

Mystery roll surprise

I found an exposed roll of film in my freezer yesterday mixed in with my stash of unexposed 120 slide film. I’m 99% sure it’s stuff I shot for the Spacetime series I’ve been working on for a few years (that’s the only thing I shoot chromes for), but I have no idea when or where I shot it.

Looks like I’m going to get a little dose of what street photographer Garry Winogrand, who would let his film sit for a few years after he shot it so he’d have no memory of having made the pictures when he finally saw them, was after. I’ve always thought that was a good idea that must be a good and different experience, but I’ve never been patient enough to try.

It’s a small-scale surprise, to be sure, but I’m excited to see what’s there!

Making sense of Jobo daylight film processing tanks

The Jobo daylight film processing system seems confusing at first, and their web site is an unhelpful mess, but IMO it’s worth working through, because the stuff is good and does what it says it’s going to do well. Here’s what I have (all link to B&H):

#2561 tank with magnet base, holds 2 x 4×5 reels (12 sheets total), or 4 reels of 120, 220, or 127, or 6 reels of 135. You can get extension tubes for this tank to make it huge if you want to. There is a variant of this tank with a cog, which I’ve heard sucks for inversion and roller base processing, so unless you’re going to get the fancy temperature controller processor, stick with the magnet.

#2509N sheet film reel, holds up to 6 sheets. (Also holds 9x12cm.)

#2502 adjustable reel, fits 135, 127, 120, and 220 (you can gang up 2 rolls of 120 onto a single reel).

#1509 manual roller base, not necessary if you opt to use more chemistry and do inversion.

This gives me a nice, flexible system that will handle 135 through 4×5 in the same tank for not a lot of money. I’ve been really happy with it so far, I like it better than the Paterson system I was using for 135 and 120 and the dreaded Combi-Plan (of which I wrote a very profane review and follow-up).

There’s also the #2508 sheet film loader base (requires a film guide), which is meant to make loading sheet film easier, but I’ve never used it.

If you want to go fancier, there’s the Jobo expert drums, which are for sheet film only. I’ve heard they’re unbelievably easy to load, people seem to really love them, but they are more expensive, and I haven’t used them and can’t comment on them, either.

Pinhole Day show and workshops at RayKo Photo Center, CA, US

All kinds of good things are happening for Worldwide Pinhole Photography Day at RayKo Photo Center in San Francisco, CA, US:

Work by Katharine Kreisher and Rebecca Rome in the main gallery; meet the artists from 3–5pm.

A group show of pinhole photography (including work by Katie Cooke and myself).

Free rides around San Francisco in Simon Lee‘s “bus obscura”, a van that’s been converted into a pinhole camera!

Sweet!

Art Rental

Pablo Mayrgundter had an interesting idea about renting art:

…someone said they’d pay to have it on their wall for like 2 weeks, but probably wouldn’t want it much longer than that. So we started to figure out a business of rental art just like people put their art up in galleries or bars, it would be nice to be able to join a group of art fans (but people who aren’t otherwise comfortable with buying art) who basically pooled money to have a sampling of paintings go through them…

Continue reading at freality.org

Thoughts?

More cowbell: extreme photography equipment roundup

Check out this roundup of crazy sh*t, including the Sigma APO 200-500mm f/2.8 and Zeiss Apo Sonnar T* 1700mm f/4 lenses and a 6×17 inch camera:

There are several categories of camera gear available: there’s the sensible, the desirable and then there’s the stuff that you’d never even imagined. Here’s a selection of equipment that most definitely belongs in the latter category…

Continue reading at Crestock