Camara Oscura pinhole photography show, Gran Canaria

Camera Oscura pinhole photography show poster

An international exhibition of contemporary pinhole photography, in Gran Canaria, from 3 to 30 November 2006, featuring work from Ricardo Montesdeoca, Joaquin Casado, Anastasia Medvedeva, Henrieke Strecker, David Cugnasca, Daniel Zrihen, Dmitry Rubinshteyn, and Katie Cooke.

Don’t let the cable release in the eye bother you, I’ve seen work by several of these artists, and they’re amazing. Not "good for pinhole", but great artists, period. If you’re in the area, I suggest not missing this. A printed catalogue will be available.

Free digital coding upgrade on new Leica lenses in US & CA

As I posted previously, Leica have a new digital coding system for their M lenses so their digital bodies can automatically detect which lens is mounted. The coding consists of six painted dots on the mount, and normally costs a characteristically extortionate $120. Now, for a limited time only, US and Canadian customers can get it for FREE when they buy a new Leica lens. And then wait only 6-8 weeks!

Leica press release

10/12/2006 – Purchase any new M lens from an authorized USA/Canadian Leica dealer between October 1 and December 31, 2006, and you will receive 2 free vouchers – worth $125 each entitling you to upgrade your existing Leica M lenses by adding the 6-bit code. Lens conversion for customers will begin on Nov. 1, 2006. To take advantage of this exciting, limited-time program, you must register your new Lieca M lens and submit any rebate claims within 30 days of purchase. Kindly return a copy of the original dated sales receipt and completed Leica USA warranty card along with the completed forms. After registration is completed, 2 vouchers for 6-bit coding will be sent to you. Please allow 6-8 weeks for processing. Lens conversion for customers will begin in November, 2006. Please contact Customer Serivce at (201) 995-0051 ext 236 for more information. This promotion is only in the United States of America and Canada.

This is cool and all, but, in my opinion, also bullshit. New Leica lenses are fucking expensive, with a capital EXPENSIVE. They should already come coded. Un-coded lenses still in the supply chain? Exchange coded lenses with the dealers for uncoded, code them, and ship them as you normally would.

Some update fee for older lenses is reasonable, but $120 is insane. It’s paint, for fuck’s sake. Why not abandon that paint—which must be made from some pretty spectacular shit to charge $20 per dot—and just sell stickers for each lens that people can put on themselves?

Lastly, let’s say I do drop 2 grand on a new lens and another 5 on an M8 body. What the fuck makes Leica think that I want to wait 6-8 weeks to use it? I can’t work out if Leica just don’t understand their customers or if the majority of their customers are simply insane. This is the kind of thing that makes me think thrice about investing in an M8. Sort yourselves out!

Sean Rohde’s darkroom experiments

Chris by Sean Rohde

Photographer Sean Rohde dug up and scanned a bunch of his darkroom experiments from the late 80s and early 90s. There are heaps of images along with explanations of how each was done. He writes:

Way back when, from 1988 to around 1992, I actually had a full darkroom. I currently just develop my own film and scan the negs onto my computer. That’s fine for straight "prints", and photoshop does have some nice controls that are difficult to duplicate with an enlarger. On the other hand, there are tons of things I can do in the darkroom that are impossible to replicate on the computer…

Continue reading and see lots of images at Rohdes’ blog, moominstuff. You can check out more of his excellent experimental and toy camera photography in his Flickr photostream.

"The Daily F’log" fotolog photography blog launched

Daily F'log screenshot

Photographer Andrew Long (you can see his work on fotolog and Flickr) has lauched The Daily F’log, a blog at and about happenings on photo sharing site fotolog:

Longer features will include Interviews with Fotologgers that provide a more intimate snapshot than we normally get to see, going behind the scenes to get their thoughts and opinions on photography, Fotolog, and anything else on their mind. Special Portfolios accompanying some of these interviews will offer the member a chance to show a selection of his or her work in a new, more concentrated context…

Continue to the blog

(Screenshot hosted at Flickr)

Natalie Brahan’s "South of Bloor" photo show, Toronto, CA

South of Bloor flyer

Natalie Brahan writes:

South of Bloor is an exhibit of photographs that focuses on the south side of Toronto. It seeks to capture the colourful and, in many cases, lesser-noticed aspects of neighbourhoods south of Bloor and south of the Danforth. Although I have experience using conventional photographic methods in both film and digital formats, I prefer to use toy and vintage medium format cameras. I feel that the imperfect images that they often produce complement the unique character of the older neighbourhoods in the city.

More info here.

You can see more of her work at her web site, luminescent.org, and in her Flickr photostream.