Leica M lenses coding for digital

Digital Photography Review write:

Leica has announced that all new M system lenses will carry a new 6-bit code (painted in black/white dots) which will allow the upcoming digital M camera to identify which len is being used (up to 64 in 6-bit coding) and also to store this information in image metadata. As well as applying this coding to new lenses Leica has announced an upgrade service which allows owners of existing M series lenses to have the coding written onto each lens at a cost of 95 EUROs. The press release also hints that the new M series digital will appear in the second half of 2006 (at Photokina no doubt).

Wow, only 95 EUR (US $120 as of today) for six dots of paint? That’s a mere 16 EUR/US $20 each! It must be because they "are fabricated with unequaled mechanical and optical precision" and "have an extraordinary aura that can evoke feelings and emotions" like the rest of their range. (Sorry, but how seriously can you really take a company that have a "Leica Mythology" section on their web site?)

Here’s the press release (PDF):

Leica Camera AG, Solms will be giving the lenses of the Leica rangefinder system a new code on the bayonet ring in future to enable the planned digital Leica M camera to recognize the lens type. The information on the lens that is being used helps the camera to optimize image quality. All lenses leaving the factory from July 1st, 2006 onwards will have the new coding, although they can still be fully used with the current analog cameras LEICA MP and LEICA M7 as well as classic models built after 1954. Lenses in the current range as well as many earlier models can be retrofitted at the cost of the owner to benefit from the image optimization in the camera. The lenses are compatible with the planned digital M camera even without retrofitting, except that the additional features cannot be used.

The lens coding is called ‘6-bit coding’ because six fields in the bayonet ring are marked in black or white to represent a number from 1 to 64 in binary code. The planned digital M camera reads this information optically and can identify the lens on the basis of this code. Apart from the improvement in image quality, this information is also written into the EXIF image file.

"On account of their legendary quality, nearly all Leica M lenses are ideal for digital use. However, the new 6-bit coding also uses the performance reserves in the image processing of the camera to give our customers the excellent image result they expect from Leica," says Rainer Bültert, product manager for the M system at Leica Camera AG.

Lenses bought in the past will be converted at the request of the customer for 95 euros at the Customer Service of Leica Camera AG in Solms or the Leica agencies of other countries.

Many of the lenses made from 1963 onwards can be converted. A list of such models is available on the following pages or from the Leica Info-Service (Tel. 06442/208-111). The only lens in the current range that will not be given a 6-bit coding is the LEICA APO-TELYT-M 135 mm f/3.4. It is not codable later, either, as its extension factor of 1.33 makes it unsuitable for use on the planned digital M camera. The launch of the digital Leica rangefinder camera is planned for the second half of 2006.

List of present lenses that can be updated

Name Color Order no. Delivered from
Elmarit-M 21mm f/2.8 ASPH. Black 11135 1997
Summicron-M 28mm f/2 ASPH. Black 11604 2000
Summilux-M 35mm f/1.4 ASPH. Black 11874 1994
Summicron-M 35mm f/2 ASPH. Silver 11882 1996
Summilux-M 50mm f/1.4 ASPH. Black 11891 2004
Summicron-M 50mm f/2 Black 11826 1994
Elmar-M 50mm f/2.8 Black 11831 1995
Summilux-M 75mm f/1.4 Black 11810 1998
Apo-Summicron-M 90mm f/2 ASPH. Black 11884 1998
Macro-Elmar-M 90mm f/4 Black 11633 2002
Macro-Adapter M Black 14409 2002

Discontinued lenses that can be updated

Besides those presently available, even lenses that were discontinued quite a while ago can be updated (see list below). Since Leica Camera AG regards system compatibility as a vital virtue, many lenses introduced as long ago as 1963 can be updated.

Name Color Order No. Delivered from-until
Elmarit-M 21mm f/2.8 Black 11134 1980-1997
Elmarit-M 21mm f/2.8 ASPH. Silver 11897 1997-2004
Elmarit-M 24mm f/2.8 ASPH. Silver 11898 1996-2005
Elmarit-M 28mm f/2.8 Black 11804 1979-1992
Elmarit-M 28mm f/2.8 Black 11809 1992-2005
Tri-Elmar-M 28-35-50mm f/4 ASPH. Black 11890 1998-2000
Tri-Elmar-M 28-35-50mm f/4 ASPH. Silver 11894 1999-2000
Summilux-M 35mm f/1.4 ASPH. Silver 11883 1994-2004
Summicron-M 35mm f/2 Black 11310 1979-1996
Summicron-M 35mm f/2 Silver 11311 1993-1996
Noctilux-M 50mm f/1.0 Black 11821 1975-1994
Summilux-M 50mm f/1.4 Black 11868 1992-2004
Summilux-M 50mm f/1.4 Silver 11856 1992-2004
Summicron-M 50mm f/2 Black 11817 1969-1979
Summicron-M 50mm f/2 Black 11819 1979-1994
Summicron-M 50mm f/2 Silver 11825 1992-1994
Summilux-M 75mm f/1.4 Black 11814 1980-1982
Summilux-M 75mm f/1.4 Black 11815 1982-1998
Summicron-M 90mm f/2 Black 11136 1980-1989
Summicron-M 90mm f/2 Silver 11137 1993-1989
Apo-Summicron-M 90mm f/2 ASPH. Silver 11885 2002-2004
Tele-Elmarit-M 90mm f/2.8 Black 11800 1973-1989
Elmarit-M 90mm f/2.8 Silver 11808 1997-2004
Elmarit-M 135mm f/2.8 Black 11829 1963-1997

Please ask either your authorized Leica dealer or Customer Service in Solms to perform the update. The latter will be happy to inform you on this subject. Customer Service is available under the phone number +49 (0)6442 208-189.

Via Digital Photography Review

Photographer assaulted by "police officer" for taking pictures on a public SF street

Thomas Hawk writes:

Today, aqui-ali (another local Flickr photographer), helveticaneue (in from out of town) and I went out to do a bit of shooting. Since Aqui had a meeting down on 2nd Street later this afternoon we decided to head that way and shoot the Transbay Terminal. 45 Fremont was in our path and we were shooting some photos of it as we were walking by. It was then that the security guard there told us that we could not shoot the building. When I explained that we were in a public area and had a right to shoot the building he insisted and called another security guard over on his radio who also tried to get us to stop taking pictures of the building. I still refused as it is my right to shoot buildings in San Francisco from a public area.

Continue reading at Thomas Hawk’s Digital Connection

Via Digg

Adjustable height medium format scanner film holder

BetterScanning.com, maker of the well-received "MF Film Holderä" medium format film holder for flatbed scanners, has just released an adjustable height version.

Why adjustable height? The focus of most flatbeds (the Epson Rs, anyway) is supposed to be set at 1mm above the glass for scanning transparencies, but in reality, the true focal point can be off by as much as 250% or more, which means that depending on your scanner, you can get blurry scans with Epson’s crappy stock film holders no matter what you do. "Variable Height Versions allow you to customize the film suspension height to best match your scanner’s particular optics for better focus. It is like adding a focus adjustment function to your scanner."

I had the pleasure of beta testing the dual channel model for Epson 4870 and 4990s, and the difference was substantial. First, it actually holds the film flat, unlike Epson’s holders; second, by following the simple calibration instructions, I discovered that the focus point of my scanner is at 1.8mm, not 1mm, and that my 4990 is capable of better scans with a properly adjusted Better Scanning holder than I was getting with the Epson holder.

I’m travelling right now and will post a detailed review when I get home, but the bottom line is that this is a well designed, well built, fairly priced holder that does what it says, and is sold by a company that stands behind its products. I’m buying the unit I was sent for testing—there’s no way I’m going back to Epson’s junk holder now—and I enthusiastically recommend it.

Check it out at BetterScanning.com

mooncruise* June 2006 issue 2.01 is up

Cover of mooncruise issue 2.01, June 2006

The June 2006 issue (Vol 2, Issue 1) of mooncruise*, an online magazine featuring photography and music by international artists, is now up and ready for viewing.

In this issue

PHOTOGRAPHY by: po-pad / Mario Ardovino, Avi Cornfeld, Brian Lemond, Dorothy-Shoes, Felix Baumsteiger, Ina Jang, Jean Marmeisse, Jean-Pierre Rosa, Krystian Kujda, Kachain Bodinittidej, Maciej Dakowicz, Neil Burke, Robert Pallesen, Shin Yoshikawa, Steve Barry, Thomas Scott

MUSIC by: po-pad / Mario Ardovino

mooncruise.com (requires Flash 8)

mooncruise* | gallery is accepting international submissions for “PLASTIC” a group show of photography created with toy cameras.

Lens made of ice

Matthew Wheeler took his first picture through an ice lens in response to a challenge by Scientific American and CBC calling on listeners to light a fire with a lens made entirely of ice. Too easy by far – Matthew took it one step farther and started photographing the natural beauty of his surroundings through the ice lenses he made.

Check out the photos (mirror site) or a video on DiscoveryChannel.ca.

Via Digg

iView MediaPro v3.1 update

iView Multimedia Press Release:

iView Multimedia has released iView MediaPro 3.1 for both Windows and Macintosh. MediaPro is now a Universal application and runs natively on Intel-based Macs. Version 3.1 also features the new Notepad Tool, designed to enable communication between creative professionals and their clients.

Notepad Tool
Notepad enables communication between a MediaPro user and his/her client. The client simply drags and drops selected catalog items onto the Notepad palette, adds comments and then e-mails the Notepad file. This Notepad file imports easily into the creative professional’s original catalog where he or she can view the client’s feedback and execute the appropriate actions.

Improved Catalog Reader
iView also announced an improved Catalog Reader, the free utility that allows MediaPro users to distribute and share iView catalogs with anyone using a Windows or Macintosh machine. The addition of Light Table functionality enables Catalog Reader users to view and compare up to 6 images on-screen and mark items with labels and ratings to aid the image selection process. iView Catalog Reader supports all 100+ media file formats of MediaPro, offers slide show and search functionality and supports Notepad. iView customers can now include a MediaPro catalog and copy of Catalog Reader on a CD or DVD and their clients can launch and run the catalog directly from the disc, without installing an iView application.

Designed for creative professionals, iView MediaPro 3.1 is a FREE UPDATE for MediaPro 3 users and also delivers features such as:

  • Increased maximum number of images on-screen in the Light Table to six.
  • Enhanced slide show support for more than 32,000 items.
  • Import/export of color label metadata in XML files.
  • Toolbar text searches are now asynchronous — search results are displayed as they are found.
  • Improved overall performance on both Macintosh and Windows systems.

For a complete list of improvements, please download this version history document (PDF, 28KB):

DOWNLOAD MEDIAPRO 3.1 NOW:
http://www.iview-multimedia.com/downloads/

This update is free for registered users of MediaPro 3.x. This update works best with the latest version of QuickTime (7.x) from Apple, which is strongly recommended to both Windows and Macintosh users.

An updated manual for iView MediaPro 3.1 is now available on the iView support page.

Via PhotographyBLOG