Call for entries: Light Box IV postal art show of toy, pinhole, and zone plate photography

Linn-Benton Community College is seeking submissions for Light Box IV, a postal art show of toy camera, pinhole, and zone plate photography.

Due: February 17, 2007

Show Dates: February 20 to April 6, 2007

Format: Two postcards with a brief statement of why the photographer uses that method of photography as a means of personal expression on each card. (Any photographic media – color, B/W, digital). Cards will be displayed together so both the image and the statement can be seen at once (see example below.

Mail to:

Kurt Norlin
Art Department
Linn-Benton Community College
6500 Pacific Blvd. SW
Albany, OR 97321
USA

For additional information, contact Kurt at norlink@aol.com

Via Slowlight Pinhole Blog via the Spitbite Pinhole List

Canon EF 50mm f/1.2 L USM new lens review at The Digital Picture

Now the Canon EF 50mm f/1.2 L USM Lens enters the market. Being a prime Canon L Series Lens, the Canon 50 f/1.2 far exceeds all existing Canon 50mm lenses in nearly all aspects – including three negative ones: size, weight and price. Since Canon already has a 50mm f/1.4 lens, they would not release a slightly wider aperture version at a far higher price, size and weight without offering significantly better features and image quality. Otherwise, people simply would not buy the lens. The question is – are the actual differences enough?

Continue reading at The Digital Picture

Via PhotographyBLOG

f295 Symposium workshop information

Tom Persinger writes:

If you’ve done all your holiday shopping and are thinking about something for yourself how about one of the many workshops being offered as part of the f295 Symposium on Lensless, Alternative and Adaptive Photographic Processes? The Symposium takes place in Pittsburgh, PA USA 26-29 April 2007.

The workshops that are currently available for registration are filling up quickly. If you’re interested in participating in one (or more) of them I urge you to contact the organization/person listed as the registration contact ASAP.

Complete Symposium information may be found online at www.f295.org/wordpress, but here’s the workshop info:

One Day Daguerreotype Workshop at the Daguerreian Society World Headquarters

Instructor: Mike Robinson

Learn the traditional mercury daguerreotype process in this one day workshop. Mike will first demonstrate the process, then each participant will have the opportunity to create their own daguerreotype. All cameras, equipment and materials will be provided. No prior experience is necessary.

This workshop is limited to 6 students. (ONLY 4 spots remaining!)

Location: The Daguerreian Society, 3043 West Liberty Avenue
Date:Saturday, 28 April 2007
Time: 9 a.m. – 6 p.m.
Cost: $350 Workshop fee plus $50.00 material fee.
Registration: phone: (412) 343-5525 e-mail dagsocpgh@comcast.net

One Day Wet Plate Workshop with CFAAHP

Instructor: The Center for Alternative and Historic Processes

Learn the 19th Century Technique of Wet Plate Collodion in this one day workshop. We will discuss the differences between ambrotypes (glass positives), glass negatives and tintypes (positives on tin). Students will learn ‘hands on’ how to make a wet plate image using a reproduction camera and original brass lens. The history of the process will be covered as well as a brief description of the chemistry used.

All materials (cameras, chemicals and glass/tin) will be supplied. Limited to 10 students. (ONLY 8 spots remaing)

Location: TBA
Date:Saturday, 28 April 2007
Time: TBA
Cost: $250
Registration: patty@cfaahp.org, phone: (917) 406-5638 or check www.cfaahp.org for upcoming details

Gum Printing with Terry King (Gum Rex)

Instructor: Terry King, FRPS

Terry King’s approach gives control of colour and contrast in the gum process comparable to that obtained by the great workers at the time of the Photo Secession. Negatives can be on paper or film from digital or analogue originals. The process can work with both acrylics and watercolour. Rather than the very long exposures used by many people working in gum, exposures using Terry’s process can be as short as a few seconds.

Participants should plan to bring their own large negatives, but there will also be a selection of large negatives on hand for participants to experiment with. Each student will be given a manual to take home.

Location: Pittsburgh Filmmakers
Date: Saturday, 28 April 2007
Time: 10am – 4pm
Cost: $250
Registration: sueabe@pghfilmmakers.org or phone: 412-681-5449 ext. 216

Primitive Photography: Camera and Lens Making

Instructor: Alan Greene

Whether you’ve been considering exploring large-format photography and have been deterred by cost or are a long time large-format photographer looking for ways to expand your craft this workshop is for you! We’ll use optical surplus and materials commonly found in home improvement stores to build a functioning landscape lens and box camera that uses standard, commercially available, 8×10 film holders.

In addition to the steps of construction, basic principles regarding format size and optical image formation will also be discussed. Participants will leave the workshop knowing how to use the skills and knowledge they’ve acquired to arrive at similar camera and lens design configurations for use in other formats (4×5, 5×7, 11×14, 14×17, etc!).

Limited to 12 participants. Sign up early so you don’t miss this great opportunity!

Location: Society for Contemporary Craft
Date: Saturday, 28 April 2007
Time: 9:00am – 5:00pm
Cost: $90 ($80 SCC members) + fee for materials (approx $40)
Registration: thestudio@contemporarycraft.org or phone (412) 261-7003 ext. 25

Pinhole Camera Workshop

Instructor: Tom Persinger

In this exciting, hands-on workshop participants will build their own large format pinhole camera, drill their own pinholes, expose images using paper negatives and develop them in the darkroom. This is an entry level workshop ideal for someone just getting started in lensless photography.

Location: The Mattress Factory
Date:28 April 2007
Time: 10am-4pm (includes lunch)
Cost: $35 ( $30 for MF members)
Registration: education@mattress.org or phone (412) 231- 3169 ext. 212, 213

The Cyanotype Rex

Instructor: Terry King, FRPS

Terry King will give people the opportunity to practice his cyanotype rex process. The method and the chemistry vary both from the standard approach and some new cyanotype processes. The process is fast enough to use in camera. According to the length of exposure, the strength of the toner and the time in the developer and toner, the process gives a wide range of colors and tones from negatives. of different densities.

Participants should plan to bring their own large negatives, but for those who do not have negatives there will be a selection to experiment with. Each student will be given a manual to take home.

More information about the Cyanotype Rex process is available on his website.

Location: Pittsburgh Filmmakers
Date: Sunday, 29 April 2007
Time: 10am – 4pm
Cost: $250
Registration: sueabe@pghfilmmakers.org or phone: 412-681-5449 ext. 216

Pommefritz Exhibitions by Manolo & Boskizzi

Manolo and Boskizzi, Italy’s two biggest Lomo/cross-processing pimps, are/seem to be having a show!

Ciao a tutti,

gradiremmo avervi come ospiti,presso la libreria “Feltrinelli” in corso Umberto 1 in centro a Mantova,in occasione del nostro vernissage che avrà luogo mercoledì 10 gennaio 2007 alle ore 18. Occasione anche, che ci darà la possibilità di conoscerci!

Buone Feste
Manolo&Boskizzi

I don’t speak Italian, and apparently, neither does Babelfish:

Hello to all, we would appreciate to have to you like hosts, near the bookcase “run Feltrinelli” in Umberto 1 in center to Mantova, in occasion of ours vernissage that January 2007 to hours 18 will have place 10 Wednesdays. Occasion also, than will give the possibility to us to know to us!

Good Festivities
Manolo&Boskizzi

The Jim Galli shutter for barrel lenses

Most large format lenses are mounted in shutters, as focal plane shutters for large format are extremely rare. Barrel lenses don’t have them, and are generally used with very slow film and historical plate processes, where the shutter time is long enough that you can just remove the lens cap to make your exposure. What happens when you want to use a barrel lens with modern, faster film?

Enter the Jim Galli shutter, which is a free DIY arrangement:

Drum roll please. The world has been waiting for me to invent this.

Having just purchased a few old LF lenses without shutters, I actually have been waiting for him to invent this. Check it out at APUG.