New Mike Ware alt process books: Gold in Photography and The Chrysotype Manual

From the AlternativePhotography.com newsletter:

For all those of you who wants to know the ins and outs of the chrysotype process, here are two invaluable books from Dr. Mike Ware. As usual, thoroughly researched, they offer the first published monographs detailing the use of pure gold in photographic imaging. Gold in Photography and The Chrysotype Manual are the culmination of years of meticulous and methodical experimentation by Dr. Mike Ware, the leading researcher in the fields of iron-based photographic printing and conservation. And, don’t miss the interview!

Matthew Larkin’s wet plate collodion suspension project

Santos Elbow - black glass ambrotype by Matt Larkin (used with permission)

Photographer Matt Larkin is working on a book of wet plate collodion ambrotypes documenting people doing ritual body suspension. While some may find the subject matter challenging, I find the photography incredibly compelling—it captures both the intensity and the peace that I’ve heard can come from the suspension experience.

You can see more of Larkin’s wet plate photographs in his gallery at AlternativePhotography.com.

Nate Coma - black glass ambrotype by Matt Larkin (used with permission)

 

Photos © copyright 2007 Black Barn Editions. Used with permission.

 

UPDATE: The book is out, I’ve posted a review and ordering information here.

Signs of Life: Surviving Katrina benefit photography book

Signs of Life hurricane katrina benefit book cover

Brown & Baker Books press release:

SIGNS OF LIFE: SURVIVING KATRINA

An Extraordinary Photographic Collection of Survival: One Sign at a Time

Brown & Baker Books is pleased to announce the publication of SIGNS OF LIFE: SURVIVING KATRINA ($23.95 paperback). SIGNS OF LIFE is a moving collection of photos of the hand-made signs that appeared in New Orleans and along the Gulf Coast following Hurricane Katrina. Profits from sales of the book will go to two organizations still working in the area: Common Ground Relief and Hands On Network.

Hand-made signs—spray painted on houses, on cars, on refrigerators—were some of the first "signs of life" to appear after the flood waters receded. The signs range from the sacred to the profane, from defiant to defeated, from frightening and encouraging. The signs reveal a powerful story of those who survived the deluge.

Compiled by Eric Harvey Brown and Lori Baker, New York–based photographers and writers who volunteered in the Gulf Coast after the hurricane, SIGNS OF LIFE shows not only the traces of the violence of the storm, but also that much devastation remains one year later. The pictures in SIGNS OF LIFE come from more than forty photographers—including local residents, relief volunteers, and those just passing through. The images were found on flickr.com and other photoblogs, and have been donated by the photographers for use in the book.

The messages in SIGNS OF LIFE remind us that everyone has a story to tell. "It’s impossible to speak for the people who lived through Katrina. Far better to let them speak for themselves," says Rob Walker, author of Letters from New Orleans. "That’s exactly what these sad, hopeful, funny and enraging images capture—and it’s exactly what SIGNS OF LIFE is about."

"SIGNS OF LIFE is not your typical art book. Yes, the images are poignant, even beautiful," says author/illustrator Josh Neufeld, who wrote the foreword. "These are documentary photos, a recording of history, giving voice to those who left, those who stayed, and those who were left behind."

SIGNS OF LIFE: SURVIVING KATRINA is available for purchase at www.lulu.com/signsoflifebook.

All profits go to the following organizations:

Common Ground Relief is a grassroots volunteer organization that was formed in the wake of Hurricane Katrina to provide immediate aid to residents in the Gulf Coast region and long-term support in rebuilding their communities in just and sustainable ways. Since September 2005, Common Ground has an average of 150-300 volunteers on the ground at any time and a network of over 8,000 volunteers. They have provided relief to 70,000 residents in seven parishes including Orleans, St. Bernard, Plaquemine, Terrabone, St. Tammany, St. Charles and St. Marys.

Hands On Network brings people together to strengthen communities through meaningful volunteer action. We are a growing network of a half million volunteers changing communities inside and outside the United States. Since September 2005, Hands On Gulf Coast has: mobilized more than 2,500 volunteers from nearly every state in the country; provided over 270,000 hours of service; gutted more than 660 houses; and delivered volunteer labor valued at $4.86M.

I know the editors personally, and when they say 100% of the profits are going to these organizations, I believe them. Buy the book from Lulu, more info at www.signsoflifebook.com!

Most of my art sucks. Yours, too.

Thought for the weekend:

To be honest, most of my pictures suck. The saving grace of that admission is that most of your pictures suck, too. How could I possibly know such a thing? Because most of everybody’s pictures suck, that’s how. I’ve seen Cartier-Bresson’s contact sheets, and most of his pictures sucked. One of my teachers said that it was an epiphany for him when he took a class from Garry Winogrand and learned that most of Winogrand’s exposures sucked. It’s the way it is.

— Mike Johnston, of 37th Frame, The Online Photographer, etc. fame, in his essay,The Magic Bullet

So how do you deal with most of your art sucking? The insanely excellent book, Art & Fear: Observations on the Peril (and Rewards) of Artmaking, by David Bayles and Ted Orland, has some outstanding thoughts on the subject. If you like that one, chase it with Orland’s follow-up, The View From The Studio Door: How Artists Find Their Way In An Uncertain World. I keep meaning to write reviews of both of them but never seem to find the time to do it properly. For now I’ll just say that they’re the best investments in artmaking I’ve ever made.

Justin Quinnell’s Mouthpiece pinhole book release and lecture

Justin Quinnell has put his foot camera into his mouth again and this time we can share his wonderfully inventive and and humorous pinhole photos with friends around the coffee table. In the words of his publisher, "Mouthpiece" is a surprising and extremely unusual book.

Justin Quinnell is one of the world’s leading pinhole photographers, and in this series he has used his mouth as the camera. The results are surreal, revealing and hilarious. He captures on film his visit to the dentist; portraits of friends and family; snakes, tortoises, alligators and angry cats; the everyday acts of having a bath, cleaning his teeth and eating his dinner.

Perhaps even more surreal though are his landscape photographs – icons of world travel, they include Sydney Opera House, Hong Kong, St. Marks Square in Venice, the Sagrada Familia in Barcelona, and the Lincoln Memorial in Washington.

Mouthpiece
Hardcover: 96 pages
Publisher: Dewi Lewis Publishing.
Language: English
ISBN: 190458733X
Price: £9-99

You can order the book from Amazon UK or Dewi Lewis Publishing. It will be available from Amazon on 2 September, 2006.

He’s also giving a lecture on pinhole photography called "New Light Through An Old Hole" at Arnolfini, 16 Narrow Quay, Bristol, United Kingdom on Thursday, 21 September, 2006 at 7:00pm:

In this public lecture to celebrate the publication of his new book "Mouthpiece" (Dewi Lewis Publishing) pinhole photography expert Justin Quinnell will discuss the science, history and contemporary approaches to this ancient imaging device.

The lecture will also include:

  • a replication of a classic Isaac Newton experiment,
  • an unnervingly scary demonstration of ‘Power drill portraiture;
  • and the use of a camera as a golf ball.

The evening will conclude with a demonstration on making pinhole cameras as well as the chance to have your portrait taken from inside the mouth of the artist himself, (For a donation to charity).

More info on here on Quinnell’s site.

Via Pinhole Visions

Interview with pinhole photographer Edward Levinson

Pinhole Visions‘ Gregg Kemp interviews pinhole photographer Edward Levinson about Levinson’s new book, Timescapes Japan – A Pinhole Journey [book blogged previously]:

Gregg: Has the experience of preparing this book caused you to re-examine or take a fresh look at your work, or at your life in Japan?

Edward: That is an interesting question. In selecting the images for the book, one thing I noticed is that it was often the earlier images that seemed the freshest or at least seemed to have the most impact.

Read interview at pinhole.com

Blueeyes Magazine: Shen Wei portfolio update

Blueeyes Magazine write:

I’m very happy to announce the publication of the latest installment of our Blueeyes Magazine portfolio feature with the launch of a new body of work by photographer Shen Wei. Shen’s work focuses on the exploration of emotional nakedness, and we are proud to present his terrific work and celebrate the way that his photographs push forward the documentary tradition in portraiture.

If you have missed our previous installments of the monthly portfolio series, please take the time to check our newly launched archives in order to see amazing portfolios from photographers Tomas Munita, Rich-Joseph Faun, and Ami Vitale.

Check it out at blueeyesmagazine.com

Schonauer’s summer photography reading list

The editor-in-chief [of American Photo magazine] ruminates on the best photography book ever written, plus several new titles worth diving into.

This summer I plan to read the best book on photography ever written. Actually, I’ll be rereading it. First published 36 years ago, the book was passed down to me by Sean Callahan, the founding editor of American Photographer magazine, the forerunner of American Photo. Sean told me at the time that it was the best book ever written about photography, and he was right. It’s been sitting on a bookcase shelf in my office for years and years, dog-eared and finger-smudged from constant referencing. This summer I’m going to pick it up again and look at it closely, from beginning to end. It will be like discovering the magic of photography all over again.

Continue reading at American Photo

Thanks to Paul Beard of A Crank’s Progress for sending this my way!

Pinhole photography issue of Black and White Photography Magazine

The July 2006 issue of B&W Black and White Photography Magazine is dedicated to pinhole photography! It features work by Katie Cooke and several members of the f295 Pinhole Photography Forum (among others), as well as four articles on pinhole photography. Ms. Cooke’s work alone is worth the price of the issue and there’s lots of other talent in there, so check it out!

New book: Timescapes Japan – A Pinhole Journey

A book of Edward Levinson‘s pinhole photographs will be published June, 2006. The book is titled "Timescapes Japan – A Pinhole Journey" and contains images of Japan as seen through the eyes of Edward Levinson and his pinhole cameras. Selected black and white photographs from three series of work from 1993 to recent work with brief text in English and Japanese.

The featured photographs are from Levinson’s "Healing Landscapes", "Sacred Japan", and "Japanese Cityscapes" series.

The book is being published by Nippon Camera Publishing Co. and will sell for 3,000 yen (tentative price about $30 US)

For more information, see Edward Levinson’s website.

Via Pinhole Visions