Another View: photographs from the Seresin family collection

This exhibition offers a rare opportunity to see some of the most famous images in photographic history in their original form as vintage black and white prints. Because of their age and calibre these prints are very valuable. The photographers include some of the best-known names from early to mid 20th century, including Henri Cartier-Bresson, Andre Kertesz, Eugene Atget, Josef Sudek, W. Eugene Smith, Man Ray, Bill Brandt, Mario Giacomelli, G.H. Brassai, Manuel Alvarez-Bravo and others…

Continue reading at PATAKA

The show runs through 10 September, 2006, at PATAKA, Norrie Street, Porirua, Wellington, NZ.

Via GRINZ

Group show: "Out of the Darkness: The Contemporary Revival of Early Photography"

This exhibition features the work of contemporary photographers who choose to have direct contact with the photographic process in its most basic chemical and alchemical form—instead of working with current digital technology, these photographers have chosen to revive archaic 19th century techniques.

Artists include Chuck Close, Sally Mann, Jerry Spangnoli, Christopher Bucklow and Abelardo Morell.

The show runs from Thursday, 26 October, 2006 – Thursday, 7 December, 2006 at the University of Central Florida Art Gallery, Orlando, FL, US. The gallery is open 9:00am–4:00pm, Monday through Friday.

More info at the gallery’s Web site.

Via Pinhole Visions

mooncruise* August 2006 issue 2.03 is up

Cover of mooncruise issue 2.03, August 2006

The August 2006 issue (Vol 2, Issue 3) of mooncruise*, an online magazine featuring photography and music by international artists, is now up and ready for viewing.

In this issue

PHOTOGRAPHY by: Christopher Wilson, Darek Siatkowski, David Cunningham, Ernesto Timor, Lok Jansen, Mark Craemer, Marko Schiefelbein, Megan Pinch, Nico Stinghe, Rick Stolk, Roman Caesar, Sophie Etchart, Tara Fallaux, and Tobias Slater-Hunt.

MUSIC by: In-Flight : Safety

mooncruise.com (requires Flash 8)

Diner photography show at KMOCA, Kingston, NY, US

THE DINER SHOW @ kmoca ON SATURDAY

this saturday
august 5th, 5-7pm

kmoca is pleased to present

THE DINER SHOW
images of the diner in art

this is kmoca’s first group show, but first…

A BRIEF HISTORY OF THE AMERICAN DINER

Amidst the hustle and bustle of 19th century American urban life, the diner was born.

What started as a basket with sandwiches and coffee became a lunch wagon that could remain open late into the night when proper restaurants were closed. As the popularity of such wagons grew, several companies began improving upon their design so as to allow customers to come in out of the elements.

As local governments began passing ordinances governing the operation of these wagons on city streets, some vendors began setting up in semi-permanent locations. It became common to do business out of old trolleys or dining cars taken from railway trains. The word "diner" itself is an abbreviation of "dining car."

The classic streamlined design was something that began to appear in the 1930s as diners tried to improve their image. Diners were something that were often able to stay in business during the Depression because they were an affordable place to eat.

The boom times after World War II created an even greater demand for diners, and new man-made materials that had been developed during the war (Formica etc.) went into commercial production and were quickly utilized in diners throughout the country.

As America entered the Space Age in the 1950s, styles changed with the times. Diners which had started out as railway cars not long before were displaying details that would look more at home on a rocket ship.

This same time period saw a vast increase in chain restaurants. Diners would have a tough time competing with franchised fast food places, so by the 1970s many diners were shifting gears once again and trying to appear more like restaurants in order to stay in business.

In recent years, nostalgia has prompted many diners to return to earlier designs. Chain restaurants have also gotten into the act and many are designed to be reminiscent of the classic American diner.

One thing that hasn’t changed since the invention of the diner is the most obvious: people gotta eat. Whether it’s midday or midnight, there are thankfully still plenty of independently owned diners right here in our area, dishing out that comfort food that helps keep us feeling at home in our hometowns.

KINGSTON IS A DINER TOWN

We’ve lost some over the years. A family favorite on Academy Green is now a dialysis clinic. The Elm Diner on Greenkill was carted away years ago. The Royal went eastward to Springfield, Vermont a couple of years ago—we ate there recently, it’s doing fine.

We still have a wonderful variety to choose from. Dietz is a perennial favorite. Broadway Lights did the retro thing and came out on top. Check out the Trolley Diner on East Chester if you want to get a real glimpse into diner history.

There are many nearby diners that are well worth checking out, most notably The Red Hook Diner.

Lunch counters may be slightly different creatures, but favorites like Dallas Hot Weiners certainly have the same spirit and are worth including.

WHAT DOES THIS ALL HAVE TO DO WITH KMOCA?

This is KMOCA’s first group show. We wanted it to be inclusive, which is one reason we picked diners as a theme:

Diners are for everyone, and so is this show. The show features the work of about a dozen artists. photographs, paintings, sandblasted images, sculpture and more… please join us for the opening reception this Saturday, the show runs until August 26.

People who might want to be involved in future group shows at KMOCA are invited to come to this first group show to introduce themselves. And all diner fans are especially welcome.

kingston museum of contemporary arts
105 Abeel Street, Kingston
regular hours Saturdays 12 – 4pm

www.kmoca.org

for more info about diners, there are many websites to choose from.
www.dinermuseum.org for example is where much of the preceding
information was gleaned.

**************************************************
SAVE THE DATE:
Monday night, August 14th
kmoca presents a live performance by Austin-based PETER & THE WOLF a band which is saving fuel costs by touring by sailboat, no kidding.

Via gardengal

Contact photography show at Outrageous Look, NYC

Outrageous Look press release:

BROOKE WILLIAMS says that her work "is intensely personal and always involves using the photographs to make some kind of record of an experience, to try and make memories more permanent. I was never that good at keeping journals, but I do have a photographic record of experiences I’ve had, glasses of OJ I’ve consumed, shoes I’ve owned, cars I’ve driven, etc. This piece, then, can be seen as a visual diary of the various people with whom I’ve come in contact over the past several years. And they range from my closest friends, to colleagues I work with, to the UPS man… The one underlying principle—the only hard and fast rule of the piece besides the format (833 SX70 Polaroids)—is that I have had some kind of interaction or experience with the people that belong to the hands in the photos."

Freud uses the term "isolationism" to refer to the way the thinking mind interferes with the "possibility of successful contact." Williams sees this project as a "way of visually battling my own ego"—hoping to become enriched by the process of forgetting the self in the endless repetitive con- templation of the other. Brooke Williams lives and works in Williamsburg.

TOM BURKE‘s lyrical black & white photographs show us the sublime aspect of everyday objects and places. He lives and works in Tokyo, Japan.

In one of the two pieces by SACHAR MATHIAS, a sculptural transcription of a melody becomes an instrument of its own, while the other offers us a different mode of musical performance. She lives and works in Williamsburg.

The show runs through 17 August, 2006 at Outrageous Look, 103 Broadway, Ground Floor Brooklyn, NY 11211 (J, M, or Z to March or L to Bedford). Gallery hours are Thursday–Monday, 12–6 pm.

I’ve been following Tom Burke’s work on Flickr for a while. I usually stare, drool, try to think of something coherent to say about it, fail, and try to pick my jaw up off the floor. So, you know, I think it’s, like, really good. Check it out.

mooncruise* July 2006 issue 2.02 is up

Cover of mooncruise issue 2.02, July 2006

The July 2006 issue (Vol 2, Issue 2) of mooncruise*, an online magazine featuring photography and music by international artists, is now up and ready for viewing.

In this issue

PHOTOGRAPHY by: Andrea Ferrer, Adam Makarenko, Adelyn Leong, Andrea Ferrer, David Mitchell, Davide Bernardi, Elena Ciobanu, Eran Mahalu, Espen Aasheim, Julia Blank, Lesley Silvia, Matthew Moore, Peter Schmucki, Robert Jan Zuur, Roberto C. Madruga, Sazeli Jalal, Ted Kerr, Thomas Ekstrom, Tim Schroeder, Tod Seelie, Tomas Minambres Lara.

MUSIC by: Phowa

mooncruise.com (requires Flash 8)

Nancy Breslin’s pinhole photography in group show

Check out this summer group show of contemporary art, "Dwell, Bond, Connect", including pinhole photography by Nancy Breslin.

The show runs Saturday, 15 July through Saturday, August 19, 2006 at Gallery Imperato, 921 E. Fort Avenue, Suite 120, Baltimore, MD, US.

The gallery is open Tues–Thurs 11–7; Fri–Sat 11–9; Sun 1–7.

Opening reception on Saturday, 15 July, 2006 at 6:00 pm.

For more information, see the gallery’s Web site, galleryimperato.com.

Via Pinhole Visions