Device blocks non-SLR digital cameras

Georgia Institute of Technology press release:

Newswise — Researchers at the Georgia Institute of Technology have completed a prototype device that can block digital-camera function in a given area. Commercial versions of the technology could be used to stymie unwanted use of video or still cameras.

The prototype device, produced by a team in the Interactive and Intelligent Computing division of the Georgia Tech College of Computing (COC), uses off-the-shelf equipment – camera-mounted sensors, lighting equipment, a projector and a computer—to scan for, find and neutralize digital cameras. The system works by looking for the reflectivity and shape of the image-producing sensors used in digital cameras. Gregory Abowd, an associate professor leading the project, says the new camera-neutralizing technology shows commercial promise in two principal fields – protecting limited areas against clandestine photography or stopping video copying in larger areas such as theaters.

"We’re at a point right now where the prototype we have developed could lead to products for markets that have a small, critical area to protect," Abowd said. "Then we’re also looking to do additional research that could increase the protected area for one of our more interesting clients, the motion picture industry."

Abowd said the small-area product could prevent espionage photography in government buildings, industrial settings or trade shows. It could also be used in business settings—for instance, to stop amateur photography where shopping-mall-Santa pictures are being taken.

James Clawson, a research technician on Abowd’s prototype team, said preventing movie copying could be a major application for camera-blocking technology.

"Movie piracy is a $3 billion-a-year problem," Clawson maintains—a problem said to be especially acute in Asia. "If someone videotapes a movie in a theater and then puts it up on the web that night or burns half a million copies to sell on the street – then the movie industry has lost a lot of in-theater revenue."

Moreover, movie theaters are likely to be a good setting for camera-blocking technology, said Jay Summet, a research assistant who is also working on the prototype. A camera’s image sensor—called a CCD—is retroreflective, which means it sends light back directly to its origin rather than scattering it. Retroreflections would probably make it relatively easy to detect and identify video cameras in a darkened theater.

The current prototype uses visible light and two cameras to find CCDs, but a future commercial system might use invisible infrared lasers and photo-detecting transistors to scan for contraband cameras. Once such a system found a suspicious spot, it would feed information on the reflection’s properties to a computer for a determination.

"The biggest problem is making sure we don’t get false positives from, say, a large shiny earring," said Summet. "We need to make our system work well enough so that it can find a dot, then test to see if it’s reflective, then see if it’s retroreflective, and then test to see if it’s the right shape."

Once a scanning laser and photodetector located a video camera, the system would flash a thin beam of visible white light directly at the CCD. This beam – possibly a laser in a commercial version – would overwhelm the target camera with light, rendering recorded video unusable. Researchers say that energy levels used to neutralize cameras would be low enough to preclude any health risks to the operator.

Still camera neutralization in small areas also shows near-term commercial promise, Abowd said. Despite ambient light levels far higher than in a theater, still cameras at a trade show or a mall should be fairly easy to detect, he said. That’s because image sensors in most cell phones and digital cameras are placed close to the lens, making them easier to spot than the deeper-set sensors of video cameras.

Camera neutralization’s potential has helped bring it under the wing of VentureLab, a Georgia Tech group that assists fledgling companies through the critical feasibility and first-funding phases. Operating under the name DominINC, Abowd’s company has already received a Phase 1 grant from the Georgia Research Alliance (GRA) with VentureLab assistance.

Abowd said that funding availability will likely decide which technology—small- or large-area—will be developed first. DominINC will apply soon for GRA Phase 2 money, Abowd said. Those funds would be used to aid anti-piracy product development, as would any funding coming from the film industry.

Other potential funding, from industry and elsewhere, would likely be used to develop anti-espionage small-area applications.

Stephen Fleming, Georgia Tech’s chief commercialization officer, said motion-picture groups are actively looking for technology to foil piracy. Movie distributors might even promote camera-neutralizing systems by refusing to send films to theaters that don’t install anti-piracy systems.

There are some caveats, according to Summet. Current camera-neutralizing technology may never work against single-lens-reflex cameras, which use a folding-mirror viewing system that effectively masks its CCD except when a photo is actually being taken. Moreover, anti-digital techniques don’t work on conventional film cameras because they have no image sensor.

Good computer analysis will be the heart of effective camera blocking, Summet believes.

"Most of the major work that we have left involves algorithmic development," he said. "False positives will eliminated by making a system with fast, efficient computing."

Also involved in the camera-neutralizing project are Shwetak Patel, a College of Computing PhD student; Khai Truong, a former Georgia Tech PhD student who is now at the University of Toronto, and Kent Lyons, a College of Computing post-doctoral student. A paper on this technology was published and presented at the Ubicomp 2005 conference in Tokyo, Japan, last September.

Via PhotographyBLOG

Lens made of ice

Matthew Wheeler took his first picture through an ice lens in response to a challenge by Scientific American and CBC calling on listeners to light a fire with a lens made entirely of ice. Too easy by far – Matthew took it one step farther and started photographing the natural beauty of his surroundings through the ice lenses he made.

Check out the photos (mirror site) or a video on DiscoveryChannel.ca.

Via Digg

JPEG patent rejected!

Right to Create write:

The USPTO has rejected the broadest claims of the JPEG image format patent held by Forgent Networks.

It’s nice to see the Patent Office doing the right thing, but it’s too bad that more than $100 million dollars that Forgent has extorted from industry will never be returned to its rightful owners. Forgent gets to keep that money, regardless of how the PTO rules. For nearly 19 years, this patent has stood without challenge. Now, just over a year before it was to expire, the PTO declares that it is bogus.

Continue reading at Right to Create

The Public Patent Foundation, who brought the challenge, write:

"The Patent Office has agreed with our conclusion that it would have never granted Forgent Networks’ ‘672 patent had it been aware of the prior art that we uncovered and submitted to them," said Dan Ravicher, PUBPAT’s Executive Director. "Making matters worse here is that this new prior art was known by those who filed the application that led to the ‘672 patent, but none of them told the Patent Office about it, despite their duty to do so."

Continue reading at pubpat.org

Via Right to Create

Inexpensive detector sees infrared in color

An inexpensive detector developed by a NASA-led team can now see invisible infrared light in a range of "colors", or wavelengths.

The detector, called a Quantum Well Infrared Photodetector (QWIP) array, was the world’s largest (one million-pixel) infrared array when the project was announced in March 2003. It was a low-cost alternative to conventional infrared detector technology for a wide range of scientific and commercial applications. However, at the time it could only detect a narrow range of infrared colors, equivalent to making a conventional photograph in just black and white. The new QWIP array is the same size but can now sense infrared over a broad range.

Continue reading at NASA

Via Digg

High speed Tri-X in Diafine reference, ISO 2000-6400

High speed Tri-X in Diafine reference by Luke H

Flickr member Luke H tested Kodak Tri-X 400 film (400TX) in Diafine developer at high speed. He shot the frames above at ISOs 2000, 2500, 3200, 4000, 5000, and 6400 with a yellow filter.

Check it out in Luke’s photostream at Flickr

If you’re not familiar with Diafine developer, it’s got several magical properties: it’s a split-bath compensating developer, so it’s difficult to get blocked shadows or blown highlights, one batch can last for well over a year, its temperature range is wide enough (21–30°C / 70–85°F) that you don’t need a thermometer, they recommend you not use a chemical stop bath (just water), film needs to spend at least 3 minutes in each bath (but can spend more), and since the development time is the same for every film, you can develop different emulsions in the same batch at one time. If you’re gentle with the agitation, it’s quite fine-grained. In short: AWESOME.

For more info, see the Diafine group on Flickr, Grant Heffernan, or Sherman Dunnam Photography.

You can buy it from Calumet Photographic, B&H, and Amazon.com in the US, among other places. For the UK, hit Retro Photographic.

Digital photography with flash and no-flash image pairs

Digital photography has made it possible to quickly and easily take a pair of images of low-light environments: one with flash to capture detail and one without flash to capture ambient illumination. We present a variety of applications that analyze and combine the strengths of such flash/no-flash image pairs. Our applications include denoising and detail transfer (to merge the ambient qualities of the no-flash image with the high-frequency flash detail), white-balancing (to change the color tone of the ambient image), continuous flash (to interactively adjust flash intensity), and red-eye removal (to repair artifacts in the flash image). We demonstrate how these applications can synthesize new images that are of higher quality than either of the originals.

See sample images at Microsoft Research

Technical PDF on optimum pinhole sizing

Excerpt from by "The Pinhole Camera Revisited or The Revenge of the Simple-Minded Engineer", by Kjell Carlsson:

"The image of a point object, the Point Spread Function (PSF),
should be as small as possible to produce a sharp image.

"Geometrical optics approximation: Hole should be as small as possible.

"Fraunhofer diffraction approximation: Hole should be as large as possible.

"No optimum size is found!

"Conclusion: The optimum size is found in a region where neither geometrical optics nor Fraunhofer diffraction is valid!"

For the more mathematically inclined, this paper discusses the preceeding conundrum and has simulated sample images for various pinhole sizes. I can’t follow the math, but I found it an interesting read nonetheless.

Download PDF

Via f295 DIY Photography Forum

Bitfall: digital imaging with water

Bitfall sample image in water

interactivearchitecture.org writes, "Bitfall is an installation where water is being used to project images taken from the internet. A computer observes various news websites and chooses thereafter the images to be displayed. 128 nozzles are controlled by synchronised magnetic valves, and the water drops falling to the ground shape the images. The visual information is only tangible for a second before the drops merge to become water again."

While not strictly photography, I’d say this counts as cool as experimental imaging.

Visit Web site (Deutsch/German)

Bitfall valves and sample text

Via interactivearchitecture.org via infosthetics

Free PDF book: The Permanence and Care of Color Photographs

Wilhelm Research has released their book, The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Color Negatives, Slides, and Motion Pictures, by Henry Wilhelm with contributing author Carol Brower—originally published in 1993—as a free, downloadable PDF.

You can get the individual chapters here at Wilhelm Research’s site, or from this direct link to the whole thing in one 79.6MB PDF file.

While I haven’t read it yet, chapter titles such as "Traditional and Digital Color Prints, Color Negatives, and Color Slides: Which Products Last Longest?", "Print Mounting Adhesives and Techniques, Tapes, Rubber Stamps, Pencils, Inks, and Spotting Methods for Color and B&W Prints", "Display and Illumination of Color and Black and-White Prints", and "Handling and Preservation of Color Slide Collections" have bumped it to the top of my reading list.

Thanks, Wilhelm Research!

Via Silverprint News

Oregon researchers make big advance on road to ‘superlens’

"A functional superlens would be a major breakthrough in optics and was first envisioned five years ago. The idea is to use exotic types of materials, proposed in the late 1960s, to create ‘negative’ refraction of light, which literally means steering it in the opposite direction of that found in the natural world. The first materials that could do this were created a few years ago and the field is one of significant scientific interest, but many obstacles remain…"

Read article at scienceblog.com