Tag: alt process

2009 F295 Symposium registration now open

Nicolai Grossman Leave a comment

Organizer Tom Persinger says:

Registration for the 2009 F295 Symposium is now open to the public! The 2009 F295 Symposium Exploring 21st Century Photography takes place in Pittsburgh PA USA on the campus of Carnegie Mellon University (with workshops at Pittsburgh Filmmakers) May 28-31, 2009

Visit the registration page to sign up for the symposium* and all workshops!

Here’s a summary of speakers who will be delivering their talks on Friday May 29 (and the titles of their talks):

Elizabeth Opalenik
Possibilities in Mordançage

Jarosław Klupś
To Freeze a Reflection

Martha Madigan
Solar Printing for a Lifetime

Michelle Bates
Through a Plastic Lens

Dan Estabrook
Some Notes on the Art of Failure

Robb Kendrick
The Tintype and Beyond

Mark Osterman
Artifacts

Photographer Ben Long will be giving a free pre-symposium public address on Wednesday May 27 entitled Technology, Perception, and Photography and we’ll be announcing our special Thursday night speaker soon!

If you’re a subscribing member of F295 remember to select the special, discounted members only registration rate. This price is just for members and only available for a short time! If you’re not a member and wish to join to take advantage of the discounted rate visit our membership page.

The current registration rates are for early registration only. Soon they’ll increase to the regular rate. Sign up early to get a great rate and reserve your seat!

Sign up today! Don’t miss your chance to take some of the other great workshops and your opportunity to attend the most exciting photographic event of 2009!

If you have interest in one of the workshops I suggest registering ASAP. F295 members were able to register over the weekend and as a result Jerry Spagnoli’s & Jill Enfield’s workshops are already sold out! (we may add a 2nd Daguerreotype workshop, and if so F295 members will find out first!) Here’s what we have remaining:

Workshops Saturday May 30
The Fugitive Shadow w/ France Scully and Mark Osterman
Lens-Building and Optical Effects (2 days) w/ Alan Greene
Working in the Cultural Landscape w/ Craig Barber
Printing with Gum Bichromate (2 days) w/ Scott McMahon
Toying with Plastic Cameras w/Michelle Bates

Workshops Sunday May 31
Non-Destructive Image Editing with Photoshop w/ Ben Long
Lens-Building and Optical Effects (2 days) w/ Alan Greene
Photography Walk-About w/ Tom Persinger and others!
Printing with Gum Bichromate (2 days) w/ Scott McMahon

Complete information on the website: www.f295.org/symposium2009

*Symposium registration does not include workshops. You must register and pay for each workshop individually. They may all be purchased together using our online shopping cart.

See you in Pittsburgh!
Tom

f295 Seminar on Contemporary Alternative Photography, NYC, US

Nicolai Grossman Leave a comment

Tom Persinger writes:

The free f295 Seminar on Contemporary Alternative Photography is coming soon! It takes place in less than 3 2 weeks on Sunday January 27, 2008 at the B&H Photo Megastore in Manhattan and is COMPLETELY FREE! Because we’re expecting a large crowd for this event pre-registration is required. To reserve your space please email eventspace@bhphoto.com.

Here’s information from the B&H Website:

f295 Seminar on Contemporary Alternative Photography:

B&H hosts a very special and rare gathering of some of today’s leading alternative process photographers for a one day event of epic proportions. We’ve packed as much as we can into this 6 hour event! You’ll hear presentations from each photographer about their work, engage in discussion around alternative photographic practice, and participate in a dialogue about the state of contemporary alternative photography.

Speakers Include:

This event is not to be missed by anyone interested in; alternative process (from albumen to ziatype), pinhole, zone-plate, toy camera (Holga and Diana), and self-made cameras! B&H Event Space will be hard pressed to contain the amount of creative energy that will be present on this day.

Date: Sunday, January 27th
Time: 10:30am – 4:30pm

Registration is required for this event and seating is limited! Please reserve your seat and be sure to arrive promptly to guarantee your spot. For registration please send an email to: eventspace@bhphoto.com.

***

Please Note: This event is pre-cursor to the F295 Symposium 2008: An Examination of Lensless, Alternative and Adaptive Photographic Processes held in Pittsburgh, PA. 5/29/08 to 6/1/08. The f295 Symposium is a unique and exciting three day event which features exhibitions, lectures and round-table discussions, workshops, and peer networking focused around an in-depth exploration of alternative photographic processes and means. f295 is working with the Center for the Arts in Society at Carnegie Mellon University and Pittsburgh Filmmakers to bring you a host of exciting events! Complete information, including registration information, available on the website: www.f295.org/symposium2008

See you there!

f295 Seminar on Contemporary Alternative Photography, NYC, US

Nicolai Grossman Leave a comment

Tom Persinger writes:

I’d like to let you all know about The f295 Seminar on Contemporary Alternative Photography, hosted by B&H Photo, Video and Pro-Audio on Sunday, January 27 [2008] from 10:30am – 4:30pm [in New York City]. The event will take place in their brand new, state-of-the-art multimedia Events Room. The event features lectures, demonstrations, and discussion about contemporary alternative photographic practices and information about the upcoming f295 Symposium.

The following photographers/artists will give talks and be available for question/answer: Craig Barber, Laura Blacklow, Jill Enfield, Jesseca Ferguson, Scott McMahon, Erin Malone, Tom Persinger and Jerry Spagnoli.

Seating is limited! come early to be sure to get a spot!

See you there!
Tom

PS: We’ll be holding a drawing to give away one free pass to attend the f295 Symposium at this seminar!

Solarizing developer

Nicolai Grossman Leave a comment

Solarization is overexposure to the point of tonal reversal, where areas on the film that would be totally black (the sun, for example) start to get lighter again. You can achieve the same thing printing in the darkroom by turning on the lights during developing. (Technically doing it in camera is called soliarization and in the darkroom it’s the Sabatier Effect, but the terms are used more or less interchangeably.)

I thought that was it, until Tom Persinger of f295 pointed me to this article by Ed Buffaloe at Freestyle—it turns out you can do it chemically with thiosulfate developer.

Includes recipe and examples.

Bizarre cross procesing technique: film accelleration

Nicolai Grossman 1 Comment

Cross processing is developing film in the "wrong" chemistry, for example shooting slide (E6) film and processing it in the chemicals meant for colour negative (C-41) film. This is normally what’s meant when people say cross processing, but it can go in almost any direction. You can also do C-41 film in E6 chemistry, or any film in B&W chemistry. The only thing you can’t do is B&W film in colour chemistry, because the bleach leaves you with a blank roll.

Apparently "film acceleration" is a bit more complicated, and sounds a lot like something called the "Henry Beck process" that the owner of my local lab told me about (and I can find absolutely no information on anywhere). Instead of a simple chem switch, this is: underexpose slide film, pre-soak, soup in B&W developer, wash, fix, wash, bleach, C-41. Yeow! But the results do look unique.

Read the how-to, with sample images, at JPG Magazine.

Flickr member pochedunfou also has a large set of accelerated photos, which serves as an excellent reference of the effect across a number of different emulsions of varying age.

Update: pochedunfou pointed me to the Be Great: Accelerate group for the technique on Flickr. Cool!

Kodak Monographs now available for free download

Nicolai Grossman 2 Comments

These three Kodak publications are available as PDF downloads from archive.org. As you can see, they’re quite old, and the copyright has expired.

Kodak Monograph 1: The silver bromide grain of photographic emulsions, Adrian Peter Herman Trivelli (1921)

Kodak Monograph 2: The theory of development, Adolph H. Nietz (1922)

The Photographic Negative, William Henry Burbank (1888)

Written as a practical guide to the preparation of sensitive surfaces by the calotype, albumen, collodion, and gelatin processes, on glass and paper, with supplementary chapters on development, etc.

Photographic printing methods: a practical guide to the professional and amateur worker, William Henry Burbank (1891) (thanks, Glenn!)

Via APUG member Emulsion

Camp Obscura pinhole photography workshop, NM, US

Nicolai Grossman Leave a comment

Check out the Camp Obscura pinhole photography workshop led by Jackie Mathey:

  • Construct your own 4×5 super wide pinhole camera.
  • Expose images using black and white photographic paper and film.
  • Develop your own images.
  • Quick viewing with digitally scanned images.
  • Craft your images into works of art with the cyanotype printing process.
  • Create a camera obscura and experience what it is like to be inside a camera!

Each camp is held at the historic home of Olive Rush, currently the Friends Meeting Hall at 630 Canyon Road, in Santa Fe, New Mexico. The space is a beautiful adobe home with a rambling back yard situated about half way up Canyon Road offering a plethora of image making options for the pinhole photographer.

In this beautiful small group setting we will build our 4×5 super wide pinhole cameras and get a hands on approach to the geometry of photography. As we experience the camera obscura first hand we gain an intimate understand of the way light moves and images are revealed. We will expose and develop images, made with black and white photographic film and paper, while exploring unique locations. Negatives will be digitally scanned for quick viewing while our printing will be done in the alternative process of cyanotype. As a group we will create a short pinhole animation that will be digitized onto a disc for each participant along with scans of their images.

Join us for adventures in pinhole photography and the camera obscura and explore the history, art and techniques of this beautiful and intuitive process in its simplest and most rewarding form.

The workshop runs nights & weekends 21–28 September, 2007, at Friends Meeting Hall, Santa Fe, NM, US.

More info at CampObscura.com

Peeling Daguerreotype on silvered glass: WOW!

Nicolai Grossman 2 Comments

Peeling Daguerreotype by Jason Greenberg Motamedi

Look what happened when Jason Greenberg Motamedi tried making a Daguerreotype on silvered glass! He says:

I made a few marginally successful Becquerel plates last year using silvered glass, however something about the traditional method (perhaps the heat of the Mercury?) caused much of the silver to flake off in the fixer.

Yes! Beautiful! Long string of positive expletives!

You can see more of his work at his Web site, motamedi.info, and at his excellent Daguerreotype blog, daguerreotypy.blogspot.com.

 

Further reading: Motamedi’s Brief Guide to Becquerel Daguerreotypy, The Daguerreian Society.

 

Photo © copyright 2006 Jason Greenberg Motamedi. Used with permission.