The over-educated eye?

Gallery owner Edward Winkleman has an interesting discussion going on at his blog about whether being too well-informed interferes with appreciating/enjoying art.

I’m with Winkleman: I say no. I have no problem blanking my mind and going for the ride. It’s only once the experience has run its course that I may try to figure out why it was the way it was, and it’s just as likely to be influenced by my state at the time as by composition or density range.

Food, on the other hand, is another matter for me. It may be because I’m probably a better pastry chef than I am a photographer, and having spent a large part of my youth in a commercial restaurant kitchen, have spent a lot more time paying attention to the experience of eating than I have to the experience of viewing art, but it’s difficult to go out and enjoy a meal. Dessert? Forget it. 9 times out of 10, I’m not even going to bother. It’s not that I go looking for food to be unenjoyable to boost my ego or anything, I simply can’t help but notice it. It’s like trying to watch a movie in which you can see the crew walking around in the background and the boom mic bobbing up and down at the top of the screen. (Oddly, this happens far less with home-cooked meals than it does at restaurants. Maybe there is something to that whole context thing…)

Who knows, maybe I’ll feel differently when I know more and have more experience looking at art. But for now, it’s not a problem.

Art vs. Business: social contracts & disowning your work

Gallery owner Edward Winkleman has a characteristically thoughtful and thought-provoking post on his blog about artists disowning early "non-representative" works and the implied social contract of selling art:

What’s emerged in conversations lately (due mostly to Richard Prince’s refusal to permit reproduction of his much earlier work for a catalog accompanying an exhibition of it) is a question about authorship, specifically whether an artist can essentially rescind authorship because the earlier work no longer represents their current vision. Can Richard Prince declare that for all intents and purposes an earlier work he created is not "a Richard Prince"?

Continue reading, don’t skip the comments!

I really recommend Winkleman’s blog as a whole: his writing explores interesting territories within art and art business while provoking intelligent discussion in the comments. A+ all the way.