Tag: infrared

Kodak discontinue HIE infrared, Ektachrome 64 & 100 films

Nicolai Grossman Leave a comment

Kodak’s film discontinuance notice says:

KODAK is preannouncing the discontinuance of several smaller running families of Professional film – EPR, EPN and High Speed Infrared (HIE) effective end of December 2007. Demand for these products has been declining significantly in recent years, and it is no longer practical to continue to manufacture given the low volume, the age of the product formulations and the complexity of the processes involved.

We will continue to ship product through the end of this year.

These discontinuances are effective in all countries worldwide, with one exception: KODAK PROFESSIONAL EKTACHROME 64 Film / EPR will continue to ship to Japan beyond 2007.

The suggested replacement for KODAK PROFESSIONAL EKTACHROME 64 Film / EPR is
KODAK PROFESSIONAL EKTACHROME Film E100G or E100GX.

The suggested replacement for KODAK PROFESSIONAL EKTACHROME 100 Film / EPN is KODAK PROFESSIONAL EKTACHROME Film E100G or
KODAK PROFESSIONAL EKTACHROME 100 Plus Film / EPP.

Ektachrome 64 will probably still be available through Megaperls Webshop (at greater cost, of course), who sell Japan-only film photo products to the rest of the world.

Kodak infrared films to be discontinued

Nicolai Grossman 4 Comments

UK photo retailer Silverprint reports in their newsletter that Kodak are discontinuing both of their infrared emulsions, the black and white HIE and the false-colour Ektachrome Infrared. Kodak will stop accepting orders from stockists for the films in May 2007, so start hoarding now. (Kodak’s web site doesn’t note the discontinuation, but that isn’t unusual, and I count Silverprint as a reliable source.)

There are other options for black and white infrared, such as Rollei IR820c (formerly Maco IR820c [corrected by Jon below]), Fomapan 400 NIR 730, and Ilford SFX 200 [corrected by George and Jon below], but there are no alternatives to Ektachrome Infrared that I’m aware of.

Ilford SFX 200 infrared film returns

Nicolai Grossman 1 Comment

35mm and 120, hell yeah!

Direct PDF links: data sheet, development chart

Ilford press release:

Monochrome enthusiasts will welcome the news of the reintroduction of ILFORD SFX 200 infrared film – the unique medium for adding incredible definition and texture control to outdoor black-and-white photography.

Black-and-white goes red

Underlining its commitment to the world of black-and-white photography, ILFORD PHOTO is in the process of reintroducing various specialist films. Leading this movement, and available from March 2007, is the much admired ILFORD SFX 200 infrared film.

ILFORD SFX 200 is a special red-filtered film perfect for landscapes, mountainscapes and similar subjects due to its ability to add high definition to green foliage, cloud formations and open skies, especially when combined with the ILFORD SFX 200 Cokin ‘P’ series mounted red filter. It is also popular with architectural photographers due to its characteristic for emphasising contrasting textures.

A medium speed panchromatic film, ILFORD SFX 200 is available in 35mm and 120 roll film. It has long been a favourite with specialist photographers, but was not continued when the company went through a corporate reorganisation in 2005. Because of its sensitivity, the film will be produced in small quantities on a ‘made on demand’ basis to ensure that it is always fresh and fully active.

"We have always been aware that the black-and-white market incorporates many photographers who revel in pushing the abilities of their film to the maximum in order to attain extreme results," says ILFORD PHOTO marketing director Howard Hopwood.

"The revival of ILFORD SFX 200 film will enable those specialists who concentrate on outdoor photography to achieve a remarkable degree of control over their images, utilising all types of weather conditions to produce their ultimate visual concepts."

A major user of ILFORD SFX 200 is professional photographer Dave Butcher: "Most of my photography is with Ilford FP4+ 120 film," he says "however, I use SFX for the striking effects it produces when foliage is producing infrared (in the Spring and Summer when the sun shines!). Unlike some infrared film, it can be handled in daylight with no special precautions, so it is very easy to use in the mountains where I spend much of my time.

"Another good reason to reach for the SFX is when there is a strong heat haze. It’s difficult to take big views on days like these with normal films like FP4+, but SFX with an infrared filter cuts through the haze and lets you get a shot of the view you can’t even see with the naked eye!"

ILFORD SFX 200 is available in special value promotional packs which contain three rolls of 36×135 film plus an ILFORD COKIN P red filter.

An ILFORD SFX 200 print competition is planned to encourage photographers to experience the versatility of this film, and to put their artistic talents to the test. Full details will be announced shortly.

A full technical data sheet on the ILFORD SFX 200 film can be downloaded from www.ilfordphoto.com

Inexpensive detector sees infrared in color

Nicolai Grossman Leave a comment

An inexpensive detector developed by a NASA-led team can now see invisible infrared light in a range of "colors", or wavelengths.

The detector, called a Quantum Well Infrared Photodetector (QWIP) array, was the world’s largest (one million-pixel) infrared array when the project was announced in March 2003. It was a low-cost alternative to conventional infrared detector technology for a wide range of scientific and commercial applications. However, at the time it could only detect a narrow range of infrared colors, equivalent to making a conventional photograph in just black and white. The new QWIP array is the same size but can now sense infrared over a broad range.

Continue reading at NASA

Via Digg