Tag: inkjet

Harman Professional photo inkjet paper

Nicolai Grossman Leave a comment

HARMAN Technology Limited Press Release:

Harman, the leading professional imaging specialist has provided the first ever glimpse of its new professional photo inkjet paper, just days before officially unveiling the products to the industry at the Photokina exhibition in Cologne, Germany. This exclusive shot of the product and its packaging has only been distributed to selected online media and is the only picture to be made available before the Photokina show. The picture shows the first two products in the range, which incorporate a real photo Baryta layer within their coating – the only photographic inkjet media to do so. The matt finish product pictured, will incorporate instant-dry silica technology. Created primarily for the fine art and professional photography market, HARMAN wanted the real users to see the innovative products first.

Howard Hopwood, Marketing Director at HARMAN technology commented: "At HARMAN technology, we believe ourselves to be very much a part of the photographic community. We are very enthusiastic about the launch of our first professional photo inkjet products, and we wanted the people who will benefit most from using them to see the products first."

The black boxes will provide a strong presence on shelf, and colour coding has been used within the artwork to easily identify each individual product in the range. Product test packs will be distributed to the photographic media over the coming weeks, and detailed launch plans are due to be announced in the very near future.

Via PhotographyBLOG

Fujifilm Fine Art Museum inkjet paper

Nicolai Grossman

Fuji press release:

Fuji Hunt’s dedicated R&D division has long been developing methods to bring digital printing media to a par with traditional papers. Now, a new trio of especially smooth finishes have passed the quality barrier and represent the very best materials on which imagery of all types can be printed.

Fuji Hunt’s range of FUJIFILM Fine Art Museum inkjet media, which has already proven extremely popular with users seeking a higher than average result, especially when used for display and exhibition work in both black-and-white and colour, has been extended with three additional products: Fine Art Museum Baryt paper; Fine Art Museum Smooth RAG paper; and HD White Cotton Canvas.

Baryt, or baryta, photographic paper has long been recognised for its superior smooth finish. Traditionally, the baryta sizing used on this paper overcomes any fibrous effect by filling the pores of the paper via a barium sulphate suspension, the material then being calendered to produce an exceptionally smooth surface. This gives images printed on it a high level of sharpness, maximum tonal range and separation, while also avoiding contamination by any impurities in the paper base.

Creating baryt paper is an extremely specialist process, and it is usually only used for the best hand finished fine art printing. However, with FUJIFILM Fine Art Museum Baryt paper, Fuji Hunt has launched a unique inkjet 300gsm version which incorporates all the benefits of a silver halide baryt paper, and enables a superb level of reproduction or original imaging to be achieved across a wide range of applications.

In fact, the density rating (d-max) of the product is higher than that of traditional silver halide baryt paper, enabling images to be created which exhaustive testings and close examination have shown to be of a higher grade than pure silver halide.

Initially, FUJIFILM Fine Art Museum Baryt paper is being supplied in roll form in sizes to fit all the FUJIFILM/EPSON Stylus Pro printers, with cut sheet form in sizes up to A3+ (329x483mm, 13x19ins) due in the autumn.

The current Fujifilm Fine Art 300gsm Photo Rag paper is a mould-made fine art paper with special matt coating which has proven a leading medium for high quality fine art reproductions. Now, the company is introducing a unique smooth version called, appropriately, FUJIFILM Fine Art Museum Smooth RAG paper.

The unique structure of this material ensures not only that beautifully finished and highly contrasted images will result, but also that the material will stay flat, without the curling which often faces users of smooth heavyweight media.

Canvas materials have long been popular for printing reproductions of works of art and for showing fine art photographic work to its best. So it is that Fuji Hunt is completing the new smooth trio with a high-density 400gsm brilliant white canvas called FUJIFILM HD White Cotton Canvas.

This specially coated pure cotton canvas brings a vitality to images printed on it which was not previously possible on authentic canvas materials. Its brilliant white finish enables bright, vivid colours to be shown as fresh as newly painted. When used for black-and-white prints and reproductions, this product comes into its own as it produces maximum contrast images with the full gamut of subtle mid tones and shades.

Altogether, these new media take the field of inkjet printing to a new level of excellence and authenticity not previously possible, and are expected to make a strong impact on its markets.

For full details of the FUJIFILM Fine Art Museum media contact Greg Jackson at Fuji Hunt Digital Solutions by telephone: 02476 455 575, email: gjackson@fujhunt.com or visit www.fujihunt.com

Via PhotographyBLOG

Next-gen fine art inkjet paper review

Nicolai Grossman Leave a comment

The introduction of new papers from Hahnemuhle, Innova, and Museo have everyone scrambling for these papers, as they are suppose to be the reason to finally come out of the darkroom. After all, B&W silver gelatin paper manufacturers are starting to disappear, causing more artists/photographers to convert to digital printing methods. This does not mean that we should start expecting these paper companies to create exact replicas of our favorite silver gelatin papers. We as a community, need to start suggesting what we would like them to change about their current papers rather than asking them to match paper that is oriented to a completely different process. These three papers are derived from exactly that, all three companies listened to the cries of those tired of RC semi-gloss or luster papers. The papers they produced are a tremendous accomplishment for the first generation of a new product, remember these papers are first generation.

…

I personally along with many other photographers have refused to print on so-called luster or semi-gloss papers due to their look. The next generation of paper’s large color gamut and DMax allows for a higher color saturation, which produces a look that creates images that have a similar image quality and feel as traditional photographic paper. These three papers are nothing like any paper I have ever used, digital or traditional, because they have their own image qualities. We finally have the technical tools, to create the imagery that we all have been waiting for with the advent of these papers.

Continue reading at Booksmart Studio

Via The Online Photographer

Paul Butzi on silver vs inkjet BW printing

Nicolai Grossman Leave a comment

Paul Butzi writes in The Online Photographer:

Different isn’t synonymous with bad. Instead of viewing every difference between silver-based photography and digital photography as weaknesses in the new technology, it’s far more productive as artists to pick up the new technology and ask ourselves, “Where can I go with this that I couldn’t go before?” The best path forward isn’t to refuse to pick up digital cameras until the results are exactly like those we get with film, and it isn’t to mindlessly adopt the new technology and forget the lessons of the past, either. The best path forward is to pick up the new technology, embrace its different strengths and weaknesses, and extend our hard won knowledge rather than discard it…

Someone talking sanely about silver vs. digital? Am I dreaming?

The sanity continues at The Online Photographer

Fine art matte inkjet paper roundup

Nicolai Grossman 1 Comment

Darren of One Stop Under writes:

"Edwin Leong over at CameraHobby.com has done a nice roundup review of several fine art matte inkjet papers from Crane, Legion, and Moab.

"I like the way Edwin has published two sets of results – one titled ‘Technical, Nitpicky and Anal-Retentive Comments’ to keep the pixel peepers happy, and one titled ‘Aesthetic Comments after I Power Slammed the Technician Out of the Way’ for people who just care about how their art actually looks."

Couldn’t have said it better myself (so I didn’t).

Read the roundup at Camera Hobby

Via One Stop Under