New Lomo LC-A+

As much as I hate to give any publicity whatsoever to the monopolistic rip-off marketing goons at the Lomographic Society, they have come out with something cool. Like everything else they sell, it’s embarassingly overpriced, and I recommend that you not buy anything from them unless it’s unavailable anywhere else—for example, don’t pay $70 for a $15 Holga, get it from holgamods or Amazon—but this is such a product: the Lomo LC-A+.

Take your standard small, cute, horribly-built, awesomely Minitar-lensed Lomo LC-A 35mm camera, and add a double exposure button, metering up to ISO1600 (why the fuck didn’t they go to 3200 as long as they were in there??), and a standard threaded cable release socket. Take away manual exposure; this is auto-only.

The cheapest way to get this camera from them is the Standard Package, which consists of the camera, Colorsplash flash (just want the camera? too bad), cable release (just want the camera? too bad), "Lomographiere" hardcover book (don’t want to pay them for their own marketing materials? the materials where they use their customer’s photos and don’t pay them? too bad), two rolls of film (just want the camera? too bad!), and a set of batteries (OK, that’s actually useful). All yours for the modest price of US $250.

They’re accepting pre-orders now and say the first batch will ship 2 October, 2006.

Digital Lomo: Minitar lens + RD-1 = success!

The people at Sushicam have successfully grafted the Minitar lens from a Lomo LC-A onto an Epson RD-1 digital rangefinder. Check out the step-by-step of building the lens mount as well as sample images here at Sushicam.

See previous post on part 1.

Also don’t miss Ta King, who has several galleries of photos taken with Lomo Minitar and Holga lenses hacked onto his Canon Digital Rebel DSLR.

Digital Lomo: hacking the Minitar lens onto an RD-1

The folks at Sushicam are working on putting the Lomo LC-A’s Minitar lens onto an Epson RD-1 digital rangefinder. As they point out, with the RD-1’s 1.5x crop factor, they’ll probably lose out on much of the vignetting, but there’s one way to find out!

I’ve long thought about adapting it for use on video cameras, perhaps using something like Media Chance‘s DoF Machine, and am quite curious to see what they get out of it.

Check out Part 1 and stay on the lookout for Part 2!

Via MAKE Blog