Police delete London tourists’ photos "to prevent terrorism"

Like most visitors to London, Klaus Matzka and his teenage son Loris took several photographs of some of the city’s sights, including the famous red double-decker buses. More unusually perhaps, they also took pictures of the Vauxhall bus station, which Matzka regards as "modern sculpture".

But the tourists have said they had to return home to Vienna without their holiday pictures after two policemen forced them to delete the photographs from their cameras in the name of preventing terrorism.

Continue reading at the Guardian

This is worth a read, it’s short and makes a number of good points [that you’d think are painfully obvious, but apparently still need to be made… over and over and over again].

Via GRINZ

Photographing police in the UK may now be a crime

From today, anyone taking a photograph of a police officer could be deemed to have committed a criminal offence.

That is because of a new law – Section 76 of the Counter Terrorism Act – which has come into force.

It permits the arrest of anyone found “eliciting, publishing or communicating information” relating to members of the armed forces, intelligence services and police officers, which is “likely to be useful to a person committing or preparing an act of terrorism”.

That means anyone taking a picture of one of those people could face a fine or a prison sentence of up to 10 years, if a link to terrorism is proved.

The law has angered photographers, both professional and amateur, who fear it could exacerbate the harassment they already sometimes face.

Continue reading at BBC News

 

Via the GRINZ newsletter, whose editor had this to say:

I have two words for this: Rodney King. So the police in that situation could have arrested the photographer (videographer) and destroyed the evidence, and been well within their rights to do so…if it had been illegal to photograph police, what record would even EXIST of the Springbok Tour? Hmmm…worth considering. I’m certainly not saying police are out to get us all – just that documentary photography / photojournalism should be unfettered.

Right on.

Photography banned in downtown Silver Spring, MD, US

A fellow named Jordan writes via Boing Boing:

Security guards in a Silver Springs business district are enforcing a "no photography" policy, under the false claim that the street in question is private property. The Peterson Company, which manages the buildings on this DC-area street, claims the right to protect their brand. Not to be dissuaded, photographers have contacted NowPublic contributor Bill Adler (he of sippy-cup fame) and formed a Flickr group to post photos of the area in defiance of the ban, and a protest is being scheduled by area photographers. this is the latest in the ongoing trend of private guards enforcing frivolous or nonexistent laws in the name of "security".

Read article at NowPublic

Microsoft fix rights-grabbing terms in student photographer contest!

The rights-grabbing terms in Microsoft’s Future Pro Photographer Photo Contest that I previously posted about have been changed!

The old, abusive clause has been changed from

5. ENTRIES PROPERTY OF SPONSOR.

All Entries become the property of Sponsor and Administrators and will not be returned. By submitting your Entry, you grant Sponsor and Administrators an irrevocable royalty-free, worldwide right, in all media (now known or later developed) to use, publish, alter or otherwise exploit your Entry. You hereby forever release the Sponsor and Administrators from any and all claims you might have in connection with their use and exhibit of your Entry as set forth above. You also agree to sign any necessary documentation to effectuate that license and release. If you do not want to grant Sponsor and Administrators the foregoing, please do not enter the Contest.

to the very model of reason and fairness:

5. Rights to Use Entries.

As a condition of accepting a prize, you agree to grant Microsoft an irrevocable royalty-free worldwide license to reproduce and display the image, credited with your first and last name, in print and on the web for the purposes of only promoting this contest.

These terms take only what’s necessary to reasonably manage the contest, and it guarantees a photo credit. I never thought I’d hand it to Microsoft, but well done. (Of course the original all-your-rights-are-belong-to-us terms should have never, ever been out there in the first place, but they sorted it out quickly.)

Microsoft rights grab in student photographer contest

By entering work in the Microsoft Future Pro Photographer Photo Contest, you give them all rights to it. Not even by winning, just by entering. They’ve done it in a really sleazy way, too.

The contest FAQ says:

Does Microsoft own the rights to images submitted to the contest?

As an entrant, you retain the copyright ownership of the images you submit. Submitting an entry does not assign or transfer any ownership or copyrights to Microsoft; those rights remain with the creator of the original work. However as a condition of accepting a prize, you agree to grant Microsoft the right to reproduce and display the image, credited with your first and last name, in print and on the web, for the purposes of promoting this contest.

These sound like perfectly reasonable, maybe ideal, terms to me: they only take the rights they need to make the contest work, and they even guarantee a photo credit. Too bad it turns out to be a lie—the the actual submission guidelines and official rules tell a very different story:

5. ENTRIES PROPERTY OF SPONSOR.

All Entries become the property of Sponsor and Administrators and will not be returned. By submitting your Entry, you grant Sponsor and Administrators an irrevocable royalty-free, worldwide right, in all media (now known or later developed) to use, publish, alter or otherwise exploit your Entry. You hereby forever release the Sponsor and Administrators from any and all claims you might have in connection with their use and exhibit of your Entry as set forth above. You also agree to sign any necessary documentation to effectuate that license and release. If you do not want to grant Sponsor and Administrators the foregoing, please do not enter the Contest.

Don’t bend over for these clowns, Microsoft neither needs nor deserves your charity. And always read the fine print.

Serious concerns about Worldwide Pinhole Photography Day terms

NOTE: We have sent a copy of this to the WPPD team, and will be happy to include their response. Were it not for the time-sensitive nature of the material, we would have done so prior to publication.

I was psyched for Worldwide Pinhole Photography Day this year. I packed up a bunch of film and headed to a friend’s birthday BBQ and brought an extra camera along in case anybody else wanted to try. They were good sports and let me make blurry pictures of them, and we all had fun. I picked up the 7 rolls of 120 I shot yesterday, got home, and got down to editing. I picked an image to upload to this year’s WPPD gallery, loaded up the submission form, read the rules governing submissions, and was extremely disturbed. I sat down and went through them, line by line, with Katie Cooke, who was also ready to upload an image. This is what we found:

 

(1) WPPD is a non-commercial event, open to everybody, everywhere in the world. Participation in WPPD is completely free; there are no submission fees, and no charges for exhibiting on the WPPD web site.

Great idea! Pinhole photography, fun, not making the artists pay, sounds good! But as always, you have to read the fine print:

 

(5) [the photograph] can be of any subject.

Well, not really. See rules 7 and 10.

 

(7) [the photograph] must respect common decency and human rights (no pornography).

Common decency where? Sweden or Saudi Arabia? If you aggregated everyone’s ideas of common decency, you wouldn’t be able to submit much. Female hair? Nope, no-go for some Muslims. Soles of feet or shoes? Serious insult in Thailand. Female breasts in America are “indecent”, in Europe, they’re fine. Europe has more people. Which is more common between them?

Then there are the people like us, for whom the entire concept of censoring everything so as not to offend anyone, anywhere, goes against common decency and sense. Not offending anyone is simply not possible. Hell, photography itself is against common decency in some parts of the world. Congratulations, you just invalidated WPPD’s entire existence. If you really believe this, it’s time to quit photography altogether.

And part of our definition of common decency is that people not imply an inherent equation between pornography and disrespect for human rights.

This also contradicts rule 5 above.

 

(9) [the photograph] must not have been previously published.

a) Why? This is not a rhetorical question.

b) If they are actually trying to grab at least a window of exclusivity—which alone would prevent either of us from submitting work, because it seems unreasonable and pointless—this isn’t going to do it. You are following this rule if you upload it to WPPD, and then your own site, or Flickr, 10 seconds later. What exactly does this accomplish? Nothing, other than setting up an arbitrary and useless hoop to jump through. Who are the WPPD team to tell anyone in which order they may upload things?

c) What, precisely, does “published” mean? In what media with what audience? If you put it in a protected area of your web site, or a photo sharing site, does that count as published?

 

(10) Each author must be able to provide proof that the submitted photograph is not contrary to other people’s fundamental rights. (The submitter must ensure that all allowances to photograph and publish pictures showing personal objects have been obtained by the models and/or owners of pictured objects.)

a) The first section of this rule is problematic. You want proof of a negative—which is generally impossible—for something that’s undefined? “Fundamental rights” can mean anything.

b) This is so poorly worded that it means that permission is required to show pictures of objects, but not of people, and the permission has to be granted to the owners of the objects. We don’t think this was the meaning the organizers were looking for, and would suggest they meant, “The submitter must ensure that all permissions to photograph and publish pictures showing people or personal objects have been obtained from the models and/or owners of pictured objects.”

Assuming that the rule is intended to mean that it is the photographer needs these permissions, we run into some more trouble:

i) Permission to depict “personal objects”? Again, we’ve got another term that’s so vague as to be meaningless. As potential submitters, we have no idea what this means, and therefore have no idea which images are acceptable to submit and which are not.

ii) Permission isn’t defined, either, which is a real problem. In the US, it’s legal to photograph anything in public view (with a few exceptions for military bases and the like), because in public, there is no reasonable expectation of privacy. Therefore, one could argue—as many have successfully done in court [most recently, see Nussenzweig v. diCorcia, US]—that by simply being in public, one is implicitly consenting to have their person and accompanying objects photographed.

This seems to be a wholly unreasonable demand. If you wanted to submit a photo of a street, would you have to get an OK from the owner of every car, building, and shop? What about litter? Each piece belonged to someone at some point. Does the fact that something is abandoned make it no longer a personal object?

It seems the only way to know for sure that you’re not running afoul of this rule is to make sure that the only things depicted in the photo you submit are yourself and things that you own. This contradicts rule 5, “[the photograph] can be of any subject”.

 

(11) To be submitted, a so-called “submission” must include both a scanned photograph and a completed Submission Form.

This is fine in principle, but use of the word “scanned” is unnecessarily limiting and confusing. Rule 4 states, “[the photograph] can be made by using any photographic material: film, paper, liquid emulsion, B&W, color, and any photographic process.” “Any photographic process” includes digital, so why a scan? What about people who shoot their negatives with digital cameras because they don’t have scanners? Does the requirement of a scan mean that digital isn’t actually allowed? It’s included in “any photographic process”, because digital is a process takes in light (photo) and puts out an image (graph), but it isn’t named explicitly. And they said “and any photographic process”, not “or”. So what’s the deal?

(This is the problem with having an incomplete list of things in a set of rules. If you’re not going to list everything, why bother enumerating anything at all when “any photographic process” covers it nicely? When everything you list is analog and digital isn’t mentioned, it raises questions.)

 

(16) Members of the coordinating team have authority to interpret and apply all necessary rules to all submissions received and may use their descretion and judgment in deciding which images to accept for the exhibition. Their decisions are final.

So basically, here’s all the rules, but they don’t really matter because we can bend them any way we want, and there’s nothing you can do about it.

 

(18) The coordinating team reserves the right to modify the rules of the operation if they judge necessary; in such an event, decisions of the organizers are final.

This is dangerous, unacceptable bullshit! The coordinating team could retroactively change the usage rights to say, “ha ha, we own the copyright to your images now, sucker!”. Or reverse rule 1 and say, “surprise, there are entry and exhibition fees now, and since you already entered and exhibited, you owe us $1,000!”.

ARE YOU INSANE??!? No thanks. If you expect me to play by your ill thought-out rules, you’d damn well better do the same.

 

(20) The act of participating in the WPPD implies whole acceptance of all rules and conditions presented here.

What exactly constitutes “participating in WPPD”? Is it uploading a lensless image made on pinhole day to the WPPD web site? Is it participating in a pinhole workshop on the date of WPPD? Is it making any lensless image whatsoever on the date of WPPD?

This stunning lack of specificity means that they could be trying to say that any act of lensless imaging that occured on 29 April, 2007, are bound by these rules. This, combined with rule 18, is insanely dangerous. Not that it’s likely, but they could attempt a rights grab at an image made on the day by someone who’s never even heard of WPPD! This confusion could have been avoided by rewording this point to something along the lines of, “By uploading an image that is accepted for display on the pinholeday.org site, you agree that you have accepted all rules and conditions presented in this document”.

A serious legal concern with these rules is the dangerous combination of rules 18 and 20.

By accepting all the terms and conditions, you agree that you accept any possible changes to the rules that might be applied at any point in the future, and applied retroactively. While we don’t expect that the WPPD team would ever be evil, it’s foolish to sign up to something like this. You could, for example, agree to the current terms (even the very confusing ones) and later find out that yes, someone else now owns all the rights on your image, and so you are in expensive breach of contract with another organisation, to whom you have sold exclusive print rights.

Agreeing to something so flawed and hoping that a loophole like this will never be exploited is naive.

 

We each had a lot of fun shooting on Worldwide Pinhole Photography Day, but you can bet your rent money that we won’t be submitting anything under these terms. I sincerely hope this gets straightened out for next year, because it’s an otherwise extremely cool event.

So where to go from here? We encourage the WPPD team to re-think the rules. The basic idea of WPPD is, in our opinion, both excellent and exciting. We think we should not go off on a “WPPD SUCKS!” campaign. While this year’s rules deserve to be scrapped, the event itself deserves to be celebrated and supported. If the rules don’t sit right with you, we encourage you to write a polite message to the WPPD team at the designated email address, support@pinholeday.org, and tell them that you’d like to see them changed for next year. Or, they could make the one possible good use of rule 18 (the rules are whatever we say they are) and retroactively change this year’s rules to something sane.

Nicolai Morrisson & Katie Cooke

 

UPDATE, 3 March 2007, 11:30pm GMT -5 (US EST)
We posted a copy of this to the f295 Pinhole Forum at the same time it was posted posted here (about 9 hours ago) as it seemed relevant. I just discovered that the thread has been deleted. It was located at f295 Pinhole Forum -> Thoughts and Observations: General Discussion -> Serious concerns about WPPD terms (last part now dead).

No word from the WPPD team yet.

Attorney Bert P. Krages podcast interview: Your Legal Rights as a Photographer

Check out The Digital Photography Show #41, an hour-long podcast interview with photographer/attorney Bert P. Krages. His Web site says:

Bert is an attorney who concentrates on intellectual property and environmental law. He is recognized nationally as an advocate of the right to take photographs in public places, having appeared in media such as National Public Radio’s Morning Edition, Popular Photography, Shutterbug, and Wired.

He’s also the author of the ubiquitous PDF leaflet The Photographer’s Right and the book Legal Handbook for Photographers: The Rights and Liabilities of Making Images (which I have and heartily recommend).

Listen to the interview at The Digital Photography Show

Via PhotoAttorney

Cell phone picture called obstruction of justice

Neftaly Cruz was arrested in Philadelphia, PA, US, for taking a picture of police activity on the street, from his own yard, with a phonecam. This is completely legal in the US and has been repeatedly and explicitly upheld by the courts.

An NBC affiliate’s article on the incident says:

"He opened up the gate and Neffy was coming down and he went up to Neffy, pulled him down, had Neffy on the car and was telling him, ‘You should have just went in the house and minded your own business instead of trying to take pictures off your picture phone,’" said Gerrell Martin.

Cruz said police told him that he broke a new law that prohibits people from taking pictures of police with cell phones. [This is a complete fabrication. — Nicolai]

"They threatened to charge me with conspiracy, impeding an investigation, obstruction of a investigation … They said, ‘You were impeding this investigation.’ (I asked,) "By doing what?’ (The officer said,) ‘By taking a picture of the police officers with a camera phone,’" Cruz said.

It gets worse from there.

Read article at NBC10

For a disturbingly large number of similar stories, visit PhotoPermit.org

Photographer assaulted by "police officer" for taking pictures on a public SF street

Thomas Hawk writes:

Today, aqui-ali (another local Flickr photographer), helveticaneue (in from out of town) and I went out to do a bit of shooting. Since Aqui had a meeting down on 2nd Street later this afternoon we decided to head that way and shoot the Transbay Terminal. 45 Fremont was in our path and we were shooting some photos of it as we were walking by. It was then that the security guard there told us that we could not shoot the building. When I explained that we were in a public area and had a right to shoot the building he insisted and called another security guard over on his radio who also tried to get us to stop taking pictures of the building. I still refused as it is my right to shoot buildings in San Francisco from a public area.

Continue reading at Thomas Hawk’s Digital Connection

Via Digg

Help change NZ copyright law: commissioning rule under review

The following is taken in its entirety from the current GRINZ newsletter:

After 12 years of photographers working towards this with the government(s), Associate Commerce Minister Judith Tizard has announced that the Copyright Act (1994) is under review, specifically the Commissioning Rule as it relates to photography.

Even if you aren’t a full-time professional photographer currently, this may apply to you. Have you ever taken photos for a friend / workmate / colleague / employer / social group / club, for which they paid you, gave you something in return, or covered your costs? Then you may not actually own the copyright in those images – but you could, and you should, in future. Potentially (and I’m not a lawyer, so this is somewhat speculation), even if all you got in return was tea & coffee at the club meeting rooms, that could be considered payment – and that may be enough for it to be a commission. If you ever intend to become a photographer, do a little of it on the side, have friends or children who do, or might in future, you can help yourself and them now.

A discussion document, "The Commissioning Rule, Contracts and the Copyright Act 1994" prepared by the Ministry of Economic Development, considers two main issues: the provision of the Copyright Act 1994 that deals with commissioned works, known as the "commissioning rule"; and the interface between copyright and contract law. The discussion paper seeks PUBLIC SUBMISSIONS on this provision, and in particular, whether any changes or amendments are considered necessary.

Submissions close on 31 MAY 2006. You can download the discussion document here.

Emailed submissions are encouraged. They should be sent to copyrightact@med.govt.nz.

So What Can I Do?

The AIPA and NZIPP will be preparing comprehensive submissions seeking the removal of the "Commissioning Rule" (i.e. section 21(3) of the Copyright Act) so that the author of any commissioned work is the first owner of copyright.

WE NEED YOUR HELP! In order to help bring about the removal of the "Commissioning Rule", please take the following action ASAP.

Everyone can post the following letter to your local MP (or alter it to suit your needs, or draft your own – just send SOMETHING!). A full list of MPs can be found at www.ps.parliament.govt.nz/mps.htm – and feel free to cc: it to Judith Tizard and Helen Clark as well, if you like. My feeling is that the more noise we make, the better.

Dear (insert your MP’s name),

You may be aware that the Ministry of Economic Development is currently seeking consultation from concerned parties regarding its pending review of the Contracts and the Copyright Act, 1994.

As a professional photographer, my livelihood is directly affected by this Act. In particular, the current Commissioning Rule (Section 21(3) of the Act) has had an adverse effect on my ability to make a living.

The default position of the Law requires me to contract out of the Act in order to be protected by it. You must agree this is not a fair position to be in as it is both cumbersome and puts me at a disadvantage when negotiating with potential clients. Further, the language of the Act does not guarantee me payment for my work. A client only has to "agree to pay" in order to have full ownership of the copyright in my work. Even if they never pay, by law they still own the copyright.

Most importantly, the Commissioning Rule of the current Act is entirely out of step with international copyright conventions, to which New Zealand is a party, as well as with copyright laws of our major trading partners, making it more difficult for me to compete on the international arena.

Repealing the Commissioning Rule will put New Zealand photographers in the same position as regards copyright ownership as their colleagues in Australia, the United Kingdom, Ireland, the United States and most other western countries. The present Act not only makes it much more difficult for New Zealand photographers to compete internationally but is also a source of embarrassment that a country and a government that place so much importance on the development of the creative industries and the protection of intellectual property should be so out of step with such a fundamental right.

Within the established framework of the discussion as outlined in the Government’s Discussion Paper: "The Commissioning Rule, Contracts and the Copyright Act 1994" the only viable option as far as I and my professional colleagues are concerned is OPTION 2: Repeal section 21(3) of the Act: "The author of any commissioned work is the first owner of copyright."

I will be keeping you informed as the Discussion Paper moves through the consultation process. I hope, this letter will allow you to familiarise yourself briefly with the basic points of how the Commissioning Rule affects the livelihoods of people like me as well as numerous architects, designers, illustrators, computer programmers, painters, draftsmen, cartographers, engravers, model makers, sculptors, and film makers. The Commissioning Rule must be repealed.

Yours sincerely,

(Insert your name and signature)

This may be our only chance to repeal the Commissioning Rule! So PLEASE, put aside a few minutes of your time to complete these tasks.

Thanks everyone –
R!

Via GRINZ