Pinhole photography workshop with Even Reece, Manukau, NZ

Don’t miss this great opportunity to take a pinhole workshop with Dr. Evan Reece at Te Tuhi in Manukau City, Aotearoa/NZ. I’ve followed Reece’s work for some time on f295, and it’s excellent.

The nature of pinhole photography, with its hand made cameras, lies more in serendipity than automated control. In this workshop we will explore the traditional and contemporary pinhole artists. Students will make a 35mm panorama camera as well as others constructed from everyday objects.

Weekend workshop: Saturday 8th and Sunday 9th November [2008] 10am – 4pm | $150
For further information and to enroll contact 577 0138 or email enquires@tetuhi.org.nz.

Flowers and Foliage: Photographs by Peter Black and Robert Mapplethorpe, Wellington, NZ

This exhibition showcases two portfolios of photographs. One is by the celebrated and often controversial American photographer Robert Mapplethorpe; the other by Wellington photographer Peter Black.

Both photographers have created images of controlled and restrained nature. Mapplethorpe’s flower photographs are elegant, luxurious, and sophisticated. They are perfect specimens in the studio, cleaned up and isolated from nature in the wild.

In contrast, Peter Black documents how trees and plants are used and constrained in the wider urban environment. The nature he portrays is more untidy than Mapplethorpe’s, but his images reveal that people’s everyday treatment of plants is no less controlling than that of a studio photographer like Mapplethorpe.

Continue reading at Te Papa.

The show runs through 31 August, 2007 at Te Papa, Wellington, NZ.

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Kapiti Coast land and seascapes show, Waekanae, Aotearoa/NZ

Colour of Rain by indiginz

Kiwi photographer indiginz has a show that’s just opened at Mahara Gallery in Waekanae, Aotearoa/New Zealand. He writes, "…I have 14 photos on exhibition. This is one of them. The theme is land and seascapes from the Kapiti Coast (where i live) up to Taranaki areas…"

I’ve been following his work for several years, first on fotolog and then on Flickr, and it just rocks the most. While NZ is a shockingly beautiful place where it’s difficult to make a really horrendous photo, he seems to somehow cooperate with the landscape to bring out its best, in accord with his own experience of it—and it does feel more like a shared experience than a vision. If you’re on the North Island, don’t miss it!

Mahara Gallery, Mahara Place, Waikanae

maharagallery@paradise.net.nz
Telephone: (04) 902-6242

10am – 4pm Monday to Saturday
1pm – 4pm Sunday

(Gallery info lifted from the Kapiti Coast Arts Guide)

Another View: photographs from the Seresin family collection

This exhibition offers a rare opportunity to see some of the most famous images in photographic history in their original form as vintage black and white prints. Because of their age and calibre these prints are very valuable. The photographers include some of the best-known names from early to mid 20th century, including Henri Cartier-Bresson, Andre Kertesz, Eugene Atget, Josef Sudek, W. Eugene Smith, Man Ray, Bill Brandt, Mario Giacomelli, G.H. Brassai, Manuel Alvarez-Bravo and others…

Continue reading at PATAKA

The show runs through 10 September, 2006, at PATAKA, Norrie Street, Porirua, Wellington, NZ.

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Photography masterclass w/ Alan Knowles, Christchurch, NZ

Alan Knowles will give a two-day Masterclass in Christchurch in conjunction with his exhibition, Biscuits, at Canterbury Museum. His presentation will be aimed at photographers with some experience who are working on documentary projects or wish to get into this area. Topics to be covered will include: choosing themes, planning projects, sponsorships and funding, gaining access, obtaining consents, editing the photo essay, negotiating with editors, working with writers, finding a publisher, planning an exhibition, photo agencies, getting paid and annotating and pricing photographs as art.

The Masterclass will be held on Sunday 13 August and Monday 14 August 2006, 9.00 am – 4.30 pm at Level 1 Annex, Canterbury Museum, Rolleston Avenue, Christchurch. The two-day Masterclass will cost $430. Places are limited and bookings are essential. For more information contact Rachel Vavasour, Canterbury Museum’s Education and Public Programmes Manager, telephone 03 366 9429 ext 738 or e-mail rvavasour@canterburymuseum.com

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The Birds and the Bees group show, AKL, NZ

The Birds and the Bees portrays a breadth of interpretations, as the photographers attach human states of being such as joy, sorrow, growth and death to this well-known phrase

Karen Crisp photographs exotic and invasive plants, investigating the unsettling qualities that can be present in these environments.

Paul Pachter portrays the immediate landscape of his garden of 20 years, expressing aspects of his personal history.

Isabella Pachter collects images of preserved and mounted animals and nature scenes to create collages that comment on the portrayal of nature in the west.

Kellie Gray explores the nature of existence and questions our individual realities using digital stills captured from hours of video tape.

Part of the Auckland Festival of Photography 2006 [blogged previously], this exhibition features a range of photographic approaches, encompassing ‘pure’ large format photography, pinhole photography, manipulated and re-photographed images, and digital stills capture.

Dates: 7–24 June, 2006
Opening reception: Tuesday, 6 June, 2006, 7:00pm

The show is at Artstation, 1 Ponsonby Rd, Newton, Auckland, New Zealand

Via Pinhole Visions

Auckland Photo Day: 24 hours, one day, one city

Auckland Photo Day is an open access public competition run over a period of 24 hours. For one day only photographers are asked to capture an image which reflects their Auckland. The 2006 Auckland Photo Day is on Saturday June 10.

Groups, individuals, families, children and anyone who has access to a camera is encouraged to participate and enter photographs which portray the scenes, people and places that reflect their Auckland city.

This event is part of the Auckland Festival of Photography

Check out the Auckland Photo Day Web site for prizes, rules, and how to participate

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Auckland Festival of Photography

The Auckland Festival of Photography is a signature visual arts event that treasures a city abundant with great photographic talent. This fast growing annual festival programmes a multitude of exhibitions and events, encouraging more people to celebrate the art of photography through free public access. Photography is a powerful visual art form that the Festival celebrates with CULTURE, IDENTITY, ART and PARTICIPATION events. The festival celebrates photography which reflects the vital personality of Auckland and invites all residents and visitors to experience this through the lens of the camera.

The next Festival will be held from 2nd June to 24th June 2006.

Visit the festival Web site

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New Zealand current and upcoming photo shows

The GRINZ newletter writes, "Got a great email from the McNamara Gallery in Wanganui, listing a number of things around the country, but haven’t had a chance to chase up more details on them so I’ll just present them as I got them:"
 
George D. Valentine: A 19th. Century Photographer in N. Z.
Auckland Museum
June 9–August 27
 
Leoni Smith …version 1… …is the result of an experimental process using portable camera obscura as devices to alter perception and create a state of flux
Govett-Brewster Art Gallery, New Plymouth
June 15–July 9
                                                     
Contemporary New Zealand Photographers the exhibition accompanying this book
Sarjeant Gallery, Wanganui
Until June 25
 
Joyce Campbell: Brittle City, Cellars and Towers
Te Manawa ART, Palmerston North, until 4 June
This exhibition is supported by a catalogue with essay by Julainne Sumich; Joyce is a recipient of the 2006/07 Antarctic Arts Fellowship
 
Zero: New works by contemporary New Zealand & Australian photographers
Te Manawa ART, Palmerston North
Until 10 June
 
Derek Henderson: The Terrible Boredom of Paradise
Pataka, Porirua
Intil 28 May, then to 
Centre for Contemporary Photography, Melbourne
July 7–August 26
 
Laurence Aberhart, Bruce Connew, John Johns, Fiona Pardington & Peter Peryer are included in Birds - The Art of N.Z. Birdlife
Pataka, Porirua
June 18–late September
 
Mark Adams is included in The Captain’s Ghost: Three Contemporary Artists on Cook
Adam Art Gallery, Wellington
May 25–July 23
                            
Anne Noble: Southern Lights
Christchurch Art Gallery
Until 30 July
 
John Pascoe: Songs of Innocence
Forrester Gallery, Oamaru
June 9–July 23
 
Fiona Clark: Go Girl
Dunedin Public Art Gallery
May 27–August 6

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Help change NZ copyright law: commissioning rule under review

The following is taken in its entirety from the current GRINZ newsletter:

After 12 years of photographers working towards this with the government(s), Associate Commerce Minister Judith Tizard has announced that the Copyright Act (1994) is under review, specifically the Commissioning Rule as it relates to photography.

Even if you aren’t a full-time professional photographer currently, this may apply to you. Have you ever taken photos for a friend / workmate / colleague / employer / social group / club, for which they paid you, gave you something in return, or covered your costs? Then you may not actually own the copyright in those images – but you could, and you should, in future. Potentially (and I’m not a lawyer, so this is somewhat speculation), even if all you got in return was tea & coffee at the club meeting rooms, that could be considered payment – and that may be enough for it to be a commission. If you ever intend to become a photographer, do a little of it on the side, have friends or children who do, or might in future, you can help yourself and them now.

A discussion document, "The Commissioning Rule, Contracts and the Copyright Act 1994" prepared by the Ministry of Economic Development, considers two main issues: the provision of the Copyright Act 1994 that deals with commissioned works, known as the "commissioning rule"; and the interface between copyright and contract law. The discussion paper seeks PUBLIC SUBMISSIONS on this provision, and in particular, whether any changes or amendments are considered necessary.

Submissions close on 31 MAY 2006. You can download the discussion document here.

Emailed submissions are encouraged. They should be sent to copyrightact@med.govt.nz.

So What Can I Do?

The AIPA and NZIPP will be preparing comprehensive submissions seeking the removal of the "Commissioning Rule" (i.e. section 21(3) of the Copyright Act) so that the author of any commissioned work is the first owner of copyright.

WE NEED YOUR HELP! In order to help bring about the removal of the "Commissioning Rule", please take the following action ASAP.

Everyone can post the following letter to your local MP (or alter it to suit your needs, or draft your own – just send SOMETHING!). A full list of MPs can be found at www.ps.parliament.govt.nz/mps.htm – and feel free to cc: it to Judith Tizard and Helen Clark as well, if you like. My feeling is that the more noise we make, the better.

Dear (insert your MP’s name),

You may be aware that the Ministry of Economic Development is currently seeking consultation from concerned parties regarding its pending review of the Contracts and the Copyright Act, 1994.

As a professional photographer, my livelihood is directly affected by this Act. In particular, the current Commissioning Rule (Section 21(3) of the Act) has had an adverse effect on my ability to make a living.

The default position of the Law requires me to contract out of the Act in order to be protected by it. You must agree this is not a fair position to be in as it is both cumbersome and puts me at a disadvantage when negotiating with potential clients. Further, the language of the Act does not guarantee me payment for my work. A client only has to "agree to pay" in order to have full ownership of the copyright in my work. Even if they never pay, by law they still own the copyright.

Most importantly, the Commissioning Rule of the current Act is entirely out of step with international copyright conventions, to which New Zealand is a party, as well as with copyright laws of our major trading partners, making it more difficult for me to compete on the international arena.

Repealing the Commissioning Rule will put New Zealand photographers in the same position as regards copyright ownership as their colleagues in Australia, the United Kingdom, Ireland, the United States and most other western countries. The present Act not only makes it much more difficult for New Zealand photographers to compete internationally but is also a source of embarrassment that a country and a government that place so much importance on the development of the creative industries and the protection of intellectual property should be so out of step with such a fundamental right.

Within the established framework of the discussion as outlined in the Government’s Discussion Paper: "The Commissioning Rule, Contracts and the Copyright Act 1994" the only viable option as far as I and my professional colleagues are concerned is OPTION 2: Repeal section 21(3) of the Act: "The author of any commissioned work is the first owner of copyright."

I will be keeping you informed as the Discussion Paper moves through the consultation process. I hope, this letter will allow you to familiarise yourself briefly with the basic points of how the Commissioning Rule affects the livelihoods of people like me as well as numerous architects, designers, illustrators, computer programmers, painters, draftsmen, cartographers, engravers, model makers, sculptors, and film makers. The Commissioning Rule must be repealed.

Yours sincerely,

(Insert your name and signature)

This may be our only chance to repeal the Commissioning Rule! So PLEASE, put aside a few minutes of your time to complete these tasks.

Thanks everyone –
R!

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