Tag: pa

2009 F295 Symposium registration now open

Nicolai Grossman Leave a comment

Organizer Tom Persinger says:

Registration for the 2009 F295 Symposium is now open to the public! The 2009 F295 Symposium Exploring 21st Century Photography takes place in Pittsburgh PA USA on the campus of Carnegie Mellon University (with workshops at Pittsburgh Filmmakers) May 28-31, 2009

Visit the registration page to sign up for the symposium* and all workshops!

Here’s a summary of speakers who will be delivering their talks on Friday May 29 (and the titles of their talks):

Elizabeth Opalenik
Possibilities in Mordançage

Jarosław Klupś
To Freeze a Reflection

Martha Madigan
Solar Printing for a Lifetime

Michelle Bates
Through a Plastic Lens

Dan Estabrook
Some Notes on the Art of Failure

Robb Kendrick
The Tintype and Beyond

Mark Osterman
Artifacts

Photographer Ben Long will be giving a free pre-symposium public address on Wednesday May 27 entitled Technology, Perception, and Photography and we’ll be announcing our special Thursday night speaker soon!

If you’re a subscribing member of F295 remember to select the special, discounted members only registration rate. This price is just for members and only available for a short time! If you’re not a member and wish to join to take advantage of the discounted rate visit our membership page.

The current registration rates are for early registration only. Soon they’ll increase to the regular rate. Sign up early to get a great rate and reserve your seat!

Sign up today! Don’t miss your chance to take some of the other great workshops and your opportunity to attend the most exciting photographic event of 2009!

If you have interest in one of the workshops I suggest registering ASAP. F295 members were able to register over the weekend and as a result Jerry Spagnoli’s & Jill Enfield’s workshops are already sold out! (we may add a 2nd Daguerreotype workshop, and if so F295 members will find out first!) Here’s what we have remaining:

Workshops Saturday May 30
The Fugitive Shadow w/ France Scully and Mark Osterman
Lens-Building and Optical Effects (2 days) w/ Alan Greene
Working in the Cultural Landscape w/ Craig Barber
Printing with Gum Bichromate (2 days) w/ Scott McMahon
Toying with Plastic Cameras w/Michelle Bates

Workshops Sunday May 31
Non-Destructive Image Editing with Photoshop w/ Ben Long
Lens-Building and Optical Effects (2 days) w/ Alan Greene
Photography Walk-About w/ Tom Persinger and others!
Printing with Gum Bichromate (2 days) w/ Scott McMahon

Complete information on the website: www.f295.org/symposium2009

*Symposium registration does not include workshops. You must register and pay for each workshop individually. They may all be purchased together using our online shopping cart.

See you in Pittsburgh!
Tom

France Scully Osterman added to f295 Symposium roster

Nicolai Grossman Leave a comment

Tom Persinger of f295 writes:

We’re excited to announce the addition of France Scully Osterman to the featured speakers/worskhop presenters at this years f295 Symposium in Pittsburgh, PA [US] May 29 – June 1, 2008!

France Scully Osterman is an artist, and a guest scholar at George Eastman House. She teaches private tutorials and workshops in the Scully & Osterman 19th century skylight studio, specializing in wet-plate collodion, salted paper and albumen printing.

France will be offering a 2 day collodion workshop called It’s All Positive! The Wet-Plate Collodion Process and delivering a artists’ talk at the Thursday night opening reception entitled Serendipity and Exquisite Manipulation which will discuss the artistic artifacts of the collodion process as well as the factors which influence and guide her work: process, lens, light, exposure and intent.

Workshop information is here
(this is a rare chance as neither she nor Mark teach very many intro collodion workshops!)

You can read more about France here

And more about her talk here

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SYMPOSIUM WORKSHOPS
Many of the workshops are filling fast/nearing capacity, the home page of the site has been updated to reflect the number of spots remaining in each. If you’re thinking about taking a workshop register soon so as to not miss your chance! Workshops are only available for those registered for the symposium.

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EXHIBITOR LIST GROWING!
We’re also excited to announce the addition of several more exhibitors to the growing group! B&H Photo, Fujifilm USA, Inkpress Paper, Lensbabies, Pinhole Blender and Without Lenses will all be on hand to discuss their products with you! More TBA soon!

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MIX AND MINGLE!
Not only will you be able to interact with other like minded practitioners and see a LOT of the exciting alt-photo work that is being done by this niche photographic group but you’ll be able to mixc and mingle with all of the 2008 featured speakers and many of the speakers from the 2007 symposium. What a group! You’ll be hard pressed to find this many alt-dignitaries, authors and practitioners in any other place!

Those speakers planning to be on hand for these events include:
* Martha Casanave
* Alan Greene
* Jo Babcock
* Laura Blacklow
* Jill Enfield
* Jesseca Ferguson
* Robert Hirsch
* France Scully Osterman
* Mike Robinson
* Terry King
* Jerry Spagnoli
* Keith Taylor
* Ilan Wolff

Stay tuned for more exciting announcements in the coming days. Registration has been brisk and we have limited space available for the event –register today!

Complete symposium information: www.f295.org/symposium2008

Go directly to the registration page!

See you in Pittsburgh!
Tom

f295 Symposium workshops now available

Nicolai Grossman Leave a comment

Tom Persinger of f295 writes:

I’m pleased to announce that registration for ALL of the the symposium workshops is now available! We have a number of exciting offerings this year -some are being presented in the United States for the first time! The quality of instruction available is amazing. You will not be disappointed!

Here are the workshops, instructors and cost of what we’re offering this year:

An Artistic Approach to Digital Negatives, w/ Jill Enfield, $125.00

Bookmaking for Artists & Photographers, w/ Laura Blacklow, $125.00

Calotype Paper Negatives (Dry Process), w/ Alan Greene, $200.00 (+ $35 materials fee)

Developed-Out Salt-Printing, w/ Alan Greene, $200.00 (+ $35 materials fee)

Combined Calotype and Developed Out Salt Printing Weekend $350 (+ $50 materials fee)

Chrysotype and Cyanotype Rex Workshop, w/ Terry King, $270.00

Collodion and Albumen Platinum Prints, w/ Terry King, $260.00

Daguerreotype Workshop -SATURDAY, w/ Mike Robinson, $500.00 (+ $50 material fee)

Daguerreotype Workshop -SUNDAY, w/ Mike Robinson, $500.00(+ $50 material fee)

Gum Bichromate Printing, w/ Scott McMahon, $200.00 (+ $35 materials fee)

Planning, Organizing, and Staging a Successful Exhibition, w/ Jesseca Ferguson, $25.00

The Magic of the Photogram & Camera Obscura Techniques, w/ Ilan Wolff, $275.00

Wet Plate Collodion: An Introduction, w/ Patricia Katchur, $350.00

Wet Plate Collodion Field Trip, w/ Patricia Katchur, $350.00

Wet Plate Weekend (combines Intro and Field Trip at a discount) $600

You may register for the workshops and the symposium here: www.f295.org/symposium2008/?page_id=111.

Space is limited and we’ve already had a few sign-ups for some of these workshops. If you have interest in taking one consider signing up right away.

REMINDER: workshops are currently only available to those registered for the symposium (workshops are not included in symposium registration). Symposium registration is now available at an ‘early registration discount’ for $135 – only $75 for students! These prices last until March 1 when the rate increases to $150.

**Cancellation Policy: Symposium and/or Workshop reservations may be canceled for a full refund up to midnight April 17, 2008. Reservations canceled between April 18 and midnight May 15 will receive a 50% refund and cancellations after May 15 will receive no refund.

Complete Symposium Information:
http://www.f295.org/symposium2008

PS: We’ve just received word that in addition to B&H Photo and Pinhole Blender, Lensbabies and Fujifilm will be joining us in Pittsburgh! We’re poised to make several more exciting exhibitor announcements over the next few days. Stay tuned!

f295 Early Registration Reminder

Nicolai Grossman Leave a comment

Tom Persinger of f295 writes:

We only have a few of The f295 Special Early, Early Registration Rates available! $120 instead of $150, and $75/students. Unless we sell all 40 slots prior -which looks highly probable- this rate will expire Saturday Feb. 2.

If you’re planning to come to Pittsburgh for the Symposium May 29 – June 1, 2008 Register today to reserve your seat at the best possible rate! Prices will increase Saturday at midnight EST to the (still discounted) EARLY Registration.

To Register: www.f295.org/symposium2008/?page_id=111

For Complete Symposium Information: www.f295.org/symposium2008

To book your stay with the official Symposium hotel:
Call 1-800-UNIV-CTR
Mention block code F29 to receive the discounted symposium rate.
There are a limited number of rooms available at this price. Reserve as early as possible to guarantee this great rate! Hotel price: $115 -single, double, triple or quadruple occupancy.

See you in Pittsburgh!
Tom

PS: the f295 Seminar in NYC was a fantastic success! some images may be seen here
and here.

Project Basho’s Fall 2007 workshop/class schedule announced, PA, US

Nicolai Grossman Leave a comment

Philadephia’s Project Basho have announced their Fall 2007 class and workshop schedule:

Fall Classes and New Workshops

We would like to let you know that the fall schedule for photography classes and workshops at Project Basho has been finalized and is posted on our website. We have exciting workshops coming this fall. As usual, we are offering beginner and intermediate black and white classes along with an introductory color class. These classes are very small with a lot of feedback from instructors and are very structured with ongoing assignments. We also offer an afterschool class for teenagers.

In addition to our regular workshops like an introduction to large format photography and palladium printing, we are featuring some exciting programs this fall. We are inviting Shelby Lee Adams again but this time for a Location Lighting workshop where participants will learn the intricacy of lighting with the mixture of natural and artificial light. This use of lighting is considered to be essential for today’s editorial and commercial photographers. Shelby will deconstruct other notable photographers’ lighting techniques and walk you through the process making it approachable.

We are offering Creating a Photographer’s Artist Book by Olivia Antsis. If you have ever had a desire to create a one-of-kind book of your photographs and learn the basics of bookbinding, this workshop is for you. Photographers will learn how to use their photographs to make compelling visual narratives.

In October Craig Barber will lead Cultural Landscape, the workshop which will expand your understanding of landscape photography. He will explore how photographers portray cultural impact on the environment and also look at how the photographer’s own culture affects their vision.

In November, we are inviting Kerik Kouklis to offer a One-day Gum over Platinum Printing workshop as well as another Wet-Plate Collodion workshop. Kerik covers these historical processes in a friendly and approachable manner and his workshops have been very well received in the past.

Kevin Martini-Fuller will be offering an Introduction to Studio Lighting as well as Nude: Form and Light and Carbon Printing.

Last but not the least, there are still a couple of more summer workshops scheduled and some more opening left: Introduction to Studio Lighting workshop by Kevin Martini-Fuller and Gum Bichromate workshop by Scott McMahon.

Lecture Series Starting This Fall

Our first lecture series in May with Shelby Lee Adams was a great success and we are looking forward to more occasions like this. When we finish our new multi-purpose room, we will be bringing a lecture series to the Philadelphia photography community.

We are scheduling one lecture a month this fall. The first one will be by Shelby Lee Adams again in September. We are working closely with The University of the Arts and hope to run Shelby’s lecture in a larger space at UArts.

In October, we are inviting Craig J. Barber, and he is going to share his work and his latest book. This will be his first lecture in Philadelphia. In November, Kerik Kouklis is scheduled to join us.

A Gallery Space Opens This Fall

As you know, we have been working on the second phase of construction, and we will soon finish the space. Starting in October, we will be showing photographs on our walls.

The main gallery room is 600 sq ft with a 14ft ceiling and unique architectural details. The gallery also extends to a 40′ long hallway in the studio. That is over 100 liner ft. space for hanging photographs. We will be slowly and thoughtfully developing a series of photography shows which are visually stimulating as well as thought-provoking.

Tintype Portraiture Session During POST

October is the time for the Philadelphia Open Studio Tours. It is a great occasion where many artists’ studios will be open to public. As an artist-run organization, Project Basho is happy to be part of this unique annual event.

In order to provide an occasion for raising awareness and appreciation of historical photographic processes, we are having tintype portraiture sessions during POST. Tintypes have peculiar qualities which are difficult to reproduce with other technologies. For a small fee, you can have a one-of-a-kind tintype photograph made of you while you are visiting the studio. We will be running the sessions on both Saturday and Sunday. You are also more than welcome to come by to see how the process is done.

More Exciting Projects

We are working on a couple of other exciting projects right now. They have something to do with the use of our gallery space both physically and online. We hope to be able to make an announcement by the end of summer, so stay tuned with our latest development at Project Basho.

For more information and updates, please feel contact us or visit our website.

Project Basho
1305 Germantown Ave.
Philadelphia, PA 19122
US
215-238-0928
www.projectbasho.org

2008 f295 Symposium on Lensless, Alternative and Adaptive Photographic Processes: dates & rough line-up

Nicolai Grossman 1 Comment

Tom Persinger of f295.org writes:

We are PLEASED to announce dates & some details for the 2008 f295 Symposium!

The event will take place in Pittsburgh, PA USA May 29 – June 1, 2008. The schedule is beginning to take shape with the following events already planned (though subject to change).

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DRAFT Schedule of Events
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Thursday May 29, 2008
5-10pm: Symposium reception with work sharing & ‘mini-trade show’ event!

The impromptu work sharing session that erupted at the end of the lectures/round-table discussion last year was such a hit that it’s been officially incorporated as part of the schedule of events. We have a large room in the University Center at Carnegie Mellon at which there will be tables for registered symposium attendees to spread out images, cameras, and other materials and equipment to share with other participants. We’ll also have our friends from B&H there with assorted goodies and symposium specials as well as a few other choice vendors! (this event is ONLY for registered symposium attendees)

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Friday May 30, 2008
9am – 6pm: Lectures and round-table discussion at McConomy Hall, University Center, Carnegie Mellon University (same location as this year)
So far we have confirmations from the following speakers (and are working on a few others!):

Martha Casanave
Jill Enfield
Jesseca Ferguson
Jerry Spagnoli

We’re excited to have our friends at the Center for the Arts in Society at CMU partner with us again this year to help bring together this day of lectures and discussion!

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Saturday May 31, 2008
8am-5pm Workshops TBA
7-11pm: f295 Exhibition opening at 707 Penn Gallery (next to where we had this year’s show) Watch for the Call for Entry that will be going out soon!

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Sunday June 1, 2008
8am-5pm Workshops TBA
9am-12pm: Lensless/alternative photography walk-about
3-6pm: Informal closing get-together/workshop sharing/etc…

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Estimated registration fee: $140 USD (this does NOT include workshop registration, and is subject to change as we nail down exact numbers…)
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We’re working with Visit Pittsburgh to secure a block of hotel rooms near the event at a special symposium rate. More information TBA.

Feel free to forward questions, comments or suggestions to tp@f295.org

All the best,
Tom

Project Basho’s summer workshop/class schedule announced, PA, US

Nicolai Grossman Leave a comment

Philadephia’s Project Basho has announced their Summer 2007 class and workshop schedule.

Project Basho provides not only the production space and the resources for photographers, it is our mission to provide opportunities for those interested in learning this rich and intricate medium.

Classes are intended for a wide range audiences: from complete beginners, to those who have some knowledge but without sufficient practice in recent years, to those who want to further develop their craft and their sense of vision. These classes are small and practice-oriented, so that each student can get enough attention and the appropriate advice from instructors.

Since the approach of the classes is holistic, the emphasis will be placed on gaining the practical knowledge as well as understanding of the aesthetics and history of photography. There will be a series of critiques where students are expected to show their work for various assignments. Also, students will be exposed to a wide range of photographic expressions through slide lectures on historical and contemporary works as well as through visiting museums and galleries of photography shows.

Heaps of good-looking stuff here, check out the lineup at ProjectBasho.org

Laura Blacklow joins the f295 Symposium

Nicolai Grossman Leave a comment

Late last week Barbara Ess, citing personal reasons, let us know that she would be unable to fulfill her commitment to attend the symposium. A few phone calls later and we’re extremely proud to announce that Laura Blacklow is joining us!

Here’s some preliminary information on the talk she’ll be giving on Friday April 27 [2007].

Laura Blacklow
Convergence: PhotoGraphics
9:45-10:15am

With the relative accessibility of digital production and manipulation, questions about realism, as well as the issues of multiples or editions, compel both printmaking and photography to reexamine their traditional divisions as dissimilar methodologies. Historically, both techniques were used, not as art forms, but as ways of disseminating information and commercial depictions to viewers who could not see the actualities firsthand. Although we still tend to unconsciously believe that a photograph is an accurate representation, not an abstracted illusion, what happens when the camera and lens, the optical devices that provide such seeming precision, are removed from the process? or when scanners are used to create prints?

and her short bio:
Laura Blacklow is the author of "New Dimensions in Photo Processes, A Step by Step Manual for Alternative Techniques" (Focal Press, an imprint of Elsevier: 4th ed., 2007). Ms. Blacklow was the recipient of a National Endowment for the Arts Regional Fellowship for Works on Paper, the St. Botolph Cub’s Morton C. Bradley Award in Color for her pastelled digital photos, Polaroid Corporation’s Artist Support Program, and the Massachusetts Artists’ Foundation Fellowship for her hand-colored black-and-white photographs. She is on the faculty of the Massachusetts College of Art and the School of the Boston Museum of Fine Arts and has also taught at the Massachusetts Institute of Technology and Harvard University. Visit her website at www.lblacklow.com.

Complete Symposium information: www.f295.org/wordpress

Wet plate collodion workshop with Kerik Kouklis, Philadelphia, US

Nicolai Grossman Leave a comment

Here’s a very interesting-looking workshop with Kerik Kouklis (I have it on good authority that his workshops are excellent):

Wet plate collodion, one of the earliest photographic processes, has been experiencing a resurgence of interest in recent years. This resurgence is primarily because of the beauty and uniqueness of the images created. In this workshop, you will learn how to create wet plate positive images (Tintype and Ambrotype) as well as wet plate negatives. Through a combination of discussions, shooting sessions and darkroom time, participants will learn how to incorporate this process in their own photography.

Cameras and wet plate holders ranging from 4×5 to 8×10 will be available for students to use. Students are also encouraged to bring your own view camera as well. This workshop is open to anyone with an interest in 19th century techniques.

The one-weekend workshop runs 9 am – 6 pm, May 5–6, 2007, at Project Basho, 1305 Germantown Ave., Philadelphia, PA, US.

Check out the complete workshop schedule at ProjectBasho.org, including a two-weekend pinhole workshop with Scott McMahon for Worldwide Pinhole Photography Day.