f295 2008 Symposium Update

Tom Persinger of f295 writes:

f295 Symposium 2008: An Examination of Lensless, Alternative and Adaptive Photographic Processes is being held in Pittsburgh, PA USA May 29 – June 1, 2008. Here are a few of the latest announcements!

The Official Symposium Hotel

I’m pleased to announce that The Holiday Inn Select at University Center is our official f295 Symposium Hotel partner this year! They’re offering a discounted rate of $115 for single, double, triple or quadruple occupancy. They’re located within easy walking distance to all of the events at CMU.You can find complete information here (including how to register).

Speaker List Nearing Completion

The roster of speakers is nearing completion. We will probably have one, maybe two more added but we already have a solid line-up:
– Martha Casanave
– Jill Enfield
– Jesseca Ferguson
– Jerry Spagnoli
– Keith Taylor
– Ilan Wolff

You can read some of their bios here.

Workshops

We may be expanding our number of workshop days to include Wednesday and Thursday (instead of just the weekend). We’ll be announcing several others over the coming weeks, but so far we have confirmed the following three:
– An Artistic Approach to Digital Negatives with Jill Enfield
– Daguerreotype Workshop with Mike Robinson
– Wet-Plate Collodion

The Schedule

This year promises to be bigger and better than 2007. Don’t miss our opening night festivities which is focused around an open work sharing event—bring your images, gear, cameras, etc. and set it up to share with others. We’ll also have a few choice vendors present as well including our good friends at B&H Photo.

Exhibitions

Several exhibtions are already planned by The Society for Contemporary Craft, Pittsburgh Cultural Trust’s gallery at 709 Penn Avenue and Silver Eye Center for Photography. Stay tuned for more information about these exciting events!

Complete, up to the minute, Symposium 2008 information may be found at www.f295.org/symposium2008.

Your thoughts and ideas about the event are welcome. Feel free to email with any suggestions you may have.

All the best,
Tom Persinger

Japan Pinhole Photographic Society members’ show & symposium, Tokyo

Annual Members’ Show of the Japan Pinhole Photographic Society (JPPS) featuring work from members around the Japan and international members from the USA. Poland, Germany, and Australia. A variety of work in color and black and white.

The show runs Wednesday, 8–12 August, 2007, at the Koto-Ku Culture Center, 4-11-3 Toyo, Koto-ku, Tokyo, Japan.

Symposium on 12 Aug, 2:00 pm with speakers Shikiko Endo, Mieko Tadokoro and Edward Levinson.

Via Pinhole Visions

2008 f295 Symposium on Lensless, Alternative and Adaptive Photographic Processes: dates & rough line-up

Tom Persinger of f295.org writes:

We are PLEASED to announce dates & some details for the 2008 f295 Symposium!

The event will take place in Pittsburgh, PA USA May 29 – June 1, 2008. The schedule is beginning to take shape with the following events already planned (though subject to change).

——————————————————
DRAFT Schedule of Events
——————————————————
Thursday May 29, 2008
5-10pm: Symposium reception with work sharing & ‘mini-trade show’ event!

The impromptu work sharing session that erupted at the end of the lectures/round-table discussion last year was such a hit that it’s been officially incorporated as part of the schedule of events. We have a large room in the University Center at Carnegie Mellon at which there will be tables for registered symposium attendees to spread out images, cameras, and other materials and equipment to share with other participants. We’ll also have our friends from B&H there with assorted goodies and symposium specials as well as a few other choice vendors! (this event is ONLY for registered symposium attendees)

——————————————————
Friday May 30, 2008
9am – 6pm: Lectures and round-table discussion at McConomy Hall, University Center, Carnegie Mellon University (same location as this year)
So far we have confirmations from the following speakers (and are working on a few others!):

Martha Casanave
Jill Enfield
Jesseca Ferguson
Jerry Spagnoli

We’re excited to have our friends at the Center for the Arts in Society at CMU partner with us again this year to help bring together this day of lectures and discussion!

——————————————————
Saturday May 31, 2008
8am-5pm Workshops TBA
7-11pm: f295 Exhibition opening at 707 Penn Gallery (next to where we had this year’s show) Watch for the Call for Entry that will be going out soon!

——————————————————
Sunday June 1, 2008
8am-5pm Workshops TBA
9am-12pm: Lensless/alternative photography walk-about
3-6pm: Informal closing get-together/workshop sharing/etc…

——————————————————
Estimated registration fee: $140 USD (this does NOT include workshop registration, and is subject to change as we nail down exact numbers…)
——————————————————

We’re working with Visit Pittsburgh to secure a block of hotel rooms near the event at a special symposium rate. More information TBA.

Feel free to forward questions, comments or suggestions to tp@f295.org

All the best,
Tom

Serious concerns about Worldwide Pinhole Photography Day terms

NOTE: We have sent a copy of this to the WPPD team, and will be happy to include their response. Were it not for the time-sensitive nature of the material, we would have done so prior to publication.

I was psyched for Worldwide Pinhole Photography Day this year. I packed up a bunch of film and headed to a friend’s birthday BBQ and brought an extra camera along in case anybody else wanted to try. They were good sports and let me make blurry pictures of them, and we all had fun. I picked up the 7 rolls of 120 I shot yesterday, got home, and got down to editing. I picked an image to upload to this year’s WPPD gallery, loaded up the submission form, read the rules governing submissions, and was extremely disturbed. I sat down and went through them, line by line, with Katie Cooke, who was also ready to upload an image. This is what we found:

 

(1) WPPD is a non-commercial event, open to everybody, everywhere in the world. Participation in WPPD is completely free; there are no submission fees, and no charges for exhibiting on the WPPD web site.

Great idea! Pinhole photography, fun, not making the artists pay, sounds good! But as always, you have to read the fine print:

 

(5) [the photograph] can be of any subject.

Well, not really. See rules 7 and 10.

 

(7) [the photograph] must respect common decency and human rights (no pornography).

Common decency where? Sweden or Saudi Arabia? If you aggregated everyone’s ideas of common decency, you wouldn’t be able to submit much. Female hair? Nope, no-go for some Muslims. Soles of feet or shoes? Serious insult in Thailand. Female breasts in America are “indecent”, in Europe, they’re fine. Europe has more people. Which is more common between them?

Then there are the people like us, for whom the entire concept of censoring everything so as not to offend anyone, anywhere, goes against common decency and sense. Not offending anyone is simply not possible. Hell, photography itself is against common decency in some parts of the world. Congratulations, you just invalidated WPPD’s entire existence. If you really believe this, it’s time to quit photography altogether.

And part of our definition of common decency is that people not imply an inherent equation between pornography and disrespect for human rights.

This also contradicts rule 5 above.

 

(9) [the photograph] must not have been previously published.

a) Why? This is not a rhetorical question.

b) If they are actually trying to grab at least a window of exclusivity—which alone would prevent either of us from submitting work, because it seems unreasonable and pointless—this isn’t going to do it. You are following this rule if you upload it to WPPD, and then your own site, or Flickr, 10 seconds later. What exactly does this accomplish? Nothing, other than setting up an arbitrary and useless hoop to jump through. Who are the WPPD team to tell anyone in which order they may upload things?

c) What, precisely, does “published” mean? In what media with what audience? If you put it in a protected area of your web site, or a photo sharing site, does that count as published?

 

(10) Each author must be able to provide proof that the submitted photograph is not contrary to other people’s fundamental rights. (The submitter must ensure that all allowances to photograph and publish pictures showing personal objects have been obtained by the models and/or owners of pictured objects.)

a) The first section of this rule is problematic. You want proof of a negative—which is generally impossible—for something that’s undefined? “Fundamental rights” can mean anything.

b) This is so poorly worded that it means that permission is required to show pictures of objects, but not of people, and the permission has to be granted to the owners of the objects. We don’t think this was the meaning the organizers were looking for, and would suggest they meant, “The submitter must ensure that all permissions to photograph and publish pictures showing people or personal objects have been obtained from the models and/or owners of pictured objects.”

Assuming that the rule is intended to mean that it is the photographer needs these permissions, we run into some more trouble:

i) Permission to depict “personal objects”? Again, we’ve got another term that’s so vague as to be meaningless. As potential submitters, we have no idea what this means, and therefore have no idea which images are acceptable to submit and which are not.

ii) Permission isn’t defined, either, which is a real problem. In the US, it’s legal to photograph anything in public view (with a few exceptions for military bases and the like), because in public, there is no reasonable expectation of privacy. Therefore, one could argue—as many have successfully done in court [most recently, see Nussenzweig v. diCorcia, US]—that by simply being in public, one is implicitly consenting to have their person and accompanying objects photographed.

This seems to be a wholly unreasonable demand. If you wanted to submit a photo of a street, would you have to get an OK from the owner of every car, building, and shop? What about litter? Each piece belonged to someone at some point. Does the fact that something is abandoned make it no longer a personal object?

It seems the only way to know for sure that you’re not running afoul of this rule is to make sure that the only things depicted in the photo you submit are yourself and things that you own. This contradicts rule 5, “[the photograph] can be of any subject”.

 

(11) To be submitted, a so-called “submission” must include both a scanned photograph and a completed Submission Form.

This is fine in principle, but use of the word “scanned” is unnecessarily limiting and confusing. Rule 4 states, “[the photograph] can be made by using any photographic material: film, paper, liquid emulsion, B&W, color, and any photographic process.” “Any photographic process” includes digital, so why a scan? What about people who shoot their negatives with digital cameras because they don’t have scanners? Does the requirement of a scan mean that digital isn’t actually allowed? It’s included in “any photographic process”, because digital is a process takes in light (photo) and puts out an image (graph), but it isn’t named explicitly. And they said “and any photographic process”, not “or”. So what’s the deal?

(This is the problem with having an incomplete list of things in a set of rules. If you’re not going to list everything, why bother enumerating anything at all when “any photographic process” covers it nicely? When everything you list is analog and digital isn’t mentioned, it raises questions.)

 

(16) Members of the coordinating team have authority to interpret and apply all necessary rules to all submissions received and may use their descretion and judgment in deciding which images to accept for the exhibition. Their decisions are final.

So basically, here’s all the rules, but they don’t really matter because we can bend them any way we want, and there’s nothing you can do about it.

 

(18) The coordinating team reserves the right to modify the rules of the operation if they judge necessary; in such an event, decisions of the organizers are final.

This is dangerous, unacceptable bullshit! The coordinating team could retroactively change the usage rights to say, “ha ha, we own the copyright to your images now, sucker!”. Or reverse rule 1 and say, “surprise, there are entry and exhibition fees now, and since you already entered and exhibited, you owe us $1,000!”.

ARE YOU INSANE??!? No thanks. If you expect me to play by your ill thought-out rules, you’d damn well better do the same.

 

(20) The act of participating in the WPPD implies whole acceptance of all rules and conditions presented here.

What exactly constitutes “participating in WPPD”? Is it uploading a lensless image made on pinhole day to the WPPD web site? Is it participating in a pinhole workshop on the date of WPPD? Is it making any lensless image whatsoever on the date of WPPD?

This stunning lack of specificity means that they could be trying to say that any act of lensless imaging that occured on 29 April, 2007, are bound by these rules. This, combined with rule 18, is insanely dangerous. Not that it’s likely, but they could attempt a rights grab at an image made on the day by someone who’s never even heard of WPPD! This confusion could have been avoided by rewording this point to something along the lines of, “By uploading an image that is accepted for display on the pinholeday.org site, you agree that you have accepted all rules and conditions presented in this document”.

A serious legal concern with these rules is the dangerous combination of rules 18 and 20.

By accepting all the terms and conditions, you agree that you accept any possible changes to the rules that might be applied at any point in the future, and applied retroactively. While we don’t expect that the WPPD team would ever be evil, it’s foolish to sign up to something like this. You could, for example, agree to the current terms (even the very confusing ones) and later find out that yes, someone else now owns all the rights on your image, and so you are in expensive breach of contract with another organisation, to whom you have sold exclusive print rights.

Agreeing to something so flawed and hoping that a loophole like this will never be exploited is naive.

 

We each had a lot of fun shooting on Worldwide Pinhole Photography Day, but you can bet your rent money that we won’t be submitting anything under these terms. I sincerely hope this gets straightened out for next year, because it’s an otherwise extremely cool event.

So where to go from here? We encourage the WPPD team to re-think the rules. The basic idea of WPPD is, in our opinion, both excellent and exciting. We think we should not go off on a “WPPD SUCKS!” campaign. While this year’s rules deserve to be scrapped, the event itself deserves to be celebrated and supported. If the rules don’t sit right with you, we encourage you to write a polite message to the WPPD team at the designated email address, support@pinholeday.org, and tell them that you’d like to see them changed for next year. Or, they could make the one possible good use of rule 18 (the rules are whatever we say they are) and retroactively change this year’s rules to something sane.

Nicolai Morrisson & Katie Cooke

 

UPDATE, 3 March 2007, 11:30pm GMT -5 (US EST)
We posted a copy of this to the f295 Pinhole Forum at the same time it was posted posted here (about 9 hours ago) as it seemed relevant. I just discovered that the thread has been deleted. It was located at f295 Pinhole Forum -> Thoughts and Observations: General Discussion -> Serious concerns about WPPD terms (last part now dead).

No word from the WPPD team yet.

It’s Worldwide Pinhole Photography Day!

Today, Sunday, 29 April, 2007, is Worldwide Pinhole Photography Day! Get out and shoot, then upload your best shot to the 2007 gallery!

There are heaps of workshops around the world that cover both camera building and shooting and processing, check the WPPD events page for something near you.

More info at pinholeday.org.

I’ll be heading out with a Zero Image Zero 69 in each hand, doing my best to make a dent in the freezerful (plus two crisper drawers, plus some overflow, erg) of expired film taking over my kitchen cooling unit. Get shooting!!

Chris Keeney offers custom MintyCam pinhole cameras

MintyCam pinhole camera

Experimental photographer and camera builder Chris Keeney (whom I recently had the pleasure of interviewing) is now offering custom, hand-made MintyCams, which are pinhole cameras made from Altoids mint tins.

Keeney writes:

For those of you that are interested in the mintycam, but aren’t sure you want to go to all the trouble of painting, cutting, etc., you can now pay a small price for me to make one for you. Since this is a labor of love, I’ve decided to keep the cost low, while charging enough to cover my material costs.

You get:

1. Altoids tin that is painted with primer and flat black paint.
2. A professionally drilled CK pinhole (about 250-300 microns)
3. Loading and unloading instructions
4. CK tips & tricks for taking better mintycam photos
3. Take-up spool and silver metallic turn key
4. Certified Mail / Shipping
5. Custom stencil painting of your initials and the creation date

Not bad for US $28! You can order here, as well as get instructions for building your own.

 

Whale Spring by Chris Keeney, MintyCam pinhole camera photo

Whale Spring by Chris Keeney, MintyCam pinhole camera photo