MAGNAchrom magazine issue #4 is up

Dear MAGNAchromers,

Wow. The 4th issue is finally “in the can” and is available to download for free from our website www.magnachrom.com. Time for me to take a day off (or two) and then start the 5th issue.

Anyway, we have really been listening to your your ideas over the past few months. And as a result, this issue has been totally re-designed in order to allow us to better provide MAGNAchrom in alternate media in the future (such as CD-ROM, print-on-demand, etc). We have lots more planned in the near future and only need your continued support.

Featured in this issue
SOAPBOX: A Brotherhood of Photographers
HOT MODS: MP4 with Technika-style lensboards
4-SQUARE: Tim Myers
STUDENT WORK: The Royal College of Art
REVIEW: Shen-Hao HZX 45IIA
CENTERFOLD: Mike Stacey
FEATURE: Sandy King: Carbon Prints
CUSTOMIZE: A Homebrew 6×17 Camera
INTERVIEW: Robert Kresa
NEWS: New Stuff
COLLECTIBLES: Rolleiflex TLR
PROJECT: Working Class
PARTING SHOT: Guggenheim, Bilbao

We hope you enjoy the new "look" of MAGNAchrom — please let us know if you like the new direction we are taking. Again, we REALLY value your feedback — keep it coming! MAGNAchrom is a labor of love.

P.S. the next issue, the 5th, is all about night photography and we still have some "room" for a few additional supporting articles — please feel free to pmail me at editor “at” magnachrom “dot” com and I’ll try to fit your work in.

P.P.S the following issue, the 6th, will be all about hybrid photography — probably our most ambitious issue yet. Any of you who are comfortable mixing analog and digital processes should REALLY consider contributing to this issue. Pmail me as above.
J Michael Sullivan
Editor/Publisher, MAGNAchrom
www.magnachrom.com

MAGNAchrom is available as a free PDF download for registered users (which is also free).

Horseman SW-D Pro super wide angle camera

Direct Source Marketing (DSM) Press Release:

CONCORD, CA, June 22, 2006 – A joint venture between Rolleiflex and Horseman today announced one of the widest angle cameras on the market, Horseman SW-D Pro, which accepts digital camera backs to give professional and high-end consumer photographers wide angle opportunities that weren’t available in the past for medium format digital photography. Some of the possibilities not generally accessible for medium format digital photography in the past include super wide angle lenses and bellows-like movements.

Super Wide Angle Lens

Super wide angle lenses were not commonly usable with digital camera backs in the past, because of physical limitations of the camera body. But now, with the Horseman’s new design, you can use a 24mm lens unit with any digital back equipped with a Hasselblad V® mount.

The 24mm lens unit in combination with a 38 x 48mm image sensor provides the same angle of view as a 17mm lens with the 35mm format. This super wide angle is especially useful in interior architecture and landscape photography, but there are many other applications.

The Horseman SW-D Pro lens units come quipped with German Schneider and Rodenstock digital lenses. The shortest focal length, the Schneider Apo-Digitar XL24, is one of four available lens units that include Rodenstock Apo-Sironar digital lenses of 35, 45 and 55mm focal lengths. Horseman SW series (originally for film cameras) lenses can also be used.

All of the available lenses are optimized for digital demands, which mean a smaller image circle with high optical resolution and contrast. This is important because for digital photography, lenses are designed to provide optimum MTF at relatively wide apertures since resolution of the digital image drops visibly at stopped-down apertures (f-stops).

Control of Movement

The Horseman SW-D Pro gives you the freedom of bellows-like movements and adjustments for work that benefits from rise, fall or image plane shift… Maximum rise and fall are 17mm in either direction or (with a 24mm lens unit), 10mm. Sideward shift of the image plane is possible by 15mm in either left or right direction. By combining shift with several exposures, images can be "stitched", resulting in maximum image sizes of up to 48 x 66mm or 36 x 78mm (depending on image sensor orientation). For professionals, being able to manipulate camera movement can make all the difference in sharpness and photo quality.

Franke & Heidecke, manufacturer of the Rollei medium format camera in Germany, and Komamura (Horseman), a leading manufacturer of medium and large format cameras in Japan, announced in February their joint venture to distribute their medium and large format professional cameras in the U.S. through Komamura and doing business as Direct Source Marketing. DSM was created as a result of the joint venture between Komamura Corporation, a long time distributor of Rollei and Horseman products in Japan, and Franke & Heidecke, the Germany-based manufacturer of Rollei products.

The Horseman SW-D Pro is currently available from leading high-end retailers. For more information, go to www.dsmww.com

Suggested retail for the camera is $2,799. Lens pricing is $3,899 for the 24mm lens with APO-DIGITAR 24/5.6; $2,499 for the 35mm lens with the APO-SIRONAR-DIGITAL 35/4.5; $2,599.for the 45mm lens with the APO-SIRONAR-DIGITAL 45/4.5; and $2,599 for the 55MM lens with the APO-SIRONAR-DIGITAL 55/4.5.

Via PhotographyBLOG