Toy camera photography workshop with Kurt Norlin, Oregon, US

Workshop flyer:

Tired of all the technicalities of high-end cameras? Toy Camera photography is photography at its most basic, freeing up the photographic artist to concentrate on the creative side of image making. Often made with a plastic lens and limited controls, these simple devices produce images that have unique visual qualities. The students in this workshop will gain an overview of toy camera photography, and how to properly set up and load the camera for the best results. Cameras will be available or bring your own. This is very much a hands on class. No prior darkroom experience needed, just a sense of play, and a desire to see the world in a new way.

OCT 10-11, 2009 * VISUAL ARTS CENTER * NEWPORT, OREGON

THE WORKSHOP IS LIMITED TO SEVEN STUDENTS

Sat 10am-noon Historical overview, setting up the toy camera,
1pm-5pm: Shoot: Nye Beach, print contact sheets.

Sun 9am-noon: Shoot: Newport Waterfront
1pm-4:00pm Print contact sheets.

Cost: $100.00 + 40.00 (lab)

A $50.00 non-refundable deposit can be made through PayPal using the email address below as the account name, or by check. Please send checks to:

Kurt Norlin / 422 Railroad St. SE / Albany, OR 97321 / (541) 967-6892

The balance is due at the start of the workshop. Film (five rolls of B+W), processing, and contact sheets are included in the lab fee.

Kurt is a graduate of Central Washington University (BA, MA) and the University of Oregon (MFA). He has been working with toy camera photography since 1993 and taught at Linn-Benton Community college from 1994 to 2009. To contact Kurt: norlink1@hotmail.com. If you would like to see some of his toy camera work go to kurtnorlinphotography.com and check out the Alt Viz gallery.

Visual Arts Center
777 NW Beach Street
Newport, Oregon 97365
(Nye Beach Turnaround)

Wet plate collodion workshop, Barcelona, ES

Wet plate collodion artist/educator Quinn Jacobson writes:

The Atelieretaguardia Studio in Barcelona is planning a 3 day wet plate collodion workshop in Barcelona for May 30, 31 and June 1, 2008 and they’ve asked me to teach it!

DOWNLOAD A PDF HERE FOR MORE INFO – IN ENGLISH AND SPANISH

I taught a workshop here in November 2007 and it was a premium experience. They have a wonderful space and are a group of very talented people! I HIGHLY RECOMMEND attending this if you’re in Europe and want to learn the wet plate collodion process, you won’t regret it.

You can contact them at:

ATELIERETAGUARDIA
c/riereta 20 bis
08001 Barcelona (Spain)
+34 93 4429442
info@atelieretaguardia.com

Camp Obscura pinhole photography workshop, NM, US

Check out the Camp Obscura pinhole photography workshop led by Jackie Mathey:

  • Construct your own 4×5 super wide pinhole camera.
  • Expose images using black and white photographic paper and film.
  • Develop your own images.
  • Quick viewing with digitally scanned images.
  • Craft your images into works of art with the cyanotype printing process.
  • Create a camera obscura and experience what it is like to be inside a camera!

Each camp is held at the historic home of Olive Rush, currently the Friends Meeting Hall at 630 Canyon Road, in Santa Fe, New Mexico. The space is a beautiful adobe home with a rambling back yard situated about half way up Canyon Road offering a plethora of image making options for the pinhole photographer.

In this beautiful small group setting we will build our 4×5 super wide pinhole cameras and get a hands on approach to the geometry of photography. As we experience the camera obscura first hand we gain an intimate understand of the way light moves and images are revealed. We will expose and develop images, made with black and white photographic film and paper, while exploring unique locations. Negatives will be digitally scanned for quick viewing while our printing will be done in the alternative process of cyanotype. As a group we will create a short pinhole animation that will be digitized onto a disc for each participant along with scans of their images.

Join us for adventures in pinhole photography and the camera obscura and explore the history, art and techniques of this beautiful and intuitive process in its simplest and most rewarding form.

The workshop runs nights & weekends 21–28 September, 2007, at Friends Meeting Hall, Santa Fe, NM, US.

More info at CampObscura.com

Pinhole photography workshop with Matt Callow, MI, US

Photographer Matt Callow writes:

The pinhole workshop I ran last summer for teens was such a success that the library has invited me back to run another one, though this time for adults.

This time, instead of using paint cans and paper negatives, we’re going to make our cameras using matchboxes and 35mm film (based on Alspix‘s funky design). So for the last couple of weeks I’ve been trialing a few prototypes, testing out a few ideas, and taking lots of pictures of myself with bedhead and bathrobe.

For anyone who’s local and interested, the workshop will be at the AADL’s Malletts Creek branch, Saturday Feb 17th, 2007, 12–3pm. More details here.

Callow is an accomplished photographer whose work you can see at his Web site, MattCallow.com, and on Flickr.

"Photography Without a Lens: An Artisanal Approach" workshop, NJ, US

Join us for this lively and engaging workshop in which we’ll investigate the artisanal qualities of lensless photography. Participants can expect to discuss the historical and contemporary uses of lensless photography, learn about different camera options and then design and construct a camera to achieve different types of images. Spend time using the camera(s) to make images and developing/printing those images in the darkroom. We’ll also enjoy discussions regarding the counterpoint these "primitive" techniques play in the world of contemporary photography, peer review of participants pinhole work, and how the longer exposures inherent to pinhole work affect both the images and the act of making them.

The workshop runs 8–10 September, 2007 at the Peters Valley Craft Center, 19 Kuhn Rd Layton, NJ, US. It will be run by Tom Persinger, who is an accomplished pinhole camera builder & photographer, runs the f295 Lensless Photography and Alternative and Adapted Process photography fora, is the organiser of the upcoming 2007 Symposium on Lensless, Alternative and Adaptive Photographic Processes, and has written numerous magazine articles on lensless imaging. In short: you’re in good hands!

Skill Levels: Beginner to Advanced
Tuition: $325
Lab Fee: $30

You can register online.

Via Pinhole Visions

Pinhole workshop at Zoom In, London, UK

The not-for-profit Zoom In Photography School are having a pinhole workshop at their location in Clapham. Their course prospectus begins:

The Pinhole Photography course is a fun way to learn and demystify the mechanics of your camera. Deliberately structured to help you understand your own camera better but also providing essential skills in those who wish to develop this old photographic technique in their photographic art work. You will cover everything from preparing your camera, constructing your camera using simple mathematical formula to taking meter readings and photographs and processing positive images from your negatives.

Continue reading at Zoom In

Via Estellelatcho

f295 Symposium workshop information

Tom Persinger writes:

If you’ve done all your holiday shopping and are thinking about something for yourself how about one of the many workshops being offered as part of the f295 Symposium on Lensless, Alternative and Adaptive Photographic Processes? The Symposium takes place in Pittsburgh, PA USA 26-29 April 2007.

The workshops that are currently available for registration are filling up quickly. If you’re interested in participating in one (or more) of them I urge you to contact the organization/person listed as the registration contact ASAP.

Complete Symposium information may be found online at www.f295.org/wordpress, but here’s the workshop info:

One Day Daguerreotype Workshop at the Daguerreian Society World Headquarters

Instructor: Mike Robinson

Learn the traditional mercury daguerreotype process in this one day workshop. Mike will first demonstrate the process, then each participant will have the opportunity to create their own daguerreotype. All cameras, equipment and materials will be provided. No prior experience is necessary.

This workshop is limited to 6 students. (ONLY 4 spots remaining!)

Location: The Daguerreian Society, 3043 West Liberty Avenue
Date:Saturday, 28 April 2007
Time: 9 a.m. – 6 p.m.
Cost: $350 Workshop fee plus $50.00 material fee.
Registration: phone: (412) 343-5525 e-mail dagsocpgh@comcast.net

One Day Wet Plate Workshop with CFAAHP

Instructor: The Center for Alternative and Historic Processes

Learn the 19th Century Technique of Wet Plate Collodion in this one day workshop. We will discuss the differences between ambrotypes (glass positives), glass negatives and tintypes (positives on tin). Students will learn ‘hands on’ how to make a wet plate image using a reproduction camera and original brass lens. The history of the process will be covered as well as a brief description of the chemistry used.

All materials (cameras, chemicals and glass/tin) will be supplied. Limited to 10 students. (ONLY 8 spots remaing)

Location: TBA
Date:Saturday, 28 April 2007
Time: TBA
Cost: $250
Registration: patty@cfaahp.org, phone: (917) 406-5638 or check www.cfaahp.org for upcoming details

Gum Printing with Terry King (Gum Rex)

Instructor: Terry King, FRPS

Terry King’s approach gives control of colour and contrast in the gum process comparable to that obtained by the great workers at the time of the Photo Secession. Negatives can be on paper or film from digital or analogue originals. The process can work with both acrylics and watercolour. Rather than the very long exposures used by many people working in gum, exposures using Terry’s process can be as short as a few seconds.

Participants should plan to bring their own large negatives, but there will also be a selection of large negatives on hand for participants to experiment with. Each student will be given a manual to take home.

Location: Pittsburgh Filmmakers
Date: Saturday, 28 April 2007
Time: 10am – 4pm
Cost: $250
Registration: sueabe@pghfilmmakers.org or phone: 412-681-5449 ext. 216

Primitive Photography: Camera and Lens Making

Instructor: Alan Greene

Whether you’ve been considering exploring large-format photography and have been deterred by cost or are a long time large-format photographer looking for ways to expand your craft this workshop is for you! We’ll use optical surplus and materials commonly found in home improvement stores to build a functioning landscape lens and box camera that uses standard, commercially available, 8×10 film holders.

In addition to the steps of construction, basic principles regarding format size and optical image formation will also be discussed. Participants will leave the workshop knowing how to use the skills and knowledge they’ve acquired to arrive at similar camera and lens design configurations for use in other formats (4×5, 5×7, 11×14, 14×17, etc!).

Limited to 12 participants. Sign up early so you don’t miss this great opportunity!

Location: Society for Contemporary Craft
Date: Saturday, 28 April 2007
Time: 9:00am – 5:00pm
Cost: $90 ($80 SCC members) + fee for materials (approx $40)
Registration: thestudio@contemporarycraft.org or phone (412) 261-7003 ext. 25

Pinhole Camera Workshop

Instructor: Tom Persinger

In this exciting, hands-on workshop participants will build their own large format pinhole camera, drill their own pinholes, expose images using paper negatives and develop them in the darkroom. This is an entry level workshop ideal for someone just getting started in lensless photography.

Location: The Mattress Factory
Date:28 April 2007
Time: 10am-4pm (includes lunch)
Cost: $35 ( $30 for MF members)
Registration: education@mattress.org or phone (412) 231- 3169 ext. 212, 213

The Cyanotype Rex

Instructor: Terry King, FRPS

Terry King will give people the opportunity to practice his cyanotype rex process. The method and the chemistry vary both from the standard approach and some new cyanotype processes. The process is fast enough to use in camera. According to the length of exposure, the strength of the toner and the time in the developer and toner, the process gives a wide range of colors and tones from negatives. of different densities.

Participants should plan to bring their own large negatives, but for those who do not have negatives there will be a selection to experiment with. Each student will be given a manual to take home.

More information about the Cyanotype Rex process is available on his website.

Location: Pittsburgh Filmmakers
Date: Sunday, 29 April 2007
Time: 10am – 4pm
Cost: $250
Registration: sueabe@pghfilmmakers.org or phone: 412-681-5449 ext. 216

Pinhole photography group show in Ann Arbor, MI

After a successful pinhole workshop at the Ann Arbor District Library in August, photographer Matt Callow is curating an exhibit of work created by the workshop participants, to be displayed at the Malletts Creek branch along with a selection of photos of the workshop in action.

Opening reception Friday, 22 September, 2006 at 7pm, at 3090 East Eisenhower Parkway, Ann Arbor, MI, US.

Details at the library Web site.

Pinhole photography crash course workshop, DC, US

This workshop is a crash course in pinhole photography. Students will make a pinhole camera, make exposures, process the negatives, contact print the negatives. In addition, a presentation of historical and contemporary works will expand student awareness of the vast potential pinhole offers. The current resurgence of pinhole photography in contemporary art makes this class a good choice for all, from the mildly curious to the highly adventurous.

The workshop, run by photographer Bruce McKaig, is on Saturday, 16 September, 2006 from 10:00am–1:00pm at Capitol Hill Arts Workshop, 545 7th Street, S.E., Washington, DC, US. Cost is $65.

The Capitol Hill Arts Workshop has several other photography classes available.

Via Pinhole Visions

Photography masterclass w/ Alan Knowles, Christchurch, NZ

Alan Knowles will give a two-day Masterclass in Christchurch in conjunction with his exhibition, Biscuits, at Canterbury Museum. His presentation will be aimed at photographers with some experience who are working on documentary projects or wish to get into this area. Topics to be covered will include: choosing themes, planning projects, sponsorships and funding, gaining access, obtaining consents, editing the photo essay, negotiating with editors, working with writers, finding a publisher, planning an exhibition, photo agencies, getting paid and annotating and pricing photographs as art.

The Masterclass will be held on Sunday 13 August and Monday 14 August 2006, 9.00 am – 4.30 pm at Level 1 Annex, Canterbury Museum, Rolleston Avenue, Christchurch. The two-day Masterclass will cost $430. Places are limited and bookings are essential. For more information contact Rachel Vavasour, Canterbury Museum’s Education and Public Programmes Manager, telephone 03 366 9429 ext 738 or e-mail rvavasour@canterburymuseum.com

Via GRINZ