Today is Worldwide Pinhole Photography Day!

Make some pinhole photos, pick your best one, and upload it to the WPPD gallery (free)!

Don’t have a pinhole camera? No problem! There are workshops and exhibits of pinhole photography all over the world today where you can build or use one, check the events listings for your area.

If there’s nothing near you, grab the free plans for one of these paper cut-out do-it-yourself 35mm pinhole cameras:

The Dirkon

Nick Dvoracek‘s Populist (PDF link).

I’m going to shoot and check out the show [see previous post] at RayKo Photo Center in San Francisco, CA, US.

Happy shooting!

PS Please note that despite what they tell you, WPPD is not presented by the Lomographic Society International!

Lomographic Society continues to suck, co-opts Worldwide Pinhole Photography Day

The goons at the Lomographic Society International—the people who brought the world the $20 Holga for $70 and monopolistic control over the distribution of the Lomo LC-A camera—have now added Worldwide Pinhole Photography Day to the list of products and events they had nothing to do with creating that they’ve claimed as their own. The headline of their latest newsletter proclaims, “THE LOMOGRAPHIC SOCIETY INTERNATIONAL PROUDLY PRESENTS THE WORLD PINHOLE DAY”.

Um, no.

WPPD was started in 2001. As far as I know—and please correct me if I’m wrong—none of the members of that year’s coordinating team were affiliated with LSI. Same with this year’s roster. Or any year in between. So to the best of my knowledge, LSI doesn’t present WPPD, proudly or otherwise, at all.

Granted, they don’t use the exact same name, they call it “World Pinhole Day”, and the actual pinhole day event is called “Worldwide Pinhole Photography Day”, but they look same, and they just happen to fall on the same date.

Why would they do such a thing? Probably because it’s a good way to sell more pinhole cameras. They have a decent selection of horribly overpriced pinholes to choose from. And that’s fine. But is it necessary to claim WPPD as their event, which is clearly a crock of shit, to do so? No. They could have gotten behind the real Pinhole Day and promoted it to their mutual advantage instead of choosing this classically-LSI approach. I urge you to think about the kind of company you’re supporting when you buy from them (to say nothing of the fact that you’re almost certainly over-paying).

Here’s where to get the pinhole cameras LSI sells, or equivalents, for less. Prices are in US dollars.

PinHolga: $60 from LSI, $21.95 from holgamods

35mm PinHolga: I don’t know, but you can convert most $1 plastic 35mm cameras yourself, or you can make or buy a pinhole cap for your 35mm, medium format, or digital SLR.

Bulldog Large Format Camera: $325 from LSI, $302.43 from camerabellows.com (as of today’s exchange rate, and that includes VAT, which shouldn’t apply to US orders). And, you can find used, no-assembly-required 4×5 cameras for less. You can try the Buy/Sell board on the Large Format Photography Forum, the Cameras & Lenses classifieds on APUG, or the auction sites.

Zero Image Zero 2000 (“Zero Pinhole 120”): $165 from LSI, $93 from the manufacturer

Zero Image Zero 135 (“Zero Pinhole 35”): $140 from LSI, $93 from the manufacturer

Zero Image Zero 69 Deluxe w/ spirit level & cable release (“Zero Image Deluxe”): $320 from LSI, $222 from the manufacturer

Noon Large Format Pinhole: $225 from LSI, grab the similar-looking and almost certainly identically-functioning (LSI doesn’t list the focal length of the one they sell) Santa Barbara 4×5 75mm pinhole camera for $63.95 from B&H

Sharan DIY Pinhole: $40 from LSI, free if you download and print the plans for the original Dirkon paper pinhole camera, or you can grab the plans for Nick Dvoracek‘s Populist cut-out pinhole camera (PDF link). They’re all paper cameras that you have to put together yourself.

SmileyCam: $25 from LSI, $23 from Justin Quinnell, who makes them. Or just make one yourself, which should be very easy.

And it’s not a pinhole, but you can get a SplitCam $11.95 from the awesome American Science & Surplus instead of paying LSI $25.

 

Why else don’t I like the Lomographic Society?

Shitty products at high prices: their flagship, the LC-A, is a piece of junk. The lens is unique and awesome, but the camera that surrounds it sucks. They didn’t build them, but they locked down the supply and charge a premium. The first LC-A I ordered from them operated in bulb mode no matter what. The shutter button on the replacement fell off after running less than five rolls through it. I haven’t used an LC-A+ and therefore can’t comment on it.

Their Colorsplash and Fisheye cameras have some of the worst build quality I’ve ever seen. Yes, they work. But for how long? I think my $1.50 Lex 35 crapcams are actually built slightly better.

Their Hipshot was my first camera bag. The seams are unraveling and the Velcro on the camera compartments doesn’t stick—even when I press them together carefully—which leaves anything you put in them likely to fly out and break as you move.

Terrible customer support: When I received the broken LC-A, I sent them several emails over the course of I think three weeks and never got a single response. Finally I called them, sent back the whole package, and got only a replacement camera back. I guess they kept the rest of the kit.

Monopolistic and bullying business practices: they secured world-wide exclusive distribution rights to the LC-A from the factory (can’t charge $200-250 for a $50 camera if there’s any competition!) and then went after anyone else who sold them, regardless of origin.

For example, Lomo Joe is a guy who lived in St. Petersburg, Russia. If you didn’t want to pay the extortionate Lomo Society price for an LC-A, he’d go buy one in a local store and send it to you. Check out the threatening letter LSI president Wolfgang Stranzinger sent him.

Getting people to love getting ripped off: this one’s almost difficult not to find evidence of. People drool all over themselves for anything “Lomo” (including things whose only connection to Lomo is that they’re sold by LSI, like Holgas and Horizons) and just can’t wait to be taken advantage of by paying hugely inflated prices and having their work published in books that LSI profits from without offering the photographers any compensation. I guess getting screwed by a marketing company is its own reward.

Pinhole Day show and workshops at RayKo Photo Center, CA, US

All kinds of good things are happening for Worldwide Pinhole Photography Day at RayKo Photo Center in San Francisco, CA, US:

Work by Katharine Kreisher and Rebecca Rome in the main gallery; meet the artists from 3–5pm.

A group show of pinhole photography (including work by Katie Cooke and myself).

Free rides around San Francisco in Simon Lee‘s “bus obscura”, a van that’s been converted into a pinhole camera!

Sweet!

f295 Symposium workshops now available

Tom Persinger of f295 writes:

I’m pleased to announce that registration for ALL of the the symposium workshops is now available! We have a number of exciting offerings this year -some are being presented in the United States for the first time! The quality of instruction available is amazing. You will not be disappointed!

Here are the workshops, instructors and cost of what we’re offering this year:

An Artistic Approach to Digital Negatives, w/ Jill Enfield, $125.00

Bookmaking for Artists & Photographers, w/ Laura Blacklow, $125.00

Calotype Paper Negatives (Dry Process), w/ Alan Greene, $200.00 (+ $35 materials fee)

Developed-Out Salt-Printing, w/ Alan Greene, $200.00 (+ $35 materials fee)

Combined Calotype and Developed Out Salt Printing Weekend $350 (+ $50 materials fee)

Chrysotype and Cyanotype Rex Workshop, w/ Terry King, $270.00

Collodion and Albumen Platinum Prints, w/ Terry King, $260.00

Daguerreotype Workshop -SATURDAY, w/ Mike Robinson, $500.00 (+ $50 material fee)

Daguerreotype Workshop -SUNDAY, w/ Mike Robinson, $500.00(+ $50 material fee)

Gum Bichromate Printing, w/ Scott McMahon, $200.00 (+ $35 materials fee)

Planning, Organizing, and Staging a Successful Exhibition, w/ Jesseca Ferguson, $25.00

The Magic of the Photogram & Camera Obscura Techniques, w/ Ilan Wolff, $275.00

Wet Plate Collodion: An Introduction, w/ Patricia Katchur, $350.00

Wet Plate Collodion Field Trip, w/ Patricia Katchur, $350.00

Wet Plate Weekend (combines Intro and Field Trip at a discount) $600

You may register for the workshops and the symposium here: www.f295.org/symposium2008/?page_id=111.

Space is limited and we’ve already had a few sign-ups for some of these workshops. If you have interest in taking one consider signing up right away.

REMINDER: workshops are currently only available to those registered for the symposium (workshops are not included in symposium registration). Symposium registration is now available at an ‘early registration discount’ for $135 – only $75 for students! These prices last until March 1 when the rate increases to $150.

**Cancellation Policy: Symposium and/or Workshop reservations may be canceled for a full refund up to midnight April 17, 2008. Reservations canceled between April 18 and midnight May 15 will receive a 50% refund and cancellations after May 15 will receive no refund.

Complete Symposium Information:
http://www.f295.org/symposium2008

PS: We’ve just received word that in addition to B&H Photo and Pinhole Blender, Lensbabies and Fujifilm will be joining us in Pittsburgh! We’re poised to make several more exciting exhibitor announcements over the next few days. Stay tuned!

f295 Early Registration Reminder

Tom Persinger of f295 writes:

We only have a few of The f295 Special Early, Early Registration Rates available! $120 instead of $150, and $75/students. Unless we sell all 40 slots prior -which looks highly probable- this rate will expire Saturday Feb. 2.

If you’re planning to come to Pittsburgh for the Symposium May 29 – June 1, 2008 Register today to reserve your seat at the best possible rate! Prices will increase Saturday at midnight EST to the (still discounted) EARLY Registration.

To Register: www.f295.org/symposium2008/?page_id=111

For Complete Symposium Information: www.f295.org/symposium2008

To book your stay with the official Symposium hotel:
Call 1-800-UNIV-CTR
Mention block code F29 to receive the discounted symposium rate.
There are a limited number of rooms available at this price. Reserve as early as possible to guarantee this great rate! Hotel price: $115 -single, double, triple or quadruple occupancy.

See you in Pittsburgh!
Tom

PS: the f295 Seminar in NYC was a fantastic success! some images may be seen here
and here.